Angels and Insects

Think of a coffin- beautiful metal or wood, but with death inside, so to the Alabasters are beautiful to look at but rotting inside. Or have you ever watched ants clean up a carcass of roadkill. Angels and Insects has some of the most beautiful costumes I've ever seen, but one of the most shocking stories. Will Adamson as Mark is very subdued,as Kristin Scott Thomas remarkable as Matty- who proves to be the real beauty.

I like how the director kept giving us subtle hints and then was not afraid to throw the truth in our faces- like being hit by the bucket of ice water. A.S. Byatt's story is well translated into film .

One of the most intricate, well-made films I've seen. The acting is tremendous, the imagery is subtle yet stunning. A film which makes one think of the intricacies of human relationships. The pilgrimage of the hero from the brutal Amazon to "civilized" society which he finds to be anything but civilized in spite of the gorgeous trappings of the upper aristocracy. Highly recommended!

As one fellow IMDb user stated, there are very few reviews in the grey area for "Angels and Insects". However, I can honestly say that when I first saw the film in 1995 (I was about 12 at the time) I wasn't very impressed. From a very young age I have been interested in period films and thought provoking themes, however, upon first viewing I was incredibly bored by the whole project.

Flash forward to 2003 and I found that I had a whole new appreciation for the film. As a matter of fact, it has become one of my favorites. I don't find the plot particularly shocking, however, the execution of the script is excellently paced. I like the fact that William Adamson realizes that beauty isn't necessarily exhibited on the outside. (However, I find Matty to be far more striking in appearance than Eugenia). He realizes that like his insects (ants in particular), the Alabaster family has a unique and questionable structure/nature.

The soundtrack, costumes, and use of light and location are superb. It isn't by accident that the costumes mimic some of the insects mentioned in the film. (For example, Eugenia's bee dress and her Morpho Eugenia sapphire gown). The Alabaster estate is quiet a piece of eye candy, as are the shots of insects set to the beautiful string based soundtrack. Though this use of symbolism may not be very original, it is beautiful just the same.

I do have to come to the defense of some of the actors, however. Some comments mention that the acting is somewhat wooden. I tend to disagree. (Everyone is entitled to their opinion, of course). Okay, so Patsy Kensit may not be the next Vanessa Redgrave, however, I think she offers what the part calls for. Her "wooden" nature fits the character. I see Eugenia as having a definite mental imbalance, thus her often subdued acting seems appropriate. Kristin Scott Thomas is excellent as the clever and mysterious Matty. As for the rest of the cast, I believe that they all did a fine job portraying these somewhat difficult characters.

I have yet to read the A.S. Byatt novella "Morpho Eugenia", however, that is going to be my next project. Naturally, I would be curious to see how the film and the novella compare. Either way, I still feel that "Angels and Insects" deserves my highest regards.

This was thoroughly engaging and thoughtful film, with a rich and fascinating plot and characters.

The opening scene of the natives of South America dancing is a well edited opening, and the word 'Angels" appears over it. Indeed, all the Angels in this film are not in England (where the rest of the film takes place). William Adamson (Mark Rylance), a biologist who collects rare insects (especially the butterfly), survives a shipwreck and comes under the protection of an upper class English family. That's where he falls in love with Eugenia (Patsy Kensit). But every family has it's secrets.

Someone described this as "Merchant-Ivory meets Tennessee Williams", which is a perfect way to describe this film.

Several have complained about the actors, saying that there is not a single stand-out performance. I disagree, as both Rylance and Kristin Scott Thomas (in a performance worthy of an oscar nomination) acquit themselves well. The script is also very well written, and the costumes deserved the Oscar nomination.

One of the ten best of 1996.

This movie presents a brilliant stage worthy level of acting to the screen. I was stunned by the quality and subtlety of the performances especially the lead and Kristin Thomas. The story is almost painfully slow but that helps create a mood and sexual tension that works perfectly. I was literally on the edge of my seat both with the drama of the characters and just wanting to be closer to their nuanced performances. Jeremy Kemp as the elder Lord of the manor Sir Harald Alabaster displays aristocratic intelligence rarely found in films. The dinner table discussions of the emergence of the radical new approaches to evolution and culture surrounding Darwin's revelations are compelling. Also the role of Edgar, representing the boorish son who clings to the old ways of class hierarchy is finely wrought. Highly recommended. A thoughtful film.