Catherine the Great

Once again, A&E brings us a beautiful looking production. The costumes, sets and, of course, performances by an exceptional cast, are stunning as always. However it seems that the writers were getting a bit tired while working on this one. It lacked the cleverness and vivacity of productions such as Vanity Fair and Pride and Prejudice, and the drama we enjoyed in Horatio and Tess. I was also disappointed to find that the version available in N.America is only 90 minutes long, and includes only Catherine's early reign. If you want to see the entire production you apparently need to get the 3-hour version, available in Germany.

All in all, it is worth watching, if only for the visuals and wonderful acting. Catherine Zeta Jones is brilliant and displays her versatility in this dramatic role. I cannot begin to comment on the equally strong performances of the rest of the cast, being restricted to 1000 characters here, but as I say, certainly worth the watch.

Catherine Zeta-Jones does an outstanding job in this movie about Catherine the Great of Russia (Zeta-Jones earns the title for herself.) The political intrigue of the 18th century Imperial Russian court comes alive as Catherine - to ensure her own survival - seizes the throne from her husband, the dim-witted and obnoxious Czar Peter, and establishes herself as Empress of Russia. Demonstrating her own political skills, she becomes absolute ruler.

There are some very good battle scenes and few weaknesses in this movie. The plight of the Russian serfs might have been made a little more clear. Their revolt against Catherine's authority dominates the latter part of the movie, but somehow we never really get any strong sense of what they were up against. I also would have been quite willing to watch this movie for another hour or so to have been able to follow Catherine's later career. As it stands, the ending left me a bit empty. All in all, though, this movie well deserves a rating of 8 out of 10.

This movie is a good example of how to make a movie about foreign royalty: good acting, a little drama, some good action, and some interesting sidelines. Catherine Zeta-Jones is great in one of her first major roles as the Russian queen, Catherine (Katharina) the Great. There are also some other actors unknown to me who do a good job at portraying how she affected people and what she was like. Though the movie seemed to drag on at different points it still kept you interested. If you've got about four hours on your hands go out and rent it or watch it on T.V. It would probably be good to show to students when studying that point in history, maybe.

8/10

a visual delight. a credible Catherine. great cast. and that is not all. it is not a documentary and not a serious analysis of Tsarina reign. it is only a good axis for rainy day and not bad occasion to admire Catherine Zeta-Jones in a pretty role. the acting - a film with Jeanne Moreau,Ian Richardson, Mel Ferrer has not the problems in this domain. and Omar Sharif presence is the best sign for recognize a film who could be not very serious. a brilliant fresco about a Russian period. high ambitions, reasonable solutions. and fun at whole because not only the flavor of atmosphere is important but the nice build of fundamental moments. a film with few drops of fairy tale. good option against the Disney princes fashion.

The Empress Elizabeth II rules mid-eighteenth century Russia. She marries her heir, the physically impotent German prince Peter, to the German princess, Catherine (Catherine Zeta-Jones). Catherine takes a lover, bears a child, plots against her husband and deposes him after he has reigned only six months. She becomes the Empress Catherine II. Well-educated and with liberal ideas, she is an astute politician and wages war with success. Yet when rebellion confronts her with the choice between fostering freedom and suppressing rebellion, she chooses suppression.

Catherine II was a fascinating and complex ruler, the period was crucial in determining the future course of Russia, its expansionary empire, its reactionary society and primitive economy. This film, however, addresses none of these great themes, except in the most cursory and superficial manner. It is a shallow drama of empty spectacle, in which intimate diversions are followed by unconvincing public events, battles and rebellions. The psychological characteristics of the protagonists, the motivations that drive them, the reasons for their decisions are all left unexplained. "There are great matters at stake", says Catherine to Potyomkin (Paul McGann), but we are never told what they are. Such rationalizations as do emerge involve the anachronistic importation of late twentieth-century western liberal concerns into eighteenth-century Russian society.

Television drama need not seem cheap. This film does. There is a good cast, but the dialogue is empty and its delivery perfunctory, although Ian Richardson's Vorontsov is done well and Brian Blessed is surprisingly well-moduated (and exceptionally quiet) as Bestuzhev. Generally, the cast seems dispirited by the trite, thin, lines they are asked to utter. One hundred minutes spent watching Miss Zeta-Jones will always have its rewards. None the less, she is miscast. Most particularly, her voice is in its nature contemporary and middle class, with its very modern inability correctly to pronounce the letter 'r'; it is unsuitable to the role of an eighteenth century aristocrat and Empress. The set pieces are sparse and unconvincing and the direction humdrum.

The story and this cast deserved better than this slight spectacle.