Yvonne's Perfume

A truly beautiful film by Patrice Leconte. As usual Patrice Leconte provides us with a magnificent blend of a fine cast (a memorable performance by Jean-Pierre Marielle as Dr. Rene Meinthe), beautiful music and photography and a captivating story. A film less known than Patrice Leconte's "Le mari de la coiffeuse" but equally enjoyable.

Adaptation of a novel by Patrick Modiano, "le parfum d'Yvonne" represents another Patrice Leconte's success. To make this film, the director drew from several elements dating from his previous movies. Thus, the doctor Meinthe (excellent Jean-Pierre Marielle) is very close to Michel Mortez in "Tandem" (1987) while Yvonne's sensual beauty evokes Mathilde's in "the hairdresser's wife" (1990). So, Leconte turned a novel into a personal movie.

This movie tells a past love story that brings on a deep nostalgia due to gorgeous summer pictures enhanced by a luminous photography. It's almost a poetic and dreamlike work. And however, this happiness is too good to be true. Indeed, behind this idle and free life, hide zones of shadows. Victor Chmara claims to Yvonne that he is a wealthy Russian earl but he's nothing of the sort. He's just a young man who fled Paris so as to avoid his military enlistment (we are in 1958 and at this time, it is the Algerian war). Moreover, he wants to go to the USA but Yvonne refuses because Victor can't speak English. So, she leaves him and there's this famous sentence that says: love stories, in general don't have a happy ending. It is true.

Leconte built his movie on a long flashback and he alternates the story with two of the main characters' current situation. From this moment, we can take down a strong contrast between the shiny pictures of a celebrated and distant summer and the dark photography to connote a dull present that shows the main characters' distress and bitterness (especially the doctor Meinthe).

A beautiful and bitter movie. If you are a fan of Patrice Leconte, don't miss this one.

The film creates a melancholic feeling of nostalgia. Viewers, who are able and willing to engage with it, will "mourn"/suffer with the characters and for the characters who, with all their hopes, dreams and (hinted) regrets, remain victims of their time or prisoners of their unlived lives.

Yvonne's sensualité, which is not an eroticism à la américaine, is, above all, part of her wider appeal: With Yvonne there is light, hope (America), dreams and the possibility of an escape from the existence of everyday life for Victor and Dr. Rene.

However, both characters seems to sense that these dreams and hopes are as éphémères as the summer they spend with Yvonne.

The melancholy in this film may be a bit on the sentimental side, which happens when you link it to nostalgia (but not necessarily as "In the Mood for Love" shows).

But I'd recommend it anytime, esp. If you have a chance to watch it in a cinema.

As the audience of this movie you will drown into the atmosphere of boredom from three non-characters who are heading straight for the ending you all expect from the beginning. I still liked it though.

1958 and the summer of secrets haunt Victor as his memories dwell into the lustful past of Yvonne's passion. They are accompanied by the eccentric gay Doctor and all together they hide secrets. Director Leconte never reveals in detail the meaning of their secrets but hints on them, allowing the viewer to work that little bit harder. The main interest is the sexual passion the camera has with beautiful Yvonne, a woman of leisure that distracts Victor and the viewer.