Threesome

One girl. Two guys. Three possibilities.

I really loved this movie. The plot is simple enough, basically just leading up to the threesome of the title, and the ending isn't as promising as it could have been. Nevertheless, the three leads, the sharp dialog, the great late-80's/early-90's soundtrack (Tears 4 Fears, Duran Duran), and the undeniably provocative tone make for a thoroughly enjoyable 90 minutes. Lots to enjoy, whether your gay or straight!

The movie hit me the first time I had watched it. I soon realised that for every situation in every-day life, there's an according quote in this movie. OK, it's really not a high culture stuff, but at least it's very Hollywood-unlike. That's probably the reason why many people don't seem to like it. And as for the sex scenes - I think that even if (or rather just because) they are not hardcore, they emerge very naturally from the movie's story. This is one of my favourite movies of all times, and that's (I guess) why I watched it 40 times so far.

This is a pretty good little movie about very close roommates. It's got a good deal of humor and easy charm but at the end I had a bit of a "so what" feeling about it. Also shows you of how hot Lara was before she turned into Skeletor.

Due to a computer error Alex (Lara Flynn Boyle) accidently gets assigned the same dorm rooms as two guys, Stuart (Stephen Baldwin) and Eddy (Josh Charles). Stuart a sex crazed drunk frat boy is in lust with Alex, however Alex is in love with Eddy and Eddy in turn thinks he may be in love with Stuart!

Considering the title and the premise one would not expect to see a smart film that never bashes its characters, but instead fully develops them in an a thoughtful, original manner. This film manages to do just this. Lara Flynn Boyle is both sexy and extremely funny. Josh Charles turns in a tender, compassionate performance. Film could have just easily come off as gratitous, but instead it is sexy and fun.

Rated R; Sexual Situations and Profanity.

Now that movieland seems to avoid anything that might feature just a touch of intelligence, this movie follows the opposite formula : less exploitation, more reflexion. It is funny, understanding, believable, exploring what, for some, would be dark sides of friendship, love and sex, but in a light and amiable way. The I-word strikes again in its deep sensitivity for what human relationships are like and, most of all, there is no morality tacked on at the end. In a different way, it reminded me of the superb French movie "Le péril jeune", which dwelt on a bunch of adolescents at the end of the sixties. Check it out .