Oblivion

Oblivion doesn't take itself seriously and you shouldn't take it seriously either. While it makes a virtue out of cliche and easily achieves its aim of being "so bad that it's good" it has a wagon load of in jokes, half a dozen cult actors and one very sexy woman known as Lash. It's well worth top billing at a late night beer and pizza party.

Fun-tastic sf-western, full of gags, thanks to a sassy script from Peter David: the son of a great marshall of the law is forced against his will to take the star from the deceased father and fight against a bunch of criminals, lead by a lizardman call Red-Eye. I think this is the only movie where you may find a Wishmaster, a Catwoman, a Sulu, a Lurch...

Uncomfortable blend of sci-fi and western, never really pulls it together. Take away the stop action scorpions and you have a pretty dull western. Take away the western and you have an amateurish sci-fi. The characters are all cartoon like and some scenes are not only unnecessary, but go on far too long. Trashing the store for instance could have been left on the cutting room floor. I realize this is not "Casablanca", but "Oblivion" really doesn't know what it wants to be. Sci-fi fans are certain to be disappointed, and western fans will find the script boring. I wanted to find a gem here, but unfortunately did not. - MERK

Boy, this movie is like a circus: a variety of bizarre and colorful characters and events spiced up with fun & cheesy special effects. I think this movie might have created a total new subgenre on it's own by mixing sci-fi/western/comedy/horror/drama/revenge flicks all together. This movie spawned from production company Full Moon, which was at it's best - in my opinion - during the late eighties and the first half of the nineties. OBLIVION, though not their best movie, is a fine example of how crazy they can get.

We've got: Spaceships, a 19th century western town with money-machines, a green alien lizard-man with an eye-patch, a cyborg-deputy, a faggot-mariachi, giant stop-motion scorpions, an S&M/Gothic-babe with a whip (Musetta Vander can lick my neck anytime), an over-friendly grim-looking undertaker, an Indian with too much brown make-up and a bad long-hair wig, a drunk Japanese dude (George Takei giving us silly STAR TREK inside jokes), midgets in a barfight, a coffin-shaped coroner's house, pyramids (huh?), an empath protagonist, a poisonous Manh-Ding, Bingo on Thursdays, Indian magic, a grande finale in the Badlands,... ehr, I'm gonna stop now, 'cause the list's getting awful long here.

This movie also has a cameo by Isaac Hayes (the man can't act, but is funny as hell), a double roll by Andrew"Djinn"Divoff as the lizard-man Redeye and a dumb hustler Einstein (slightly hilarious) and a delicious performance by hot-babe-dressed-in-leather Musetta Vander as the whippin' Lash. (Musetta also stars in MANSQUITO, which is like a b-movie cross-over between THE FLY and MIMIC, so go see it, you pulpy movie-lovers!)

What about the story of OBLIVION? Hell, who needs a story if you got all the above-mentioned ingredients? But there is one, and it's full of stupid and funny dialogues and situations. I recommend this for 90 minutes of pure ridiculous nonsense. Now, somebody please give me the sequel, OBLIVION 2: BACKLASH. I have to see it!

This film contains no exploding golfcarts, no people falling over railings (two at a time), no diabolical laughter, and no stock footage from BATTLESTAR GALLACTICA.

Unlike SPACE MUTINY, which was just plain annoying, OBLIVION was an entertaining piece of cinematic garbage with enough cheesy dialog and one liners that enable it to stand on its own, even without the help of Mike and his MST3K robot friends.

Also, unlike SPACE MUTINY, it's a lot more fun than shoveling raw sewage.

Give this one a chance.

Rating: *** out of *****