Drunken Master II

I may be wrong about this, but I think Chan is responsible for the avalanche of ironic performance fights we have now.

Here's the deal: movies need to be cinematic and fights are cinematic so we have them.

Movies fall into two rough buckets: various concepts of sincerity and those that have (incorrectly as it turns out) been conflated under the concept of irony. Anything that exists in the first eventually has a sibling in the second; that's the way the world works.

So if you have fights, even elaborate kung fu productions that are sincere, sooner or later someone will figure out how to annotate them. Chan was the guy that found a way to turn fights into a show and at the same time produce a simultaneous commentary that says: "watch this, its funny."

To do the annotation, a requirement is that first level be excellent. Chan IS an excellent fight performer, and key to this awareness is the much publicized fact that no cheating is done on the effects. But he also a great humorist as well.

This particular film isn't the turning point for all fight irony that follows. That was much earlier, but this is probably the best and most explicit.

Ted's Evaluation -- 3 of 3: Worth watching.

To describe Legend of Drunken Master is almost impossible. It has so much, it does so much, and it delivers in so many ways, you cannot really describe the experience. Legend of Drunken Master stands as Jackie Chan's best film, and arguably the greatest martial arts film in history. That's right Bruce Lee fanatics, it tops most/arguably all Lee films. Surely Lee had the strength and the power; but did not have the ensemble cast that Chan had, nor did Lee have any fights that can top the ones the Drunken Master engaged in throughout the 105 minutes of this kung fu madhouse.

With a decent plot, good acting, and a dash of humor to go along with the frenzied action, Legend of Drunken Master is one of those rare complete martial arts films that do more than just throw fights at you. Honestly, there has yet to be a perfect martial arts film. Whether its bad acting, a weak plot, too much focus on action, a pointless romantic story attached, or way too over-the-top substance, there hasn't been a martial arts film worthy of being up there with the best films in the modern era. Jui Kuen II (as they call it overseas) is the closest to the complete package as you can get.

We start the film off with Jackie Chan as the tough yet uncontrollable young kid by the name of Wong Fei-hung who accidentally takes a seal from British smugglers. The smugglers, also involved in overworking Chinese men in a factory resembling slave-like sweatshop of some sort, want the seal back. In the meantime, Wong's controversial fighting technique, drunken boxing, has been met by disapproval of his father, and wants him to refrain from ever using it. Drunken boxing also has a lot of competition and shun from others in the community. Chaos follows as soon as the British and their henchmen find out who has the seal, and vow to do whatever it takes to get it back and to spread fear in the community.

The plot isn't groundbreaking, but its something different than the average martial arts film. While it still contains the themes of family, honor, respect, and dignity contained in most Chinese movies of this genre, the preservation of Chinese art is a concept not used often. Nonetheless, it works, as we see the traditional values of the Chinese being threatened by the more modern mechanisms of the Europeans. There is also a major issue with honor, as Wong's father is morally against drunken boxing, and hates it when his reputation is damaged even a little. The acting involved with the tension amongst Chan and his family is at times a bit overblown, but for the most part gets the job right.

Jackie Chan is one of the few actors/actresses in modern cinema history that can both be taken seriously and lightly. We see Chan at his playful side, especially when he is drunk. But, take away the smile, watch him pose, and you will fear him. Seeing that look in his eye right before a major fight starts can send shivers down your spine, as you know he will not back down easy, and will use whatever technique necessary to take you out. His physical appearance isn't exactly intimidating, but his agility and amazing ability to be balanced and whip out an insane combo of punches and kicks remains to be matched by anyone else out there. The best of Chan is here in terms of acting, usage of props, and kung fu. Don't let his usage of props fool you, he can engage in a brutal victory without the use of any objects. Few Jackie Chan films prove this, but Drunken Master has its share of fights without any other objects floating around.

The fights are what Chan is best known for, and the fights are where the film excels towards jaw-dropping levels. From the first fight, involving swords and extending from underneath a train to a nearby house, to the final fight that lasts over 10 minutes without exaggeration; Drunken Master will wow you, will keep you on the edge of your seat, and will make you almost jump back in amazement. Hollywood does not have enough patience to spend four months on one fight alone, which is why we don't see fights in action films like the ones seen here. The final fight, involving a well-trained kicker and Chan at his drunkest stage is easily one of the best fights in history—it's so well choreographed, so well-timed, and so brilliantly executed, that it deserves a spot on one of modern film's greatest achievements. Raising the bar for generations to come, the last fight mixes speed, agility, humor, combos, fast movements, and unbelievable stunts. In truth, all the clashes prior do the same, but this one puts all the others to shame.

Bottom Line: Missing this film would be a travesty, especially if you enjoy a good martial arts film. This time its not Chan alone that makes the film; we have a good cast of characters and fighters, a decent plot, and never really drifts into an unbelievable level unlike most action movies of today. This is Chan at his absolute best; and this is famed director Chia-Liang Liu at his best. Almost a complete package in terms of quality and substance, Legend of Drunken Master is as close as you can get to martial arts perfection; and remains the greatest martial arts film of all-time.

I recently saw "The Legend of "Drunken Master" not knowing anything about it and it was a grwat suprise to find how good this movie is. I have new respect for Chan after seeing this film. The fights scenes in this movie are simply amazing, the final fight that takes place in a steel mill made my jaw hit the floor, it lasts for about 20 minutes and Chan does some amzing stunts. This is the best martial ats movie I have ever seen.

Awesome movie! totally awesome fights!

Ken Lo owned the **** out of this movie. His final fight against Jackie is awesome. Jackie plays WFH (the often portrayed Wong Fei Hung), a martial artist of great skill and also a drunken boxer. His father, also a master, dislikes Drunken boxing.

The plot of this movie isn't all that bad, but you watch it for the action anyways and there's plenty to go around and it's simply astounding!

It's a classical Jackie movie, with some silly moments and prop using during the fights, wicked stunts (some of which are (naturally) really dangerous) and brilliantly choreographed combat!

'Jui kuen II' is another funny Jackie Chan film with some great action scenes that were both skillfully shot and impressively performed. It has its share of funny moments but much of the comedy seems forced to the screenplay and lack the charm of its prequel 'Jui kuen'. The plot is very predictable and clichèd. The set designs, particularly Wong's house have been nicely decorated. The background score is pleasant. Jackie Chan pretty much plays the same character as in most of his films but he's still fun to watch. Anita Mui deserves special mention as she provides the funniest moments and is a delight to watch (even though it felt slightly awkward to see her cast as Chan's mother). So for me what stood out in this film are the brave action sequences (particularly the one at the end) and Anita Mui. Otherwise it's quite an average film as I did not feel as entertained as I would expect when watching a Jackie Chan film.