Funny Bones

I had seen the standard shots of this film when it came out and thought that the comedy seemed pretty bad - which put me off seeing it in the cinema.

However, now that it's been on TV I would like to recommend it to anyone who wants to see a film which has an original story, interesting characters, unusual settings, great acting, great photography.... generally the opposite of the usual Hollywood fare I usually have to suffer because of my friends.

So, to sum up, it's been marketed wrongly - this is not a film which you should see for a laugh; it's a film which constantly surprises - not least in dramatic turns in the story.

Loved it - 9/10

How did I never hear of Lee Evans before I saw this movie? He is my new idol. When this movie came out, I gave it a miss because of Jerry Lewis (King of Comedy notwithstanding -- he gives me the creeps, man), but I caught it on Sundance the other night and was bowled over. It starts out sorta weird, but then hooks you with the story of this guy trying to be a standup comic in the shadow of his showbiz-legend dad (is there any worse word than "showbiz"? Maybe "node," but other than that, "showbiz" is just such a bad word!!!), and then all of a sudden you are in Blackpool, England, being treated to (a) some amazing vaudeville performers from an era sadly gone by, and (b) some amazing performances by clowny guys (not the creepy kind), and (c) Leslie Caron singing a torch song in a man-tailored shirt, and (d) a beautiful story of lost dreams, redemption, and wax eggs. Rent it, fool. Rent it now if you have a funny bone in your body.

Here is one more somewhat-unknown film I wish got more notice, although I'm not sure how many would like it because it's so different. It's a bizarre combination of humor and tragedy, of supernatural and straight drama. It's just an odd mix, but I find it very, very interesting and I've seen it three times, equally fascinated each time.

The movie goes back and forth between drama and comedy which makes unsettling for some viewers, but not me. It kept me on my toes, so to speak, even with those multiple viewings. Also in here is another example of how good comedians can be in dramatic roles, in this case, veteran comic Jerry Lewis. Oliver Platt plays his son, and does an outstanding job as the main figure in this film. The comedy is really provided by others, most notably the most tragic figure in the film: "Jack Parker," effectively played by Lee Evans.

There is really is no way to adequately explain this strange film in a few paragraphs. I would just say if you are looking for something different, give this a try. And stay with it, even if the first half hour is not to your liking. You will be rewarded.

Not really a comedy - more a surreal, sometimes weirdly comic piece about comedians, about families, about the awfulness of having a famous father, about genius, about the problem of what makes a comic funny, about the sublime sadness of failure. Lee Evans is absolutely haunting as the tortured comic genius, the natural comic who is so purely a comedian that he can barely communicate except in gags, yet who will never be allowed to perform in public because of his dark past. Leslie Caron is heart-rending as his mother, a brave, faded French beauty stranded for ever singing mildly risque songs in Blackpool pubs, and their tender scenes together are for me the best thing in the whole film.

The whole cast is incredible...right down to Oliver Reed camping it up gloriously in a bizarre sub-plot which at first I thought might be part of the Evans' character's fevered imagination. It is a movie absolutely crammed with magic but in one of my favourite scenes, Oliver Platt arrives in Blackpool and instantly sees it peopled with characters from Donald McGill postcards - fat ladies, saucy girls with flouncy skirts, burly men. The ending is a bit wonky and looks to my eye to have been changed from a tragic one to a "happy" one to please audiences. In the two opening sequences, both Evans and Platt utter the words "I'm going to die" in very different circumstances, and mean very different things, and other variations on the theme of death and laughter follow - all this seemed to be pointing down a much darker alleyway than the one we got. Doesn't matter, though. Still a great movie.

Although mostly overlooked at the time of release, this is undoubtedly one of the best films of the 90's. Elegantly surreal, Funny Bones is filled with wonderful visuals and a timeless quality.

At the center of this story stands Tommy Fawkes, a reluctant young comedian struggling in his famous father's (Jerry Lewis) shadow. Fawkes is masterfully portrayed by Oliver Platt, an incredibly talented actor who is often placed in supporting roles. Adept at all roles, it's always refreshing to find him as our lead. Platt has a particular gift for portraying the edgy hero, reminiscent of Karl Malden at his best. Somehow, he manages to make Tommy dark, yet uncomplicated.

In contrast, we have Jack Parker--seemingly the simplest of characters, he is the darkest and most complicated of all. This offered many of us our first glimpse of Lee Evans, a brilliant young UK actor/comedian with an astonishing penchant for physical comedy. His energy alone is enough to leave the viewer completely awestruck. If Fate is kind, we should have the good fortune of seeing a great deal more of him.

As for the rest of this stellar cast, Leslie Caron is charming as ever, George Carl and Freddie Davies are pure energy, and Jerry Lewis is, well, Jerry Lewis (there is no higher compliment I can pay him).

Essentially, this film is a requisite for anyone who enjoys surreal, dark comedy with a philosophical edge and an often slapstick pace.

"The dark moon, she pulls the tides also." --Thomas Parker (Freddie Davies)