In Las Vegas, two best friends--a casino executive and a Mafia enforcer--compete for a gambling empire and a fast-living, fast-loving socialite.In Las Vegas, two best friends--a casino executive and a Mafia enforcer--compete for a gambling empire and a fast-living, fast-loving socialite.In Las Vegas, two best friends--a casino executive and a Mafia enforcer--compete for a gambling empire and a fast-living, fast-loving socialite.
- Nominated for 1 Oscar
- 4 wins & 11 nominations total
Philip Suriano
- Dominick Santoro
- (as Phillip Suriano)
Summary
Reviewers say 'Casino' is a complex crime drama with mixed opinions. Many praise Scorsese's direction, performances, and thematic depth. Critics hail it as a masterpiece for its narrative and visual style. Others find it derivative, criticizing pacing and length. The film's violence receives mixed reactions, with some appreciating realism and others finding it excessive. Overall, 'Casino' is seen as a significant, if flawed, Scorsese film.
Featured reviews
10G1enn
Casino is by far my favourite film. I enjoyed good fellas, thought Raging Bull was great and enjoyed Taxi driver but this is a cut above the rest imo
I have seen this film to many times to count and i am yet to become even remotely sick of it. The acting is flawless, story flows at a great pace for the full all but 3 hours, great narration and a great soundtrack
Pesci and De Niro play their parts so well as does Stone. When watching this film I started to wonder what PEsci is really like in real life. Is he a crazed man like he so often plays? After seeing Casino you are likely to wonder, he is that good
I also think the characters in Casino are far more believable then those in good fellas.
Must see for any gangster film fan
I have seen this film to many times to count and i am yet to become even remotely sick of it. The acting is flawless, story flows at a great pace for the full all but 3 hours, great narration and a great soundtrack
Pesci and De Niro play their parts so well as does Stone. When watching this film I started to wonder what PEsci is really like in real life. Is he a crazed man like he so often plays? After seeing Casino you are likely to wonder, he is that good
I also think the characters in Casino are far more believable then those in good fellas.
Must see for any gangster film fan
A complex, multilayered, beautifully directed film, Martin Scorsese's Casino is a masterpiece of destruction and betrayal. Few films take so many chances and succeed so wonderfully. It takes some of the basic formulas that were found in Goodfellas and applies them to another type of story - while Goodfellas' view was ground-level, telling the story of the "blue collar" gangsters of NYC, this film tells the story of the guys who controlled those guys. And it's fascinating to watch these people run Las Vegas, control the flow of money, and then fall from the heights of power due to lust, hubris, and greed. An amazing film that will hopefully get the recognition it deserves in the years to come.
10famsmith
If you haven't seen Casino yet, stop whatever it is you're doing, rush to the nearest video store, rent it, and watch it. Along with Mean Streets Casino is probably Scorsese's most underrated and unheralded picture. I would also venture to say that this is probably his most ambitious film. The film deals with a particular time period and a particular atmosphere and accomplishes an overwhelming achievement by creating and accurately portraying both. The art direction is splendid, most likely the best of any film Scorsese has ever done. The acting is superb. I never thought Pesci would be able to top his dynamic performance in Raging Bull until I saw Casino. Every time I watch this picture I fall in love with it all over again. This is the most honest depiction of Las Vegas, especially of the time period it was portrayed in. Scorsese's direction is flawless. Perhaps it is because I watch alot of Scorsese and Kubrick films, but I am becoming less satisfied with plot driven films and more enamored by films that possess the freedom that typical stories just don't seem to hold. Sharon Stone gives the best performance of her career, and as far as the editing is concerned, well if you believe like Kubrick and Pudovkin that a film is not shot, but built who better to have on your team than long time cohort, collaborator, and editor Thelma Schoonmaker. Ultimately, the genius of Scorsese is not just in the mastery of the medium, but in the understanding and appreciation for the necessity of great collaborators on all levels that Scorsese has consistently utilized throughout his career. Casino exemplifies not only the best of a Scorsese film, but transcends it. This film is truly a gem.
10ray-280
As a lifelong gambler who has crossed paths with a few fringe types portrayed in the film, I'm well aware of the story, the culture, and the ambiance of the Tangiers, the fictional casino placed in the control of Sam "Ace" Rothstein (Robert Deniro). Rothstein is not a mob member, but a "moneymaker" for them because he's the nation's best sports handicapper. It was refreshing for a movie to finally show that not all gamblers are stupid, but instead one of those who takes advantage of the many who are.
Rothstein's partner in crime is Nicky Santoro (Joe Pesci), who is far less convincing as a mobster than he would seem to like to believe. Sharon Stone plays the psychotic Ginger, a once-in-a-lifetime role in that it was the only time in my life I could bear to watch her on film. The supporting cast is strong, led by James Woods and Don Rickles (excellent in his dramatic capacity), and the movie is generally well-acted.
If you are a gambler or know the "wiseguy" culture, the movie doesn't have to be explained, while if you aren't, you'll feel like you've stumbled upon the secret meeting place of the mafia and made privy to what is said, without anyone knowing you were there. This film is based on the true story of what happened when the mob tried to put its men in suits and have them heading a casino, and why it has never been tried since. The homage paid to the incestuous nature of Nevada politics was an excellent touch.
Most of us wouldn't like a guy like Sam Rothstein, nor would we like to be him, but if we go to Vegas for a weekend and stay at a casino/hotel, we'll have a better experience if his watchful eye is ensuring that our stay is a pleasant one. The film's nod to how Vegas has been sanitized since those days is also accurate, and reflects sadness at a lost era, where the baby (the "old school" types who made Vegas great) was thrown out with the bathwater (the organized crime influences).
Rothstein's partner in crime is Nicky Santoro (Joe Pesci), who is far less convincing as a mobster than he would seem to like to believe. Sharon Stone plays the psychotic Ginger, a once-in-a-lifetime role in that it was the only time in my life I could bear to watch her on film. The supporting cast is strong, led by James Woods and Don Rickles (excellent in his dramatic capacity), and the movie is generally well-acted.
If you are a gambler or know the "wiseguy" culture, the movie doesn't have to be explained, while if you aren't, you'll feel like you've stumbled upon the secret meeting place of the mafia and made privy to what is said, without anyone knowing you were there. This film is based on the true story of what happened when the mob tried to put its men in suits and have them heading a casino, and why it has never been tried since. The homage paid to the incestuous nature of Nevada politics was an excellent touch.
Most of us wouldn't like a guy like Sam Rothstein, nor would we like to be him, but if we go to Vegas for a weekend and stay at a casino/hotel, we'll have a better experience if his watchful eye is ensuring that our stay is a pleasant one. The film's nod to how Vegas has been sanitized since those days is also accurate, and reflects sadness at a lost era, where the baby (the "old school" types who made Vegas great) was thrown out with the bathwater (the organized crime influences).
Nothing you haven't seen before, Robert De Niro performs in a similar style to several he established his career playing and Joe Pesci can only play himself no matter what the role calls for. If organised crime capers are your thing, or you're a casino denizen, it's lucky 7s all round for you, although, on this occasion, it's complemented and elevated through an outstanding performance by Sharon Stone. She steals the picture as the addicted to anything femme fatale opportunist most men would aspire to tame and, if they did get that chance, they would soon discover the trophy wife from hell - Sam did, but don't let that put you off.
What Scorsese Film Ranks Highest on IMDb?
What Scorsese Film Ranks Highest on IMDb?
Cinema legend Martin Scorsese has directed some of the most acclaimed films of all time. See how IMDb users rank all of his feature films as director.
Did you know
- TriviaMost of the conversations between Robert De Niro and Joe Pesci were improvised. Martin Scorsese would tell them where to start and where to end. The rest was up to them.
- GoofsAfter the failed car bombing, Sam is put into the ambulance feet-first. People are loaded into ambulances head-first, since most of the monitoring equipment is in the front.
- Quotes
Ace Rothstein: [to Don] Listen to me very carefully. There are three ways of doing things around here: the right way, the wrong way, and the way that *I* do it. You understand?
- Crazy credits"This is a fictional story with fictional characters adapted from a true story."
- Alternate versionsFinnish VHS release is cut by 1 minute. Notable cuts were:
- Tony Dogs being tortured with the vice
- Baseball bat killings
- ConnectionsFeatured in Cops (1994)
- SoundtracksMatthäuspassion BMV
Composed by Johann Sebastian Bach (uncredited)
Performed by the Chicago Symphony Orchestra
Conducted by Georg Solti (as Sir Georg Solti)
Courtesy of the Decca Record Company Limited, London
by Arrangement with PolyGram Film & TV Licensing
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Sòng Bạc
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $52,000,000 (estimated)
- Gross US & Canada
- $42,512,375
- Opening weekend US & Canada
- $9,946,480
- Nov 26, 1995
- Gross worldwide
- $116,112,375
- Runtime
- 2h 58m(178 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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