A cute, mysterious woman moves in across from Gene, a cop/novelist. He's invited over in the evening, but finds her murdered and calls the cops. Next day, it's as if it never happened. Is he... Read allA cute, mysterious woman moves in across from Gene, a cop/novelist. He's invited over in the evening, but finds her murdered and calls the cops. Next day, it's as if it never happened. Is he going crazy?A cute, mysterious woman moves in across from Gene, a cop/novelist. He's invited over in the evening, but finds her murdered and calls the cops. Next day, it's as if it never happened. Is he going crazy?
- Director
- Writers
- Stars
Sheree J. Wilson
- Emily Talbert
- (as Sheree Wilson)
Kirk Jordan
- Detective
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Not a confusing film, but an intriguing one. Viewers learn more and more, and in the end everything is wrapped up and nothing is left without explanation.
Early on it calls to mind The Lady Vanishes (1937)...but it is different than that. Later on it calls to mind, to some degree, Jacob's Ladder (1990), but it is not that film either. There are aspects that almost seem surreal, until we gradually learn what is going on - there is a definite resolution; this is not like the stereotype of a David Lynch film.
A good suspense film that deals with memory and identity and their unravelling as a mystery.
Lara Flynn Boyle is especially attractive here: softer and not as extremely, frighteningly thin as she has been recently.
Early on it calls to mind The Lady Vanishes (1937)...but it is different than that. Later on it calls to mind, to some degree, Jacob's Ladder (1990), but it is not that film either. There are aspects that almost seem surreal, until we gradually learn what is going on - there is a definite resolution; this is not like the stereotype of a David Lynch film.
A good suspense film that deals with memory and identity and their unravelling as a mystery.
Lara Flynn Boyle is especially attractive here: softer and not as extremely, frighteningly thin as she has been recently.
The police detective and aspiring writer Gene Ralston (Scott Glenn) is the senior of his partner and friend Larry Talbert (Anthony LaPaglia), who is a gambler and married to Emily (Sheree J. Wilson). When the sexy Tory Bass (Lara Flynn Boyle) moves to the next door, Gene befriends her and she tells she had witnessed a murder and is afraid to die. Gene tells that he is a cop and will protect her, and they have an affair. Later Gene visits Tory and finds her stabbed to death on her bed. Gene investigate the case and soon he learns that his neighbor is Dawn Tripplet (Marita Geraghty), who has been living in the house for thirteen months. Further there is no report of the death of any Tori Bass. Gene visits the psychiatrist Dr. Bert James (David Ogden Stiers) and he lves his office more confused. Soon Gene finds that he is not able to distinguish what is delusion or reality.
"Past Tense" is a great thriller in the neo-noir style with a complex plot that slightly uses the storyline of "Jacob's Ladder". The edition is very-well one and the music score is excellent. Scott Glenn is perfect in the role of a police detective and writer and the sexy and gorgeous Lara Flynn Boyle is in the top of her beauty and career. Unfortunately this underrated film has never been released on DVD or Blu-ray. My vote is eight.
Title (Brazil): "Traído pela Ilusão" ("Betrayed by Delusion")
"Past Tense" is a great thriller in the neo-noir style with a complex plot that slightly uses the storyline of "Jacob's Ladder". The edition is very-well one and the music score is excellent. Scott Glenn is perfect in the role of a police detective and writer and the sexy and gorgeous Lara Flynn Boyle is in the top of her beauty and career. Unfortunately this underrated film has never been released on DVD or Blu-ray. My vote is eight.
Title (Brazil): "Traído pela Ilusão" ("Betrayed by Delusion")
Here's a modern-day film noir in which you're never sure what's real and what isn't real. There is a possibility you may get tired of guessing and give up on this film 3/4ths of the way through, as I almost did but it worth finishing. It also was better the second time around
The problem is just too many flashbacks. If some of those scenes were not replayed so often, or a few of the many twists eliminated, it would have been a super movie. It still was fascinating in parts. It grabs you, and you can't stop watching to see what the real story is. Along the way, is a bunch of nice colors and some nice film noir-type in the beginning and then during the ending credits.
The problem is just too many flashbacks. If some of those scenes were not replayed so often, or a few of the many twists eliminated, it would have been a super movie. It still was fascinating in parts. It grabs you, and you can't stop watching to see what the real story is. Along the way, is a bunch of nice colors and some nice film noir-type in the beginning and then during the ending credits.
Former cop Gene Ralston (Scott Glenn) is haunted by confusion and is writing a hard-boiled crime novel about his new sexy neighbor (Lara Flynn Boyle). He has a sexual fling with her and a woman turns up dead there. More confusion arises. He fears evidence is piling up against him as his partner Larry Talbert (Anthony LaPaglia) investigates. Suddenly, there is a different woman living in that house and the murder never happened.
This starts as a neo-noir. It pushes very hard but that's acceptable. The problem starts with the confusing bits and pieces. It's intriguing when it first begins but soon it becomes tiresome. With all the jumbled pieces, the progression feels rather random. The pieces are all there. The fit is up in the air. At least, it's trying to do something.
This starts as a neo-noir. It pushes very hard but that's acceptable. The problem starts with the confusing bits and pieces. It's intriguing when it first begins but soon it becomes tiresome. With all the jumbled pieces, the progression feels rather random. The pieces are all there. The fit is up in the air. At least, it's trying to do something.
Truly a good film and for noir addicts it is a must see. I see the Twin Peeks comparison and not surprising, one of the writers, wrote for that show (as well as his brother). Not for a casual view, it can quickly become confusing, as shown, almost completely, in flashback style. Nice "tip" to the Wizard of Oz and the attention to detail, is amazing.
Did you know
- TriviaA TV movie for the Showtime network.
- ConnectionsReferences Psycho (1960)
- SoundtracksI Only Have Eyes for You
Music by Harry Warren (uncredited)
Lyrics by Al Dubin (uncredited)
Performed by The Flamingos
Courtesy of Rhino Records
By Arrangement with Warner Special Products
Warner Bros., Inc. (ASCAP)
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