Habit

The best vampire movie since George A. Romero's 'Martin'. This one's a bit low-key but very well acted and contains some erotically charged sex scenes. The lead male character played by the wacky Larry Fessenden, complains of feeling weak, drained and a bit sick; which surely is the only downside of being accosted by a truly sexed up vamp, named Anna. Get the 'habit'!

Bar manager / lush whose life is collapsing around him thinks he may have a chance for a better life when he falls in love, but then he notices that his girlfriend likes to bite and drink blood. As the relationship grows more sexual, the more paranoid he is about her being a vampire.

Fresh take on the vampire legend offers new ideas and is well made on an ultra low budget. It has strong character development and is presented in a realistic manner. The sexual scenes in the film also make you wonder, was it real of faked?

I love this movie. Fessenden's camera is relentless and surprising - likewise with his edit - he is simple, unique, and engaging - like a down-beat Cassavetes, he works on small impulses and real urban rhythms - while not perfect,the film is dreamily shaggy, a creepy joy every step of the way. beautifuly realized (great art-direction and photography) - this and Ferara's "The Addiction" make a great po-mo NY vampire double bill. BRAVO!

Fascinating movie! Apparently Larry Fessenden is someone to keep an eye on, as his past work (some short films) has been critically acclaimed at Cannes. I don't know how Habit was received, but it is awesome. It takes a familiar theme (vampire/sex/etc.) and completely distorts it into an unexpected, unparalleled cinematic treat. Sort of like a grown up Lost Boys, without the cheesiness. The performances are mesmerizing (Larry himself play the David Yow look-a-like lead alcoholic), the camera work is intriguing, the overall creepy-yet realistic mood all work together to make this a must-see movie for anyone who hates mundane, mainstream fluff.

A very good, kind of disturbing modern vampire story. Its hero is a guy on the rebound who has a circle of friends, a small inheritance, and no direction in life. He meets an alluring woman who seduces him into sado-masochistic sex addiction, and the film continues to play with the concepts essential to Vampirism and modern life. Good performances from all, particularly Fessenden (also the director) and Aaron Beall as his hypocritical friend. Chilling atmosphere on a very low budget. Some obvious writing, but well executed style pulls it off. Particularly memorable is Fessenden's desperate meat fix, where he licks the drainings out of the bottom of a supermarket meat container. Fans of vampire movies of quality should definately check this out.