Cyclo

The camera-work in this film is unbelievable. I haven't seen many films from Vietnam but this one is undoubtedly the best. Cinematography is top notch. Some of the photography is mind-boggling. Xich lo is about a young bicycle taxi driver from a poor family who becomes involved in gang activities after his taxi is stolen and his options are limited. The 123 minutes of the film give time for good character development. The gang's lieutenant, Poet, is a ruthless criminal who rarely speaks and is troubled his bad childhood and a recurring nosebleed problem. Madame is the wise leader with a retarded son, Fishmouth. Every character in the story is human, each with their own problems. I am not familiar with the filmmakers' other works so I don't know if there are any political or social messages contained in this film, but one shot of a wealthy, clean development late in the film is shown in sharp contrast to the dirty and violent world that we see in the rest of the film.

My only criticism of this is the pace.. it dragged slightly at a few points, and these seemed to be included in the final cut for the poetry and songs contained in them. I give this film a 10 in the end. Highly recommended.

This is an astonishing film. It captures Vietnam as it transforms from a tightly controlled communist state to a free-market economy, with the poverty, crime, overcrowding and squalor in graphic detail. It must be one of the most dramatic portraits of Third World poverty ever put on film.

The story of a young man's descent and redemption goes back to 1930s Hollywood and the Italian neo-realists. But it is transformed by its setting in a Saigon hell-hole, and by the complexity of the characters. There are no stereotypes. Even the most vicious pimps and murderers have redeeming features. And an overall theme of a father's influence on his sons is distinctively Asian. The emigre Vietnamese director Anh Hung Tran brings a cold, sharp yet loving eye to Saigon and Vietnam. One of the greatest films of the 1990s.

"Cyclo" is one of the greatest independent movies ever made. Vietnamese Auteur Tran Anh Hung shows how by accident violence becomes dominant in the life of a poor, young worker toiling in the streets of Saigon. Brilliantly shot with sometimes shocking and very intimate close-ups of violence and perversion, this movie deserves more attention. Besides "Cyclo" is also a documentary about the sad daily street life in giant third world cities and the permanent fight to survive.

Another reviewer correctly pointed out this film's weakness: the script. The story starts out strong then about a third of the way through it hops the track.

After that, if you can tell what is going on and above all WHY, you're pretty good--or friends with the author.

The government of the People's Republic of Vietnam cooperated in making this film for, I suspect, political reasons. Specifically, to paint the Chinese and China in a bad light. The setting is Cholon, the Chinatown section of the old city of Saigon, the former capital of the Republic of (South) Vietnam. Saigon is now Ho Chi Minh City of course and the Chinese are almost all gone, fled from the persecution that preceded and followed the 1979 Sino-Vietnamese border war. Even in 1994 when the picture was shot relations between China and Vietnam were tense. This movie depicts Cholon as a center of drug trafficking, vice, thievery and murder in which the U.S. dollar is the most desired currency.

The camera work by Frenchman Benoit Delhomme is pure artistry. Production values are high. The leading lady Tran Nhu Yen-Khe is absolutely riveting--her exotic beauty the best thing by far about the picture. There are some interesting backgrounds, particularly a short interlude where Poet, played by Hong Kong actor Tony Leung, and Sister (Ms. Yen-Khe) escape the filthy and impoverished inner city and spend a day in the countryside. It is no accident I am sure that some of the French architecture that still stands is featured.

The minor roles are convincingly played, the characters sharply defined for all their brief appearances. It is at the center that the film's weaknesses are most evident.

Xich lo is a highly disturbing movie which manages to combine aspects of many cinematic traditions to make something new. It seems that the director held European cinematic and directorial traditions very high, and that is plainly visible in this movies. But the use of colours that somehow seem to move the soul can only be asian.

The humdrum of the city does not let up. The movie depicts a vicious cycle of abuse, extortion and violence. Le cyclo's attempt to get justice after his cyclo has been stolen is futile at first. Angry, he seeks help from le poete. This leads him into a spiral of violence, drugs and insanity. The fact that the actors do not have names, simply lables, such as "le cyclo," "le poete", and "le grand-pere," seem to reinforce the futileness of life in such conditions.

There is a strong undercurrent of frustration in this movie. Le poete, pimping out his girlfriend to fetishists whose pleasure does not come from the sexual act. He wants to keep her virtue for himself, but of course, this is folly. And even sadder is the le grand-pere, who is old, and sick, and yet, has to perform back breaking work to get by in life. Given a chance to earn some money, he rejects it, sticking by his principles. But ultimately, this does not get him anywhere.

So what is one to do? Being honest doesn't help you get anywhere. Neither does being a gangster. Or a madame. In the end, this is the question that remains unanswered...or to which there is no answer.