Legends of the Fall

I can't believe the bad reviews Legends of the Fall got when it was released. This would have to be one of the best movies around. Everything from the acting to the directing was brilliant and the scenery was breathtaking.

Anthony Hopkins gave another knockout performance as Colonel Ludlow and Brad Pitt was brilliant as Tristan.Aidan Quinn, Henry Thomas and Julia Ormond were perfectly cast as Alfred, Samuel and Susanna.

The one thing I liked most about this movie was the ending - which I won't spoil. It is rare when watching a movie, you cannot pick the ending. The ending to this movie was so amazing, and the fact that it wasn't obvious what was going to happen made this movie more enjoyable.

James Horner is a master. Just like he did with Titanic, the score for Legends of the Fall took the movie to another level.

Not having read the novella upon which this is based, I don't quite understand the quirky reasons for the characters to behave as they do in 'Legends of the Fall'--nor do I understand just what the title is supposed to imply. It's all a bit grandiose with some of the most breathtaking color photography of a western landscape ever seen in an American movie--richly deserving of an Oscar for its photography. But the story is another matter--a sprawling, epic kind of familial tale of the struggle for a father's affection, the love of two brothers for the same woman, etc., with all of the characters swept up in tumultuous emotional states without preparing the viewer for the reasons.

The overall effect is disappointing when, after spending a couple of hours with these characters, you have no better understanding of their nature or what makes them tick. And yet, despite poor motivation, all of the actors do outstanding jobs--from Brad Pitt to Henry Thomas to Aidan Quinn to Anthony Hopkins--hats off for some fine acting. But at the core of the movie is a hollow factor that fails to touch base or explain the events. The jumps in continuity are a bit baffling.

On the plus side, the war scenes are especially realistic--and it's nice to see Henry Thomas (the boy from E.T.) developing into a fine actor. The outdoor photography is awesome and the score by James Horner is an impressive one. Too bad the script was such a letdown.

Summing up: a picture that can be enjoyed on its own terms--beautiful to look at but hollow inside.

I have enjoyed watching the film a number of times during several periods of my life and, as time goes by, I believe that it is gaining the general recognition it deserves! This is an epic drama about people dealing with personal demons within an amazing western scenery at the beginning of the 20th century in Western America. Everyone, including the father, the 3 sons and the "girl" is trying to heal the wounds inside. Tristan, the protagonist, is a wild spirit playing with fire, unable to form attachments for long. There is a constant battle going on inside him (between life and death, love and rage, passion and ethics, the visible and the invisible) affecting everyone around him. I would like to emphasize a point that I haven't read in other reviews: the boys' mother, even though hardly appearing on screen, has a key-role in the story: she practically abandons her husband and three sons, staying detached all the way, not even coming back for some major family events (funerals-weddings-births)! Such an abandonment causes tremendous emotional pain, relationship issues and deep trauma to everyone. The brothers are antagonistic, trying desperately to find their place in the world and prove their worth, one way or another: fighting at the war, excelling in politics, winning a woman's love and more! Tristan's magnetism seems to be so great that everyone (including us, watching) is willing to accept almost anything from him. He's something like a Sun for the women who loved him - they couldn't take their eyes off him, and we all know what happens when you stare at the sun... Does love conquer all? Sometimes yes, sometimes no... The movie is at times becoming overly dramatic, but I love it whatsoever. In my humble opinion, this is not a superficial soap opera - if you can read between the lines, there is a great analysis that can be done... Acting and cinematography are superb!

I have to say that the Oscar winning cinematography just blew me away in Legends Of The Fall. With British Columbia standing in for Montana of the early 20th century it's not called The Big Sky country for nothing. My guess though is Montana now is a bit too developed now to get the proper feel for atmosphere in which Anthony Hopkins raised his three boys all of whom turned out quite different.

The three sons in Legends Of The Fall are Aidan Quinn, Brad Pitt, and Henry Thomas chronologically. Quinn is the solid and reliable eldest who becomes one of Montana's Representatives in Congress. They usually had and still have only two of them. Henry Thomas can't get out from under being the baby of the family. The other two are constantly looking out for him.

It's Brad Pitt as the middle son who is our brooding protagonist and the closest thing Pitt ever did on screen as a romantic idol. Brad's like something out of one of those romance novels.

The brothers start showing their differences when Henry Thomas brings home Julia Ormond as his intended bride. She gets all their hormones in overdrive and when Thomas fails to return from World War I the rivalry between Pitt and Quinn drives the rest of the film.

Anthony Hopkins who served in the Indian wars in the cavalry was disillusioned by said conflicts and built his own empire where the native Indians share in its bounty. His kids however grew up in the era of Theodore Roosevelt where you answered your country's call no matter what. And like TR all three Ludlow boys are imbued with the idealism of the Allied cause. All three go to Canada and enlist in their army and defy their father. It all becomes a Greek tragedy of sorts in the end.

The Oscar winning cinematography is just breathtaking. The vastness of God's earth will dazzle the viewer and you might become an instant conservationist. Legends Of The Fall also won an Oscar for Art&Set Design which is also wonderful and I think that TR's Sagamore Hill might have been a model used.

Sad though that Hopkins, Pitt, Quinn, and Ormond got no Oscar recognition for this film. Even watching it on television without the big screen Legends Of The Fall still blows me away.

Normally love dramas don't interest me, since I find them boring and predictable. This film, while being more than "just" a good love drama, really impressed me. Many of the scenes are quite visually beautiful, some in cinematography, others in content. As a love drama, it's moving, and at times almost poetically beautiful. It involves three men, brothers, who are all in love with the same woman. She has a relationship with each of them, but ultimately realizes that she only loves one of them. The plot is very good, and evolves at the right pace for this type of story. Not terribly fast, but never stands still either. The actors all portray their respective characters well, nearly all of them giving a perfect performance. Anthony Hopkins is great, as always. There was not really anything in this movie that disappointed me. The ending scene involves some of the best cinematography I've ever seen. There is a very emotional scene near the end which is also one of the most visually beautiful I've ever seen in a movie. I recommend this to most fans of love dramas, and, to a lesser extent, fans of war dramas. 8/10