God's Comedy

Pretentious, tedious pseudo-art. Probably written as a play and then adapted to a film. Virtually unwatchable, complete waste of time. One "hangs in there" waiting for the film to improve, but it never does. Lots of classical music gives the illusion of quality and high-art, remove the music, and you have a film-school throw-away, the entire thing should have gone unreleased. Lots of pretty young women, but merely a tease/window dressing. SKIP IT! So many good films, so little time...

This one is definitively a good film, a Portuguese one. João César Monteiro is provocative, hilarious and he is touching in some hounds of Portuguese society. This is not pop corn movie, it's not one and half hour of pure action. it's a film, it's Art, so therefore it's better to prepare yourself with some culture to understand it. This film has a lot of references to literature,movies and paintings.We can see on Joao de Deus a little bit of Nosferatu on the way he seduces the young girls, and his fetishes are in the books from Sade.There's bunch of great character beyond João de Deus. Judite a ex whore who runs a ice cream factory, the Butcher Father OF joaninha, Rosalinho and Joaninha of sweet eyes who seduces and gets seduced by João de DEUS. It's a disturbing movie which will make you laugh, annoy, irritate, think and in the end wish for more.

This is the man who irritated a whole country by making a film all in black. (Snow White)

Too long.

Poor sound quality.

Some funny bits here and there.

If you aren't Portuguese don't bother watching you won't get the subtle humour.

Subject of the movie is weird.

Acting is mediocre at best.

Definitely not a 7,2 in IMDB.

I don't dislike these kind of slow paced movies mainly based on dialogue but this one is weak.

I feel like some Portuguese viewers feel compelled to rate this movie so high in order to feel they belong to some cultural elite and to feel smarter than the average movie viewer.

For me this movie is a bit pretentious and not that deep or remotely entertaining. Basically it follows the whims of a bored and boring pedo.

Portugal has of one the weakest cinemas in Europe, it's a cultural desert where mediocrity is celebrated as intellectually superiority.

To be honest I cannot elaborate on this one, as I only saw the first half hour of the movie. Comédia de Deus for me is the only movie that I ever ran away from, after some short debating with my two companions, leaving the other two spectators the cinema to themselves (I still sometimes wonder whether they managed to sit it out). The first half hour (fair is fair) is the most bewildering piece of fiction I ever saw, combining the utter idiocy of, say, the Police Academy series with the astounding 'la-di-dah, oh, what great art I'm making'-attitude of films as "Ulysses's Gaze".

Worst first half hour ever, but hey, maybe the rest was good. Go check yourself, though, because I've seen the last of this one.

Every João César Monteiro movie I see drives toward one conclusion: although being, in Portugal, the soul director whose vision of life, lust and decay is comparable to that of Baudelaire, Monteiro lacks the force of will that would make him a Rimbaud. The character João de Deus, central figure of a trilogy of which A COMÉDIA DE DEUS is the first part is none other than João César Monteiro masked as a detached and unsure version of himself. To see and to reflect on the weakest side of idealism.