Wing Chun

This is a great showcase for Michelle Yeoh, playing the legendary first practitioner of the wing chun style, Yim Wing-Chun. Trouble is, there's not much of the wing chun style shown in the film. The problem is that though the wing chun system is a very effective style in real life, it's not very visually engaging, so Yuen Woo Ping had to throw in some high kicks just to spice up the action a little ... but then, we don't watch kung fu films for historical or technical accuracy.

Michelle Yeoh and Donnie Yen are both pretty good here. Certainly, Yeoh turns in a starry performance, though Yen could have been given more to do ...

Overall, entertaining enough, but not primo YWP fare.

Wing Chun is an entertaining combination of slapstick humour and amazing martial arts fights. It's a romantic comedy at heart, one with a feminist bent. The story, while simple, features several memorable characters. There are setpiece battles that move the story along. Most of these feature Michelle Yeoh as the charismatic and beautiful Yim Wing Chun. Yuen Woo-ping's fight choreography is as usual inventive. He included moves that are quick and fresh, many of these aren't featured in other films. Donnie Yen's unusual turn as Leung Pok To, a man who has come to town to wed Yim Wing Chun is also of note. All in all, there's enough character development, humour, fights, and good scenery here to make Wing Chun one of the best martial arts films ever. It's not quite as good as the director's other famous film Iron Monkey (1993), but it's still a delight. Where else can you find actresses this good-looking and fights this exciting? Come to think of it, Peking Opera Blues (1986) probably influenced Yuen Woo-ping's filmmaking. I easily recommend seeing Wing Chun.

Wing Chun surprises with its fast pace and excellent physical comedy. Fight scenes are also convincing. The entire setting is not very original, but amusing and that is what really counts. There were ultimately moments when the film feels a bit messy, but in all wire- and stunt-work has been done wonderfully and cleanly.

The characters are all rather likable. The bad guys are rather faceless, but not a big disappointment. The soundtrack has a classic 80s sound to it which makes the movie stand out in a nice campy way.

The film isn't really a drama or action film, but rather a fast-paced slapstick. A fun experience and an admirable Kung Fu flick.

Wing Chun is a memorable film because Michelle Yoeh epitomizes the female heroine at a time when it was not allowed for women to be as strong or in this case, stronger and smarter and more skilled than men. But Michelle Yeoh creates a memorable and competent impression while maintaining a masterful grace and precision that will blow your mind.

Michelle Yeoh has the posture and grace of Bruce Lee, now if only they had done a movie together... now that would be something, like Salvador Dali's short animation collaboration with Walt Disney, what a treat that would be.* I saw this movie years ago and finally discovered it again after long searching and am I glad I did rediscover this little gem.

This movie truly takes me back in time to a simpler time, like finding a diamond in between the millions of grains of sand on the endlessness of beach.

Much of the acting is really silly, but that's just the way these movies were back then. The martial arts are terrific, the sex appeal is palpable, Tofu is gorgeous, drop dead, and the story is very enjoyable.

*Dali and Disney started a project in 1946 but it was never finished in their lifetimes, recently completed in 2003, many of us are long awaiting a DVD release slated for 2004, and still waiting in 2007.

Michelle Yeoh stars as the titular Yim Wing Chun, the spiritual mother of Wing Chun kung fu (the kind they teach in Prodigal Son, amongst others). As you would expect from Yeoh, she is vibrant on screen, kicking a lot of arse and showing us the sensitive side to a martial arts hero.

Wing Chun's village is constantly under threat by bandits led by the…erm… flying simian family (well two brothers, Flying Monkey and Flying Chimp). After she cracks some skulls, while rescuing the widow ‘Charmy', she makes enemies of the local martial artists, who lose face after Wing Chun shows them up, and the bandits, who want her dead and for Flying Monkey to marry Charmy. The scene where Wing Chun shows the local martial arts heros the ‘Art of fighting without fighting' in the soya shop is amazing. Anyway, after castrating flying monkey, flying chimp decides to challenge Wing Chun, for the honour of the bandit clan. With inevitable consequences.

When Wing Chun isn't giving us great fight sequences, it plays it like quite a lot of HK cinema. For laughs. And, like a lot of HK cinema, it can get pretty irritating. A lot of mugging and juvenile humour are the order of the day here. Concentrating on that old Kung Fu film staple, getting laid.

Wing Chun was one of the first great high flying new style kung fu films and stands the test of time, nine years on. I really liked it, and forgiving its faults is easy. Although Donnie Yen was criminally under used, but that's not such a big deal.