The Cold Light of Day

This is a fair remake of a grand old movie, "It Happened in Broad Daylight" (1958) or "Es geschah am hellichten Tag" in German.

The story is almost the same, but the movie is much more modern, of course. It has some Hollywood-like cliches that don't suit the original.

If you like detective stories of that kind you might enjoy it, but if you understand just a few words in German I'd always suggest to watch the original old movie with German cult-actor Heinz Ruehmann.

This was a fairly interesting story but I didn't like the lead actor, Richard Grant, who played "Victor Marek." It's about a British cop ("Marek") trying to trap a sick child killer, and at the same time his mind is on a woman and her kid. He winds up using them as bait to get the killer. In doing so, he lost me.

He wasn't a "good guy," himself and certainly not a likable person that we are supposed to root for in the film. Even Richard Grant's looks in here (tell me that wasn't eyeliner on him) were annoying.

The best part of the film was the cinematography. This was a nice-looking film on VHS and it's too bad it isn't available on DVD. I wouldn't buy it, but I might rent it to catch the good photography.

Not having seen the original (In Broad Daylight, if I'm not mistaken), I viewed this film without preexisting expectations and loved it. It's very suspenseful without using formulaic devices and had a really rich pace and rhythm. The characters are very real and three-dimensional and Richard E. Grant gives a wonderful performance (as always, IMHO). I tend to enjoy films that feature character actors in leading roles. They don't have the off-screen persona that tends to overwhelm character portrayal as sometimes happens with conventional leading men and ladies. Sorry about the digression. If you like suspense-thrillers that are intense without displaying a great deal of frenzied action, you'll like this movie.

Others that gave this film low ratings are SO missing out. The character development is superb, the acting compelling, and suspense palpable in parts. No, it doesnt have desperate, flashy attempts at getting your attention. It doesnt need them. The introduction of Perdita Weeks was brilliant. Please dont shy away due to the poor reviews sprinkled in among true and brutally honest reviews. This one will stick with you for a long time...and I guarantee you'll be talking back to the television when you grasp the gravity of the developing story. Maybe you'll zhout about it... but you'll be held captive by this film until the very end.

Less satisfying than "Silence of the Lambs," but nevertheless haunting, suspenseful, and worth a rental. It was one of those that stayed with me.

At heart, it is the psychological study of an ex-cop (Grant)trying to balance two opposing aspects: his compulsion to apprehend a child killer and his growing love for a woman (Baxter) and her young daughter (Weeks). The struggle forces him to confront his own limitations, the denial of which leads to the climax and possible tragedy. This is paralleled by Baxter's convincing portrayal of a mother vacillating between suspicion and trust, fear and love.

The film subtly but effectively sexualizes the daughter to give us glimpse of childhood through the psychopath's eyes, a technique which sharpens and crystallizes both the plot and mood. Unfortunately, the psychological study of the killer, though ample, seems week and would have benefited from more attention by the writer.