A Place for Annie

I was sitting at home last Saturday, bored to tears, turned on the t.v. and for the next two hours sat entranced by this powerful and moving film that really did justice to the HIV-babies and their mothers that we hear so much about.

Top-billed Spacek and Mary Louise-Parker really shine in this film...Parker (who has full blown AIDS) comes back to reclaim Annie, her child, who she was forced to give up when the baby was six months old. Spacek adopted Annie and the film shows the tensions and struggle that the two ladies go through to see eye to eye in the care of Annie. The end may surprise a few people; the entire film is top-notch!

Sissy Spacek was outstanding in this movie, as was the actress that portrayed the babysitter. However, the way the Child Welfare agent handled the case for the mother who had previously abandoned her baby, Annie, was so unrealistic! I might addd, what judge would award custody to a crackhead who passed her HIV to an innocent child, and then totally abandon that child? Also, why was no home visit conducted on the biological mother, and the foster mom who wanted to adopt this child? That is something that is always part of the process to ensure a child has a clean decent environment in which to live, before a judge hands down a decision whether or not to award custody to a biological mother or allow a foster mom to adopt the child. By failing to order home visits, the judge had nothing to compare as far as home environments for the child. If the judge would have ordered home visits to be conducted by a Child Welfare agent the agent would have seen firsthand the trashy place that that Annie was going to be forced to live in, versus the healthy environment provided by the foster mom who wanted to adopt Annie, and there would be no way the judge would have granted custody to the biological mother! This whole situation concerning the way this custody decision was handled was totally absurd! I think the writers should have done more research on the process that a Child Welfare Agency actually follows in real life, to avoid misleading the viewing audience. The storyline was quite heart wrenching however. It clearly shows the devastation that occurs to those who get involved in the habit, and the innocent ones in their lives as well!

Directing, editing, performance, music, adaption, message, everything is good.

This movie should have won best film and performance from Sissy Spacek and Mary-Louise Parker who are superb.

I almost watched this like 30 times, and every time I shed tears, this is first movie to make me that.

Sissy Spacek is always good in every single movie. Mary-Louise Parker should have recognized much earlier, as her fan, she always does her best even in nobody-knows movies.

More people should watch this. This is just a MUST-SEE.

Yes that is basically what this movie is whether you liked the film or not.

I personally did not.

I found it to be patronizing, overly technical and just so damn sappy the important message of the film was almost (but not entirely) drowned under the thick treacle coating and so-so acting.

Why such a brilliant actress like Sissy Spacek continues to make films like this is beyond me, apart that important little word beginning with M (money if you're wondering).

By watching this film you get the idea that it is there to not just educate and make people aware of the situation regarding HIV babies, but to draw it out into a long and almost boring sermon.

Though I do understand and appreciate the fact that this film is appealing to quite alot of viewers, I can only give my opinion by stamping it "BAD".

I grew up watching films produced by the Hallmark Hall of Fame. Their quality was often varying, but the general approach allowed for a certain dedication to storytelling. This is one such example. It's a straightforward story on the surface, something that could have easily been produced as a cheap, tear-jerking, disease-of-the-week movie. It's not as though this type of story is inherently cheap or meaningless, it's just that the potential for overwrought melodrama is only too often realized.

Here, the actors prevent that from happening. Sissy Spacek, Mary-Louise Parker, and S. Epatha Merkerson (three of my favorite actresses) perform with a level of real conversational interaction that I really appreciate. I must state, emphatically, that the script offers no individual brilliance whatsoever. This is a slice-of-life type story, one that is held together by performances and the direction of John Gray. I felt like I was watching real lives here, and maybe I was. In so much as film can ever be real, "A Place for Annie" is.