The Babysitter's Seduction

Keri Russell stars in this TV movie about a devoted, but slightly rebellious teenager named Michelle who regularly babysitstwo kids belonging to Bill (Stephen Collins), a rich businessman whose wife later dies under mysterious circumstances. Bill's long-time detective friend Frank (Tobin Bell) suspects that Michelle is responsible. Bill refuses to believe it, but Michelle is determined to investigate the matter herself before she puts her own life in danger. This movie offers more of the same as your typical Lifetime TV movie and some of the supporting cast is underutilized, particularly Phylicia Rashad as Frank's sympathetic partner and Linda Kelsey as Michelle's disdainful mother. The music score by the legendary Jan Hammer hits it off with the more suspenseful moments.

This movie was good... the plot drew you in and the characters did as well. But i must say i squirmed whenever Stephen Collins and Keri Russel locked lips. It was just disturbing to see a nearly 50 year old man at the time and a just turned 20 year old kiss... however, these two great actors made it seem realistic. The ending was predictable but the parts leading up to it kept you on the edge of your seat. I recommend that you try to catch this movie on lifetime. It was better then what you would expect from a tv movie

The movie felt a bit longer than it should have been, kind of boring at times. The twists were decent fun. Keri Russell delivers a solid performance as Michelle, a babysitter caught in a web of lies and suspicion after the sudden death of her employer's wife. While the plot has its moments of intrigue, it leans heavily on predictable tropes typical of 90s thrillers. The pacing drags in parts, but the cast, including Stephen Collins and Phylicia Rashad, adds depth. Not groundbreaking, but it's watchable for fans of Lifetime-style dramas. An alright movie overall, something perfect for when you need something to watch and it doesn't really matter what.

The story and plot sound rather like a typical Lifetime drama, where they combine realism within the plot and add in a few dramatic elements for effect. It's not nearly as erotic or suspenseful thrilling as it could have been- considering this is possibly PG-13 as they had restrictions.

It certainly starts off as you would expect with seeing the death scene of the wife (which is the synopsis and key plot- not a spoiler). The central plot is about how she died as it's framed as a suicide. But we know it's a murder. Certainly predictably where we expect it to be the husband who did it. As further watching, they casually throw away the reveal where it isn't shocking.

The standout is Keri Russell who made her character believable once she got confortable to the portrayal. Stephen Collins was just right for his role, playing the father who "seduces" Russell.

The conclusion was somewhat of a letdown all be it still entertaining enough. Where things unfold predictably. There's a 'cat and mouse' game within the finale which was bizarrely done and didn't make much sense considering why Collin's didn't make it more difficult for Russell to escape. It's as if he wanted her to escape. Also her escaping was rather unrealistic.

In the end, she gets away. The cops of course show up as they arrest him (seemingly he's okay after being stabbed). The film isn't anything special. The concept and Keri Russell make it worthwhile for a Lifetime 90's film and the scenery is solid as well. Perhaps slightly better than expected.

Arian Waring Ash looks pretty fantastic in this flick. It's sort of beneath Keri Russell to do this movie, but at least the director seems to understand that if Keri is looking good, it's not a waste of anyone's time. And indeed, she is looking good here. I'm not even a Keri Russell fan. I found the comment about the dog doing the best acting amusing, but it's not true. Keri's acting is good. Even Keri's kid brother turns in a respectable performance, and he has what, ten lines? If you didn't like Phylicia/Mrs. Cosby's performance, you might ask yourself why so much of her energy and style here is duplicated by Khandi/Ms. Talk Radio six years later in CSI Miami. It's actually too bad that there isn't a longer theater-cut of this thing, because it does capture Ms. Russell in what must be her peak bloom, and that's not at all a bad thing. Shame shame shame on casting directors for failing to see this as an audition for the sidekick, Arian Ash, and not turning her into a big star. But who knows? maybe she was beaten out by Love Hewitt for all the subsequent roles, and that's not a bad thing either. This movie probably got pitched as a "let's take all that sexual energy from the Yale babysitter in Mystic Pizza and take it to its logical conclusion" and hey, that's a pretty good idea. At least i don't feel as dirty at the end as I do whenever I see Blame It On Rio. Incidentally, Demi Moore was the sidekick in that one, and someone DID see that and turn her into a star.