Out of Darkness

I have been living with a paranoid schizophrenic son for most of almost thirty years. This diagnosis is considered the most serious of all mental illnesses and is devastating to the entire family. Why is it the most tragic of all illnesses? Because you don't die from it. Instead most of those suffering with it live in utter torment their entire lives. Most never leave the self-imposed confines of their darkened rooms.

Diana Ross's portrayal of one suffering with this disease was brilliant. She should have won some kind of award -- at least some kind of recognition for her role. She was brilliant and, if anything, understated in her performance. She only touched the surface of the tragic sufferings of this horrendous brain disease.

Kudos for Diana!

I remember when I first saw this and thought this is the piece that will re-energize Diana Ross' acting career. An argument can be made that it is her best acting performance ever! even better than "Lady". For the simple reason is that there was no singing, or music for that matter in this film. Diana had to draw on other things to pull this off. And pull it off she did.. Why she didn't receive major accolades for this role is perplexing. Also this made for t.v movie has been locked in a vault somewhere for the last decade. I can't recall ever seeing this replayed again on t.v. The subject matter is very serious and reaches millions of people. It was handle well and with integrity. And the lead performance was as strong as any seen on the small screen.. So why has this performance and film been socio overlooked over the years? Very disappointing...

This film was very well presented, with good performances. It is sad, and does not distort or exaggerate as many other films have, regarding mental and/or emotional disorders.

Diana Ross is very good as Paulie, a once brilliant pre-med student, who can no longer function due to paranoid schizophrenia.

Rhonda Stubbins-White is also very good as the sister, who wishes everything would just "get back to normal". The actress who portrays Ross' mother is also very good. There is also a cameo with Lindsay Crouse, who attempts to help Paulie in a new day treatment program.

Some of the scenes are disturbing, and anyone who may have experienced situations like this in real life may find it close to the truth. Ross gives the audience an excellent portrayal of the disorder, living in her own world, and enduring many medications and hospitalizations.

Finally, she is given a new medication which actually works. The scenes are very well-done, as she is sitting outside the medical school, suddenly feeling like she wants to live life again.

What I particularly appreciated about the message in this film was that, Paulie recovers in her own time; at age 44, she must learn to re-live the rest of her life, even though she lost 18 years in the hospital, due to the illness. The film does not condescend or fault the patient, she is merely doing the best she can to cope with a destructive illness.

At the conclusion, we see Paulie as she is functioning, ready to finish school. On the way, she sees a homeless woman. She leaves her some food, reflecting on how alienated some people are, and how fortunate she was, to have received effective treatment. 9/10.

Diana Ross is gripping as a 42-year-old woman just finished with her third year of medical school who is sidelined by a particularly destructive bout of paranoid schizophrenia, a condition she's aware of and has lived with since her mid-20s. The delusions and voices come and go, but when a kindly doctor intervenes with a new drug, Ross has a chance to actually rebuild her life. A sensitive, educational TV-film that strives--and perhaps stresses a might too hard--to teach the viewer something about mental illness (as well as the shame family members feel about the disease, and their eventual acceptance of it). It's a heady acting vehicle for La Ross: she takes on this highly dramatic, unglamorous (and some may say well-trodden) role and gives it bitterness, rage, confusion and, finally, hope. The narrative is engineered to relay the overall goodness of our medical community (which may seem like a stretch to Ross' character, having been hospitalized over 40 times), while the writing is occasionally too flowery. Still, a disturbing and moving effort, with a gem of an ending.

I didn't realize I was watching Diana Ross when I saw this. She is very good.

The movie does an extraordinary job of conveying what psychosis is like. Been there, done that. What's even better is that it shows, in realistic ways, what it is like to cope with psychosis.

Too many films romanticize psychosis - madness is enticing if horrifying, a voyeuristic thrill for the presumably sane. In this film, it is humanized. Paulie struggles to "ride it out", to have a plan to cope, to cope, and to go beyond coping to living a full life, while managing her own condition. Tremendously empowering.

This film lacks syrup, and while it is dramatic it is not generally melodramatic. Paulie's work to trust others so that she can heal, to rebuild relationships with her family as she does, to face the real, irreparable changes that 18 years of poorly controlled schizophrenia have had on her child, her family & herself is so well portrayed that it merits a run-on sentence.

9 stars.