Huntress: Spirit of the Night

The Beast Inside Her (1995) is currently available on Tubi. The storyline follows a successful business woman who inherits an old family estate. Shortly after arriving at the home she also inherits an old family curse, the curse of the werewolf.

This movie is directed by Mark Manos (Liquid Dreams) and stars Mihaela Mihut (Selfie 69), Jenna Bodnar (Descendant), Charles Cooper (Blind Fury) and Michael Wiseman (Planet of the Apes).

This is not a horror movie, it's soft porn with horror references. The term they use on IMDb is "horror erotica." Well, I'd call it "horror badica." Yes, there's plenty of worthwhile nudity throughout the movie, but the horror elements are limited and the gore is non-existent. There definitely should have been more kills and emphasis on the horror elements. Even the werewolf concept was weak. Overall I'd score this a 2/10 and strongly recommend skipping it.

One of those Gothic Romances Full Moon made in 90's, like Meridian - Kiss of the Beast. Shot in Romania, it looks gorgeous - autumnal scenery, Gothic castles with flowers, lace curtains, old books in vitrine, etc. Red haired heroine looks pretty good, too, especially in her later, vintage looks. The plot has lot of promise, with the warnings, Torches and Pitchforks searching the Beast, all played entertainingly straight. There is no gore, quite a bit of nudity. Acting, staging and Welsh accents are often clumsy, too much time is wasted in soft core, and the ending is terrible - the story just ends! So... a mixed bag.

This is another so-called horror flick,which is more soft-core sex than actually horror.Apart from some nicely filmed sex scenes and atmospheric sets there's nothing worth any recommendation here:no suspense,no gore&violence.The lead actress Jenna Bodnar is pretty hot(especially during the masturbation scene)and the sex scenes are suitably titillating.Watch it,if you have got nothing better to do.

The story is essentially a mystery of both the occult and human nature. A serious minded young woman, Tara, returns to the exotic world of her early childhood and makes new acquaintances. Sexual encounters awaken her inner passions, and she soon exhibits a newly discovered physical prowess.

Jenna Bodnar, as Tara, is fairly attractive. The few erotic scenes and moderate violence add needed excitement, but they are not done to excess. Suspense and intrigue are the main appeals of the film. The setting is dark and foreboding, and the main plot develops slowly.

Tara inherits a wealthy estate from her distant estranged father. Inexplicably, just before his death he insisted that she stay away from the place. Tara's life is in danger and someone is trying to take advantage of her. Local folks repeatedly warn Tara, but they hesitate to tell her what they know. Even her new found mysterious lover, who seems to understand her true nature, offers little help. So, Tara is left practically all alone to ponder her mysterious circumstances. Naive, she is easily exploited, and she suffers a sinister fate.

The movie's main disappointment is the fact that it ends with the story unfinished. Tara slowly transforms into something frightening, but we never get to see what she becomes. I don't know if there is any sequel, in which case I am not sure the movie is worth the effort.

A young woman returns to her childhood home in Europe (somewhere in England, I think) to inherit her deceased father's mansion. She discovers a strange family curse that that leads her to the usual "sexual awakening" stuff.

First of all, Jenna Bodnar (who looks vaguely similar to Tawny Kitean) looks great in the film, with lovely curly red hair and high cheekbones. She gets some great sex scenes, most notably a half-a**ed threesome on a wooden bench, and a nice scene where she slithers and undulates in a dark cave for her prospective photographer boyfriend.

Sex aside though, this almost works as an actual film. Bodnar is a good enough actress to make me care (slightly) about her situation. The sets are nice, and the supporting cast helps. Only drawback: an ending so abrupt and inconclusive, I thought the director ran out of film. Maybe director Mark Manos meant for it to be metaphysical or something.