Flirt

The same story told three times in three countries but with different characters and culture values. Hartley goes for the Godardian style but without the political cheekiness. Nice to see Hartley try his hand at something a little different.

The idea of transporting a story and telling it in three continents is an intriguing one. What we have in Flirt is a weak New York story which verges on the ridiculous when transported to Berlin and Tokyo, particularly when it comes to handgun ownership.

The similarities are unsubtle and contrived, and you feel the actors, who do well in this, are fighting a very stilted script.

Maybe if Hal Hartley had spent more time exploring the differences in how the story would play in different cultures and less time making ‘high quality titillation' (his own description) then it might have made it a better viewing experience.

One short film script repeated three times in three different cities in the United States, Europe and Japan. The dialogue is identical in each; the plot plays out the violent and alienating repercussions of chronic flirtation and self-destructive covetousness. The subtle differences in each scenario are due (theoretically) to the changes in setting, sexual orientation and cultural backdrop.

If you're a Hal Hartley fan you'll probably enjoy this film to some extent; if you're not then you may be easily put off by the repetition of what could be seen as stiff artsy banter. The dialogue is clever, sharp, witty - characteristically quirky Hal Hartley writing. But the first scenario, set in New York and involving Martin Donovan, Parker Posey and that other favorite Hal Hartley actor from Simple Men (Bill something), is easily the best of the three and the high point of the film.

There's some really nice editing in this film, for those who have an interest in technical considerations.

Definitely an Art movie, sort of the anti-Rashômon: three different events described as if they were the same. Obviously such a film foregrounds the direction, and the dialog is recognizably Hartleyesque.

Hal Hartley weaves the same dialog through three only roughly similar stories given by their settings, the characters involved, and the cinematic treatments different meanings.

An art film about how films make art out of life. Or something.

Warning: if you lack intellectual curiosity (it's definitely not for the passive viewer) or are homophobic this will push your buttons; hence the 1-out-of-10 ratings above.

This is a film about the human behaviour, more or less. Like Jim Jarmousch did on "A Night On Earth", Hal Hartley attempts to reach the depths of a human soul, in a cosmically way, I think. We are more or less the same even if we don't admit it. A specific action can bring equal reaction from almost all of us. That is the point of the film. FLIRT focuses as the title says in flirting. This doesn't necessarily mean that it couldn't be otherwise, on the contrary. Hartley has his own way of processing images (and what a way!). After all he was a cinematographer, he should know. Poetic close-ups, characters more lovable not for what they say or do but for what they might say or do. This particular film studies the same situation in three different corners of the world. The places are not important. This could have happened anywhere and it did. Especially in the last place "Tokyo" the sequences are absolutely marvellous. I will not try to criticize the script as a script. There are people who get paid to do that sort of things. This is not a film to be seen by people with "conventional" eyes. This is not a conventional film. Far from it. Anyone who knows of Hal Hartley's work knows exactly what I mean. A 10 out of 10 for this brilliant film by Hartley, and remember best things in life are the ones we can't quite explain them.