The Jungle Book

The switch here, and Jason Scott Lee does it with skill and heart of genius, is that Mowgli talks to the animals in their languages. We do not hear the animal speaking English. But from the moment Bagheera offers his tail to the tiny Mowgli and Mowgli grasps that tail, we are in intimate communication with the animals. Mowgli, his pet wolfcub and the rescued bearcub Balu follow the panther through the jungle and I went with them. Every actor modulates his or her performance to make the story happen, to balance the telling. Kitty, Mowgli's childhood friend, does not let one drop of saccharine spoil her natural young woman. Cary Elwes as a villain is frighteningly archetypal (just as he is a beautiful hero in other films). . . But the animal actors are what compel me to fork over dollars for my own copy of the video. Since they are surrounded by masterful cinema storytelling and heartfelt human performances, their work carries the main theme of this film. We know now how fragile the jungle and its inhabitants are as man approaches with guns and bulldozers. The delicate balance of man and animal, the diplomacy of Mowgli at times, the essence of courage and loyalty -- all this is portrayed. If you know the original Jungle Book and the moral spirit of its author, you recognize that the character of the jungle inhabitants is respected. In this film, while we are given an adventure extrapolated from the original literary situation, the Law of the Jungle is kept. For sophisticated Kipling see the Michael Caine/Sean Connery film "The Man Who Would Be King".

A very enjoyably movie, it's kind of Aladdin meets Indiana Jones. It's a little intense for very young children. But overall a nice family action film.

My family used to own this on VHS, but I watched it to death. So I was pretty happy when I found it on YouTube. It wasn't the best version, but it didn't matter. I could still recite most of the dialog from memory. This is much much better than the animated "Jungle Book" to me because it's so much more real. Real live animals, real jungle flora, it's just perfect. I also didn't know who John Cleese was at the time, but now I can appreciate his excellent sense of humor.

Mowgli and Katherine have such wonderful chemistry as well. They have a history, and it's easier to feel for characters who do. The soldiers were well cast, with Harley being my favorite. While I prefer Cary Elwes in "The Princess Bride," he's still a good lead and bad guy. I highly recommend this to anyone who hasn't seen it yet.

Despite diverging in many ways from Kipling's classic novel, I love this film, and feel that it holds up well since when I was a child. It's been almost ten years since I last saw it and my affection for it hasn't declined. I cannot fathom why Disney hasn't attempted to revive it for a new release. It truly deserves more love.

One night in the jungles of India, Shere Khan the tiger attacks a convoy of soldiers of the British Empire whom Mowgli and his father were guiding. As a boy, Mowgli is smitten by the Colonel's young daughter, Kitty. In the chaos, Mowgli and his wolf cub Grey Brother are separated from the convoy and his father killed by the tiger and lost in the jungle. Bagheera the panther discovers the pair and leads them to the wolf pack where they are adopted as members of the pack. Mowgli also adopts a young Baloo as his brother. Mowgli grows up in the jungle and discovers his childhood sweetheart Kitty wandering through the jungle accompanied by her suitor, Captain William Boone. Mowgli follows her back to the British fort and his captured by Boone, but is freed on Kitty's request and is taught by her and Dr Plumford the power of speech and the ways of civilization, and Mowgli begins to fall in love with her over time. Captain Boone learns from Mowgli of the location of the lost Monkey City and its treasure within. Unable to adjust to life amidst the British aristocracy and saddened by Boone's proposal to Kitty, Mowgli returns to the jungle. However, Boone hatches a plan to lure Mowgli back to lead them to the lost city.

Famous Kipling elements such as the Law of the Jungle, the red flower as a symbol for fire and an affinity for nature are carried over which I believe makes it more genuine. Jason Scott Lee is emotive, innocent and sincere as Mowgli, and while I'm aware he's not Indian, I feel his performance solidifies his place in the role he truly feels closer in spirit to Kipling than the animated Mowgli (though I do very much like the animated film). Lena Headey is very likable as Kitty and has great chemistry with Jason, Cary Elwes is sinister and callous as the traitorous Boone, and Sam Neill and John Cleese both add humour and quintessential British charm to the film, especially Cleese in his interactions with Mowgli.

As any good film should I was swept up in the action, emotions and characters and being an animal lover I always rooted for Mowgli and his friends. While I was scared as a child at first, I still revisited for it's adventurous spirit and rewarding ending. I'd even go so far to say as this is Stephen Sommers' best film, balancing the more sentimental scenes with serious action and tension very nicely. The animal training is flawless; Shere Khan is an appropriately menacing force of nature, Grey Brother, Baloo and Bagheera are warm, benevolent brothers to Mowgli, and King Louie steals the show whenever he's on screen. The jungle and fort locations have a rich atmosphere and provide some beautiful visual elements, benefitting from actual location scouting in India. Basil Poledouris provides a romantic and exciting score that honestly deserves more attention, underlining the action scenes and moments of affection between Mowgli and Kitty. At 1 hour 50 minutes, it feels very nicely paced and manages to keep investment going.

My real problem with the movie is that, truth be told, this isn't really Rudyard Kipling's Jungle Book as the title would suggest. It can be too violent for a younger audience at times with the villains, Shere Khan, Kaa and the traps within the temple, and there are some instances of mild profanity but nothing I was especially disturbed by. And I suppose some people may be put off due to the fact that Sommers borrowed more from Tarzan (with Kitty as Jane) and Indiana Jones (with the human villains, temple and treasure) as opposed to Kipling that the movie's core concept does feel less original and the performances are just generally good enough to carry the story. Arguably its the best live action Tarzan film to date, only with an Indian setting, but it still pulls it off very effectively. Because of that same adventurous style, engaging visuals, romantic score and likable animal and human characters I still rate 1994's 'The Jungle Book' very highly and intend to watch it again soon.

Having missed this when first released, it was a pleasure to discover that this version of Kipling's THE JUNGLE BOOK has been photographed with stunning results in WideScreen color. It features an excellent cast headed by Jason Scott Lee, Lena Headey, Sam Neill and John Cleese, all giving admirable performances.

Detailed scenic wonders of the jungle with dense foliage, rippling waterfalls, exotic plants and animals--and best of all, the majestic looking sets for the hidden city holding all the treasures, are what make the film worth watching.

The famous story has its share of jungle thrills and these have been broadened to include even more conflict in the jealousy that evolves between Mowgli and a British officer who wants to marry the girl. His only interest in Mowgli is to have him lead him to the hidden city.

As the boy who finds out that Civilization can be more dangerous than any jungle, Jason Scott Lee is the perfect embodiment of Mowgli, capturing the character's innocence and naive nature in a way that is always credible. Lena Headey makes a lovely heroine as the girl he knew as a youngster who befriends him again, against the opposition of her arrogant British officer fiancé Cary Elwes whose untimely end makes for one of the story's most exciting and satisfying scenes.

Background music by Basil Pouledoris is highly effective and Stephen Sommers directs the whole piece in workmanlike fashion with only a few scenes a bit too intense for young children.

Summing up: An adventurous tale well told in a gorgeously mounted production.