A New York philosophy grad student turns into a vampire after getting bitten by one, and then tries to come to terms with her new lifestyle and frequent craving for human blood.A New York philosophy grad student turns into a vampire after getting bitten by one, and then tries to come to terms with her new lifestyle and frequent craving for human blood.A New York philosophy grad student turns into a vampire after getting bitten by one, and then tries to come to terms with her new lifestyle and frequent craving for human blood.
- Awards
- 5 wins & 4 nominations total
Jamal Simmons
- Black's Friend
- (as Jamel 'RedRum' Simmons)
Robert W. Castle
- Narrator
- (as Father Robert Castle)
- …
Michael A. Fella
- Cop
- (as Michael Fella)
Louis Katz
- Doctor
- (as Dr. Louis A. Katz)
Frank Aquilino
- Delivery Man
- (as Frank 'Butchy the Hat' Aquilino)
Nicholas De Cegli
- Cabby
- (as Nicholas Decegli)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
6.512.7K
1
2
3
4
5
6
7
8
9
10
Featured reviews
Black & White - 7 (worth the time)
I haven't seen THE ADDICTION in ten years, but I do recommend it from what I remember. And the list of attractive concepts are, envelope please: Lili Taylor, Christopher Walken, Anabella Sciorra, black and white meta-fictional film, and of course vampires galore! Abel Ferrara has directed other well known movies such as Bad Lieutenant, California, and the Funeral. Of these movies, I mildly recommend the first two but definitely not the third. The Funeral is plain boring and dreary, while the other two entertain by showing the gritty side of human nature.
Caution, if you're the type of vampire fan who must have each actor decked out in fangs and yellow contacts, then steer clear of this movie, since it's really questionable whether the characters in THE ADDICTION are actually vampires or are just plain junkies in nice clothes.
Lastly, there is a very complex philosophical feel to THE ADDICTION, as Lili Taylor muses about life and death in deep conversations in different venues around New York City: a college book store, movie theater, etc. I recommend any philosopher out there to grab THE ADDICTION off the shelves as soon as possible.
Speaking of the mid-90's, that short-lived era was a golden age for indie actors like Lili Taylor and Parker Posey. Taylor got a taste of vampire-hood early on in this movie, and fortunately for us, and for the committee, Posey got her fangs in Blade 3, which I was very happy to see happen. I mean, come on, all those party girls are really vampires at heart.
JY
Jimboduck-dot-com
Caution, if you're the type of vampire fan who must have each actor decked out in fangs and yellow contacts, then steer clear of this movie, since it's really questionable whether the characters in THE ADDICTION are actually vampires or are just plain junkies in nice clothes.
Lastly, there is a very complex philosophical feel to THE ADDICTION, as Lili Taylor muses about life and death in deep conversations in different venues around New York City: a college book store, movie theater, etc. I recommend any philosopher out there to grab THE ADDICTION off the shelves as soon as possible.
Speaking of the mid-90's, that short-lived era was a golden age for indie actors like Lili Taylor and Parker Posey. Taylor got a taste of vampire-hood early on in this movie, and fortunately for us, and for the committee, Posey got her fangs in Blade 3, which I was very happy to see happen. I mean, come on, all those party girls are really vampires at heart.
JY
Jimboduck-dot-com
Fascinating, but heavy going for those not inclined towards philosophy.
'The Addiction' is one of the most original vampire movies ever made. In fact, I can't think of another one quite like it. Abel Ferrara has made some strange and disturbing movies in his time, and this one is as strange and disturbing as any. Lili Taylor ('I Shot Andy Warhol') is brilliant as a troubled, soul searching philosophy student who has an unexpected and life-changing encounter with a mysterious stranger ('Cop Land's Annabella Sciorra). Dark, deep, sometimes blackly humorous, and frequently too obscure for its own good, this can be heavy going at times, but is never less than interesting. Christopher Walken, who did some superb work for Ferrara in his classic 'The King Of New York', has only a cameo here, but what a cameo! Walken is terrific and unforgettable. The rest of the supporting cast includes 'The Sopranos' Edie Falco and (briefly) Michael Imperioli, Paul Calderon ('Girlfight'), and Kathryn Erbe ('Stir Of Echoes'). This is a unique movie that will be appreciated by those with an open mind and preference for "difficult" viewing. Recommended.
Cool!
This movie was even scarier for me since I spent 2/3 of my life in New York City and all the settings were in my family's neighborhood!
The acting was first rate, as was the storyline and cinematography, but all the philosophical dissertations annoyed the HELL out of me because it reminded me of some of the intellectual snobs I went to school with who had lower IQ's than my cat.
Upon reading the previous review, it just occurred to me that all the snobbery made perfect sense.
The character was probably in shock for several weeks. In HER mind, a vampire wouldn't resist his or her impulses they would just become feral. As such, to her, this constant internal dialogue of trying to figure out whether or not her addictions are psychological or supernatural somehow proves her normalcy (at least in her universe).
Christopher Walken was GENIUS and so convincing that I never EVER want to meet him in person! His explanation of his adaptation to his vampirism made it seem so normal (it REALLY felt like he was giving the audience a confession under the guise of acting) that you got the sense that he WASN'T acting!
I have to say that the graduation scene is one of the single most disturbing things that I have ever seen in my life! I saw it coming, but never really acknowledged before seeing this, that horror movies are realistic because all the writers/directors have to do is open up the local newspaper to see what a real monster is!
The acting was first rate, as was the storyline and cinematography, but all the philosophical dissertations annoyed the HELL out of me because it reminded me of some of the intellectual snobs I went to school with who had lower IQ's than my cat.
Upon reading the previous review, it just occurred to me that all the snobbery made perfect sense.
The character was probably in shock for several weeks. In HER mind, a vampire wouldn't resist his or her impulses they would just become feral. As such, to her, this constant internal dialogue of trying to figure out whether or not her addictions are psychological or supernatural somehow proves her normalcy (at least in her universe).
Christopher Walken was GENIUS and so convincing that I never EVER want to meet him in person! His explanation of his adaptation to his vampirism made it seem so normal (it REALLY felt like he was giving the audience a confession under the guise of acting) that you got the sense that he WASN'T acting!
I have to say that the graduation scene is one of the single most disturbing things that I have ever seen in my life! I saw it coming, but never really acknowledged before seeing this, that horror movies are realistic because all the writers/directors have to do is open up the local newspaper to see what a real monster is!
Wonderful Black-and-White Cinematography and Cast
"The Addiction" is a weird film directed by Abel Ferrara with wonderful black-and-white cinematography and cast with Lili Taylor, Christopher Walken and Annabella Sciorra among others. However the story is boring and pretentious for those that are not connected to philosophy with reference and citations of many philosophers. Therefore recommended only for very specific audiences. My vote is six.
Title (Brazil): "O Vício" ("The Addiction")
Title (Brazil): "O Vício" ("The Addiction")
Pretentious yet still entertaining enough
The Addiction is one of the more thoughtful films about vampirism available today.
While the film is incredibly thoughtful, with loads of subtext at every corner, it borders, and sometimes crosses into, pretention. There are times where the narration is attempting to add subtext, but it's so heavy-handed that the film loses sight of the fact it's a horror film. I'd argue it's thought piece first and horror film second, honestly. Maybe that makes it even more frightening.
Christopher Walken is wonderful, and Lili Taylor does a fine job, as well. The choice to shoot the film in black and white was a great idea, as well. There's a real focus placed on the ideas the film is pursuing.
Even though the subject of the horror in this film are vampires, the movie is truly describing humanity.
While the film is incredibly thoughtful, with loads of subtext at every corner, it borders, and sometimes crosses into, pretention. There are times where the narration is attempting to add subtext, but it's so heavy-handed that the film loses sight of the fact it's a horror film. I'd argue it's thought piece first and horror film second, honestly. Maybe that makes it even more frightening.
Christopher Walken is wonderful, and Lili Taylor does a fine job, as well. The choice to shoot the film in black and white was a great idea, as well. There's a real focus placed on the ideas the film is pursuing.
Even though the subject of the horror in this film are vampires, the movie is truly describing humanity.
Did you know
- TriviaKathleen plays on Descartes' famous "cogito ergo sum" (I think therefore I am) by saying "dedita ergo sum" (I do what I'm addicted to doing therefore I am) and "pecco ergo sum" (I sin therefore I am).
- GoofsWhen Kathleen rushes out of her class, her professor shouts after her "Kathryn," despite clearly knowing her well.
- ConnectionsEdited into Gli ultimi giorni dell'umanità (2022)
- SoundtracksBetter Off Dead
Written by Fredro Starr, Sticky Fingaz (as Sticky Fingers), Sonny Cezar
Published by Zomba Music
Performed by Onyx (as ONYX)
Courtesy of JMJ-RAL
- How long is The Addiction?Powered by Alexa
Details
Box office
- Gross US & Canada
- $307,308
- Opening weekend US & Canada
- $46,448
- Oct 8, 1995
- Gross worldwide
- $307,308
- Runtime
- 1h 22m(82 min)
- Color
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content






