Family man Hatch Harrison gets a special resuscitative medicine after "dying" in a car accident. Afterwards, he starts having strange nightmares such as killing a teen girl. Is it just dream... Read allFamily man Hatch Harrison gets a special resuscitative medicine after "dying" in a car accident. Afterwards, he starts having strange nightmares such as killing a teen girl. Is it just dreams?Family man Hatch Harrison gets a special resuscitative medicine after "dying" in a car accident. Afterwards, he starts having strange nightmares such as killing a teen girl. Is it just dreams?
- Director
- Writers
- Stars
- Awards
- 1 nomination total
Roger Cross
- Harry
- (as Roger R. Cross)
Norma Jean Wick
- TV Announcer
- (as Norma Wick)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Silence of the Lambs, MTV style
Jeff...Goldblum...speaks like..this...in much of his movies which is as fascinating as it is irritating. Jeff's quirky speech patterns have been the saviour of many a dull movie over the years - here, it almost takes second place to Brett Leonard's jaw dropping visual effects. By now, you know the story. Hatch (Goldblum) brought back from the dead by nice doctor Alfred Molina; except he has brought back a part of a creepy serial killer. Both men can see each other's visions and can feel one another's pain. Naturally, both are drawn toward an inexorable conclusion. An okay script, partly by Andrew Kevin Walker of Se7en fame and solid direction by Leonard make this a stylish diversion that should keep first time viewers hooked to the end. Good photography by Gale Tattersall and the Trevor Jones soundtrack punctuates all the right, familiar scenes with bags of style. Not as bad as Neil Jordan's similar offering, In Dreams, but a rather obvious thriller which offers few revelations.
Entertaining enough.
I haven't read Dean Koontz's novel, but most of this movie's faults can be traced back to predictable and simplistic script, which bears a strong resemblance to "The Eyes Of Laura Mars". Otherwise, this is an entertaining horror thriller, with trippy "tunnel vision" (literally) sequences, flashes of dark humor and the usual good performance by Jeff Goldblum. The "good vs. evil" climax does come off a bit cheesy, but that doesn't happen because the effects are not good; it happens because of the way in which they are employed. (**1/2)
Dean Koontz
Seriously...why can't they make one of Dean Koontz's book into a DECENT movie? I mean they dont even get the characters right...Regina (Silverstone) is supposed to be a nine year old "crippled" (as she defines herself in the book). Changing her character takes away from the plot of the story! It's a shame that they waste Koontz's amazing talent on movie's like these.
A unique, visual gem
I've always loved this movie since I first saw it with my friends in theaters back in 95. I thought it was such a unique, original idea executed with solid performances and inspired visuals as well as s kick ass score and soundtrack. The movie tells the story of a sexy ass Jeff Goldblum as Hatch a man who dies in a car accident and is resurrected by an experimental procedure. A few days after awakening he begins to horrific visions of murders through the eyes of a disturbingly sexy Jeremy Sisto. He tries to solve the crimes blaming his self along the way and becomes even more intent when the killer targets his daughter it girl at the time Alicia Silverstone. Christine Lahti also stars as her mother and she is one tough bad ass. The movie is do fun and imaginative I'm surprised it never really took off.
Budget: $15M Box Office: $12.2M
Budget: $15M Box Office: $12.2M
Am I weird? Because I enjoyed Hideaway....
Call me the ultimate anarch, but I'm inclined to disagree with the slatings this movie has received. Maybe I was watching a different film, but I pretty much enjoyed Hideaway. Okay, maybe the scripting wasn't pure Shakespeare, maybe the plot was a little tenuous, or a little unoriginal, but still, a little credit where it's due please.
I admit, I was expecting from the write-up a second rate TV movie, but ended up with a deranged grin plastered across my face. I particularly enjoyed the film's 'darkness', and hellishly black soundtrack that only added to the effect. Personally, I'm surprised that Jeremy Sisto has yet to be mentioned in the reviews, because I believe his chilling performance as Vasago was one of the shining factors in this movie. What with his penetrating stare and spooky, well-spoken accent he made, to me, the perfect killer. A round of applause for the young man, if you please.
Personally, I see Hideaway as a movie that should be a big hit with the gothic community, and I shall stand by my word regardless...
I admit, I was expecting from the write-up a second rate TV movie, but ended up with a deranged grin plastered across my face. I particularly enjoyed the film's 'darkness', and hellishly black soundtrack that only added to the effect. Personally, I'm surprised that Jeremy Sisto has yet to be mentioned in the reviews, because I believe his chilling performance as Vasago was one of the shining factors in this movie. What with his penetrating stare and spooky, well-spoken accent he made, to me, the perfect killer. A round of applause for the young man, if you please.
Personally, I see Hideaway as a movie that should be a big hit with the gothic community, and I shall stand by my word regardless...
Did you know
- TriviaDennis Quaid's production company produced the film, but the actor removed his name from the credits after seeing the final cut.
- GoofsThe pentagram which is on the wall is supposed to be an occult Satanic symbol. It is, however, a normal Pythagorean pentacle - the occult pentagram should be upside down.
- Crazy creditsThere is some additional story following the final credits.
- SoundtracksGo to Hell
Written by Sascha Konietzko, En Esch & Svet Am
Performed by KMFDM
Courtesy of Wax Trax! Records & TVT Records
- How long is Hideaway?Powered by Alexa
Details
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $12,201,255
- Opening weekend US & Canada
- $5,213,455
- Mar 5, 1995
- Gross worldwide
- $12,201,255
- Runtime
- 1h 46m(106 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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