Love and a .45

Some lazy and uninformed Critics and Reviewers can't help themselves and immediately lash out at this Movie's similarity to others Directed by Tarantino, Rodriguez, Stone, and Lynch. Truth of the Matter is that when Films are so near in release dates it is unfair and somewhat inaccurate to claim thievery.

It is more likely and a bit Metaphysical that these Creative Folks were all tapping into that Akashic Record thing or what may be called the Hundred Monkey Theory. Whatever. This is a very good, Fun-Frolic Road Movie with White Trash Anti-Heroes and a Kick-Ass Soundtrack. More quirky characters than have a right to exist in any one Movie and some Witty Banter that makes it all quite a Rolicking Ride.

It is over the top, around the bend, down the rabbit hole and off into outer space. Nutzoid and Naughty, Dirty and Delightful, with a Cast that cries out Cult Movie. It is proudly self-conscious, Violent, and Funny enough for it to become part of the Zeitgeist that was working in its Day and can not be ignored. This one will do nothing but gain Reputation and Admiration acquiring more Fans every Year.

It was an easy thing to miss and dismiss this in the Mid-Nineties but if nothing else, the Success of Renee Zellweger will have the curious seeking this one out as a Career Starter and while she is a standout here, this Movie has more to offer and does so with layers of interest far beyond anything as shallow as Star Power. It gets its energy from a Chemical Compound and a Cultural Milieu that is forever Fascinating.

I saw this movie late one night and was pleasantly surprised at how very good it was. Of course, it lacked in certain areas, and could have been better developed but I believe that if the budget was better, it would have succeeded.

This movie has a decent plot, really well-developed characters and very creative screen shots. I recommend this movie to anyone who is interested in Tarantino's style but by a different director. Definitely a cult classic.

Pretty good movie that has been pretty unfairly treated over the years. It has some flaws, but in general it stands out owing to outstanding performances and ingenious direction. It's been called a copy of "Natural Born Killers", but that comparison is both unfair and inaccurate. Unfair because the movie was completed *before* Natural Born Killers was released, and inaccurate because the characters are fundamentally different. Natural Born Killers was about two people who were by nature violent and evil, whereas this movie is about two who are by nature *not* violent.

Check out the movie yourself, and rather than listen to accusations that it's a rip-off of movies that actually came after it, give it a shot as what it is -- a better-than average entry in a long-standing film genre, the outlaw couple on the run. And where it's due the director gives nods to his influences. Note one item that struck me as an inside joke -- the addition of Peter Fonda, the star of one movie that truly *is* a predecessor of this one: Dirty Mary and Crazy Larry (1974).

I must admit, I was pleasantly surprised by this film. All I'd heard prior to seeing it was that it featured the world's first celluloid skull tattoo (it does, but that's another story). After seeing it, I highly recommend it to fans of the crime/road trip genre.

Gil Bellows and Renee Zellweger are Texas lovers in trouble with the law after killing some cops after him for a robbery/murder. Rory Cochrane, as his crazed ex-partner, follows the two to Mexico. The trip south of the border comprises most of the movie, and what a trip it is. Co-starring are Jeffrey Combs, excellent in a non-horror role, and Peter Fonda as --what else?-- a burn-out. The mostly rockabilly soundtrack is very good.

Tarantino-esq action thriller which is worth a look and will not disappoint fans of Quentin's films particularly True Romance. It has (lots of ) violence, rapid gun fire, white trash characters and a large dollop of that comic book humour that has got Quent where he is today. It is easy to see that this film takes its inspiration from the aforementioned film, but it does stand on its own feet as the script and the action is good enough to entertain you throughout. Bellows and Zellwegger are good in the leads and the supporting Rory Cochrane is great fun as their psychotic madman 'friend' out to settle a few old scores. Peter Fonda is a standout as Zellweggers' dad. Highly recommended.