Through letters to his lover Julian and Julian's brother Kevin, Dennis's actions unfold as his friends try to determine if he's a psychopath while ritual-like murders occur.Through letters to his lover Julian and Julian's brother Kevin, Dennis's actions unfold as his friends try to determine if he's a psychopath while ritual-like murders occur.Through letters to his lover Julian and Julian's brother Kevin, Dennis's actions unfold as his friends try to determine if he's a psychopath while ritual-like murders occur.
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Pretty awful. Even though I had read and loved the book, I couldn't make heads or tails of the movie. Although one thing needs to be pointed out, in the films brief conventional narrative moment, Craig Chester is brilliant as the semi-comatose whore. When his trick for the evening is trying to drag his lifeless body out of his house, Chester wakes up to ask if there was anything he could have done better for them. It's hard to explain, but in a way, that one moment almost gives this terrible, rootless film a sense of humanity that leaves an impression. I would watch the first 30 minutes again for that scene alone.
This is another of those art films that goes nowhere but gets there in style. This film is gritty and fascinating in a sick, can't help but look at the car wreck on the highway sort of way. It's not bad enough to turn off so you keep watching hoping that sanity will be restored. It won't be but you watch nonetheless.
Frisk is one of a number of films by new film-makers (such as Todd Solondz, Tom Kalin, John Hewitt) who are for no-one. I love this disturbing new genre. Neither guided by morality nor restricted by the reality/fantasy divide, these films don't seek a wide audience. Instead, these films explore the underground, less explored territories of desire in its darker manifestations. This film isn't simply about sex and power, it concerns being gay in the era of AIDS and the insistency of desire. Frisk plays into the gay=death equation but this is only natural when being gay still remains for some blind people a lifestyle choice if not an aberration. Its a film about killing lovers, put blankly, and about experiencing the forbidden reaches of passion and obsession. Its a cold film and relentlessly reminiscent of De Sade's writing. Transgression and shock rule here but there's no easy comfort zones. A film of lust, decadence, cruelty and annihilation. Be warned.
I really don't see how anyone that hasn't read the book could possibly really understand what this film is supposed to be about. The character development was pretty weak, making me constantly wonder *why* the characters were doing what they were doing... and never getting an answer. And the acting really didn't help either. It was just... well, bad. It made the characters look cheap and one dimensional. Dialogue was spoken as if it was the actors' first times going over the script. You know, porn-like. I really don't get why people act like this was such a disturbing movie... I was bored throughout mostly the entire thing. If the characters had been straight, it may very well have been just another late night HBO erotic thriller.
If I had to guess, I'd say this film was made solely to shock, not to actually tell a really quite interesting story written by a brilliant author.
If I had to guess, I'd say this film was made solely to shock, not to actually tell a really quite interesting story written by a brilliant author.
There is a brief scene after the credits that perhaps most people have not waited to see. I wonder if the UK censors in the mid - 1990's did as well; it is in my opinion the key to the whole film. Without spoilers it implicitly says that the whole film is a joke, and that the supposedly ' unbearable scenes ' are a kind of acted out pantomime for adults, and that over 18 years olds are adults! The acting is no worse than what you can see in other short for cash cult films, and sometimes it is quite good. The gist of the scenario is a fascination with killing so as to see the inner organs within our outer flesh, and only two scenes one in a windmill and one at the end that I averted my eyes. I have done this in certain family Westerns! Also, and that is again in my opinion this is not a purely gay film at all. A young woman joins the men in the so-called atrocities, so using logic this crosses over the divide of how it is just men who think about killing. I do not think it is gruesome especially as in 2025 you can see worst atrocities on television news. And they are real, and this film is definitely not. And Todd Verow is a good queer director who is not afraid of choosing risky material. If the film was submitted today in the UK would it get a certificate ? A question that I think needs an answer.
Did you know
- TriviaThe San Francisco gay film festival, Frameline, came to a chaotic close in 1995,when the disturbing serial killer thriller caused catcalls and walkouts.
- How long is Frisk?Powered by Alexa
Details
Box office
- Gross US & Canada
- $87,433
- Opening weekend US & Canada
- $10,110
- Mar 24, 1996
- Gross worldwide
- $87,433
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