Peace Hotel

In a weird Western wasteland, a bandit by the name of Wong A-Ping- known ominously as The Killer- is something of a legend. Unstoppable and unmatched in brutality, he roams the land, wreaking havoc and taking lives. After a personal tragedy, he establishes the so-called Peace Hotel, a sanctuary where violence is strictly forbidden. For a time, the hotel thrives, acting as a beacon of order and safety throughout the unlawful, dangerous land. However, the machinations of an attractive con-woman named Shau Siu-man- as well as the villainous gang hot on her tail- threaten to disrupt the situation irrevocably, in Wai Ka-Fai's directorial debut 'Peace Hotel.'

A western with artistic stylizations, the film is off-beat and somewhat entertaining; if not terribly original or well-written. The majority of the characters are caricatures, the dialogue is farcical and to call the story predictable would be an understatement. The central conceit is an interesting one, but it is not exploited in a manner that is either subtle or particularly effective. However, one does get quite wrapped up in 'Peace Hotel' anyway, as one would with a cowboy B-movie from the 50's. There are plenty of twists in the tale, a dash of romance and much humor; a concoction that makes for an enjoyable- if underwhelming- viewing experience.

It must be said that the production design overseen by Wai Ming Yau and Chung-Man Yee is impressive and atmospheric work. The sets look weathered, with the titular hotel being particularly striking. The costume design is also worthy of note, not to mention Wing-Hang Wong's cinematography. It is highly stylized and distinct, at times almost dreamlike. Admittedly though, the hurried camera movement occasionally makes for sequences that are overly hectic, particularly the fight scenes; which are quite hard to follow.

That may be more of an issue resulting from Kuo-Chung Chou's editing, though; which is loose and untidy. Many scenes feel disjointed and the narrative is made unnecessarily abstruse, with the impact of the overall film being somewhat lessened. As mentioned above, the fight scenes are especially bewildering, looking like they were shot on 8mm and edited by a blind man for an amateur music video from the early nineties. The pacing is also problematic, with the beginning being quite slow and the latter half of the film feeling quite rushed. Under Wai Ka-Fai's direction, Chou's work leaves an impression on the viewer alright- and not a positive one.

The cast do much more memorable work, Chow Yun-Fat and Cecilia Yip in particular. Chow is a very charismatic performer, with a magnetic screen presence, and his performance as Wong A-Ping is reserved and steady. The character may be underwritten, but he makes him a likable fellow of some depth all the same. Credit for the film's story also goes to Chow, so aside from a good performance he came up with an intriguing concept to boot.

Yip plays Shau Siu-man, a self-centered rogue you cant help but like; perhaps because of the joy of her performance. She doesn't take the role too seriously, there's a tongue-in-cheek element to her chicanery that is most attractive, and she and Chow have a natural chemistry that makes watching them together a treat. Of note from the supporting cast are Shun Lau as a blind resident of the hotel and Jacklyn Wu, who appears in flashback as Chow's wife.

In short, 'Peace Hotel' doesn't make for fantastic cinema, but it does hold entertainment value. The visuals are strong, as are the performances from the cast. The unremarkable story and its oftentimes laughably banal dialogue is problematic though- as is the terrible editing- dooming the film to the realm of mediocrity. John Lennon once sang 'Give Peace A Chance,' but if it's 'Peace Hotel;' perhaps it isn't worth it.

Review: I quite enjoyed this film, mainly because of the crazy lady who told load of lies to stay in the hotel but the action scenes wasn't that great, because of the shoddy camera work. Chow Yun-Fat puts in his usual great performance and the different characters also made it quite enjoyable. Once Chow Yun-Fat's character, The Killer, falls for the lying, cheating and very deceptive girl, the storyline does get a bit weak but the witty storyline and original concept beforehand, was great. Although the movie is full of subtitles, it's still easy to follow and the open ending was sad in one way but intriguing in another. Most of the movie is based around a hotel, with a Western backdrop, so the scale of the movie isn't that big but the ending was still pretty epic. With that aside, everything about this small budget movie worked and I'm slowly becoming a big fan of Chow Yun-Fat. Enjoyable! 

Round-Up: This was the first movie directed by Ka-Fai Wait, 54, in 1995 and he has gone on to direct 17 more movies for the Oriental market, which I personally haven't heard of. Chow Yun- Fat also wrote this movie with the director, and with the production skills of John Woo, it's not surprising that this project turned out so well. 

I recommend this movie to people who are into their action/crime/drama/romance/westerns starring Chow Yun-Fat, Cecilia Yip, Ho Chin and Shun Lau. 5/10

Peace Hotel is a very original and very well acted vehicle written and starring Chow Yun Fat. In this Chinese western , CYF is a man known as The Killer who in a fit of rage slaughtered 200 people and opened a hotel where fugitives can find amnesty and live peaceful lives under The Killer 's protection. No one dares to mess around there until the gorgeous Cecelia Yip shows up with an army of ruffians in her pursuit . The volatile chemistry between Cecelia Yip and Chow Yun Fat is excellent and the performance and presence of CYF is top notch. The story as good as it is builds to action sequences that don't do the film justice . The action scenes are a blur and while it may establish The Killer is totally badass, it is my one complainant about the film . If the action was up to par with the story and acting , Peace Hotel could hold a candle to classics like The Killer and A Better Tomorrow. Even so , Peace Hotel is a very good film and I definitely recommend it.

There are 2 essential things wrong with this movie.

First, the 'girl always lying joke' that gets repeated over and over again in the first half of the film. The first couple of times it vaguely amusing, after that its just monotonous.

Second, its no secret Chow Yun Fat cannot fight. He is not a martial artist. Now by the time Crouching Tiger Hidden Dragon is released they come up with a work-around for this problem. In Peace Hotel they don't. So they set CYF as this great fighting hero who slays many but when we see evidence of this it is simply awful. Jet Li for example would have been a much better choice for this particular role.

The idea for the story is a good one but it fails to get the job done.

This movie is very unique. Just the idea of a Chinese Spaghetti Western is mind-boggling. In this movie, Chow Yun-Fat plays "The Killer." He sets up a hotel as a refuge for people on the run. Their safety within the confines of the hotel is guaranteed. When a mysterious girl, played by Cecilia Yip, comes to hotel, his ideals and the sanctity of the hotel becomes threatened as her enemies wish to violate the rules of the hotel.

There are very good performances in this film. Chow Yun-Fat does an excellent job as "The Killer." Cecilia Yip is a very strong and bold female character. As the relationship of the two develop, I actually sympathised and liked the two characters.

The action scenes are well done, for the most part. The machine gun attack and the final sword fight were very well done. The other sword fights were somewhat blurry. Ching Siu-Tung should have been on hand to choreograph those scenes.

I also thought that the end was very powerful and emotional. It even rivals the ending of The Killer. In the end, this movie is worth seeing not only for its action sequences, but for the great performances by the two leads. This movie is not as good as his Woo films, but it is still a powerful movie.