IMDb RATING
6.8/10
2.2K
YOUR RATING
A South African preacher goes to search for his wayward son, who has committed a crime in the big city.A South African preacher goes to search for his wayward son, who has committed a crime in the big city.A South African preacher goes to search for his wayward son, who has committed a crime in the big city.
- Awards
- 1 win & 4 nominations total
Themsie Times
- Shebeen Queen
- (as Tembsie Times)
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Featured reviews
10anne 83
I've seen this movie twice and I absolutely love it! I think it's highly underrated with the average of 6.4 from the imdb voters.
This is a movie about black and white. A welknown theme in Hollywood, but I've never seen a movie which deals with this subject so excellent as this one.
I couldn't help crying at the end.
my rate: 10
This is a movie about black and white. A welknown theme in Hollywood, but I've never seen a movie which deals with this subject so excellent as this one.
I couldn't help crying at the end.
my rate: 10
Apartheid was a grotesque social experiment aimed at perpetuating the evils of colonialism after the age of empires was past; white liberal Alan Paton one of its most celebrated literary critics. Darrell Roodt's film of perhaps his most famous book, Cry, the Beloved Country', stars Richard Harris and James Earl Jones (better known as the voice of Darth Vader, which leads to some unintentionally comic moments) and is not an awful film; but politically, it misses its targets. Aided by some slushy background music, it invests most of its black characters with a frankly ludicrous level of dignity; while oddly underplaying its depiction of the routine dehumanisation that black people suffered under white rule. In consequence, the film's only real anger appears directed not at the system but at Jones's brother, a nasty and opportunist anti-apartheid campaigner, which was surely not quite the original point. At the end of the film, an impassioned quote from Paton appears on the screen; it's a shame it seems so unconnected with what has preceded it.
Came to write this review because the recent hoopla around the Black Panther movie made me think of this. Our society truly is clueless when a superhero movie that isn't even a "movement" or even about Africa gets a vaulted review over gems like this. This movie here has depth, emotion, substance, heart and power behind it. All things that Black Panther does not have. One of my most favorite movies of all time and one of my go-to's when I talk about powerful movies.
This is a wonderful movie, based on the famous book. It features excellent camera work, which took full advantage of the beautiful scenery in the South African countryside. It also features an exceptional score by John Barry. In addition, the performances were quite good, although I've heard some people say they thought that James Earl Jones made Rev Kumalo too "soft around the edges". In any case, this is a quite good movie.
It's been a long time since I read the Alan Paton book upon which this film is based. Paton was banned in his own country and officially silenced but the book was universally popular throughout the 1960s.
James Earl Jones once again renders a bravura performance as the African minister whose son has accidentally killed a white man. One can feel his grief and his burden as he tries to straighten the mess out. His son has confessed but others involved have denied knowledge of the offense.
Richard Harris plays an equally difficult role that of Mr Jarvis the white boy's father. One feels his grief and pain especially when he finds to his surprise that his son had disowned "baaskap," the over-lordship of the white race, something accepted as a given by most whites without a second thought just as the white housewife perfunctorily dismissed the black cleric in priestly garb as if he were a pesty door to door salesman.
Will mercy be extended to the preacher's son who accidentally pulled the trigger and cooperated with authorities or will he suffer the ultimate penalty while accomplices go free? Yet for all the misery the movie, surprisingly without excessive preaching, ends on a flicker of hope for the future.
James Earl Jones once again renders a bravura performance as the African minister whose son has accidentally killed a white man. One can feel his grief and his burden as he tries to straighten the mess out. His son has confessed but others involved have denied knowledge of the offense.
Richard Harris plays an equally difficult role that of Mr Jarvis the white boy's father. One feels his grief and pain especially when he finds to his surprise that his son had disowned "baaskap," the over-lordship of the white race, something accepted as a given by most whites without a second thought just as the white housewife perfunctorily dismissed the black cleric in priestly garb as if he were a pesty door to door salesman.
Will mercy be extended to the preacher's son who accidentally pulled the trigger and cooperated with authorities or will he suffer the ultimate penalty while accomplices go free? Yet for all the misery the movie, surprisingly without excessive preaching, ends on a flicker of hope for the future.
Did you know
- TriviaThe background instrumental music in the movie is the same as the theme song from the movie Zulu (1964).
- Quotes
Rev Stephen Kumalo: My brother is greatly changed.
Theophilus Msimangu: But he has some truth on his side.
Rev Stephen Kumalo: "Truth"? But how can he have truth on his side and not God?
Theophilus Msimangu: At least he's got something. Look around. What do you see? Poverty, pain, suffering. Sometimes it is hard even for me to keep faith. Perhaps God is also on his side. Only your brother does not want to know it anymore.
- ConnectionsFeatured in 2nd Annual Screen Actors Guild Awards (1996)
- How long is Cry, the Beloved Country?Powered by Alexa
Details
Box office
- Gross US & Canada
- $670,727
- Gross worldwide
- $670,727
- Runtime
- 1h 46m(106 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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