A Harvard professor is lured back into the courtroom after twenty-five years to take the case of a young black man condemned to death for the horrific murder of a child.A Harvard professor is lured back into the courtroom after twenty-five years to take the case of a young black man condemned to death for the horrific murder of a child.A Harvard professor is lured back into the courtroom after twenty-five years to take the case of a young black man condemned to death for the horrific murder of a child.
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This movie started out as an apparently good movie, but about halfway through it started to go to hell. The only mildly good thing about the latter half of the movie was Sean Connery, who pretty much shines through the entire movie. His acting was pretty good, and could have been a saving grace, had the movie not been so bad. The end was especially horrible, as it was a nearly total ripoff of Cape Fear(the new version, with Robert De Niro), in fact, several lines were taken directly from that same scene in the movie. The second-to worst thing is the 'twist' in the end, that was so obvious that I could just as well have been sitting there, waiting for it to happen. The worst thing is that the twist ruins everything that has happened up to that point, and makes the whole movie pointless since it directly opposes nearly everything that happened in the movie before that. I wouldn't recommend this to anyone other than huge fans of Sean Connery, or people who love to watch crime mysteries. Other than that, there is no reason to waste time on this movie. 6/10
Just Cause (1995) is a movie I recently watched on Tubi. The storyline focuses on a Harvard college professor who used to be a defense lawyer. He receives a hand delivered letter from a black death row inmate's mother pleading his innocence and requesting his assistance on their case. He reluctantly takes on the case and tries to find a crack in the original sentencing. This movie is directed by Arne Glimcher (The Mambo King) and stars Sean Connery (Medicine Man), Laurence Fishburne (The Matrix), Blair Underwood (Deep Impact), Ed Harris (Needful Things) and Kate Capshaw (Indiana Jones and the Temple of Doom). I had not seen this for a long time and forgot how completely different the feel was the first 2/3rds of the movie versus the final 1/3rd. The character rollout and courthouse drama is fun to watch unfold; however, the final 1/3rd seemed extremely far fetched and unbelievable. Fishburne was great in this and appropriately intense. Connery was solid but oddly awkward and gullible at times. The first 2/3rds of this movie is a 8/10 and the final 1/3rd is a 5/10 for me so I would score this film a 6.5/10 and recommend seeing it once.
The film is mediocre, but seeing Ed Harris' performance as a manipulative serial killer (I'm not giving anything away by telling you this) is worth the entire movie. Too often serial killers are played as geniuses--Jack in "The Profiler" or Kevin Spacey's character in "Seven"; Harris creates a malignant redneck monster that really will startle and chill you. No one goes from zero to sixty like Harris since George C. Scott left us; in this film he modulates his voice amazingly, sounding quietly venomous one moment and then thundering like a fire and brimstone Southern minister. In Connery's case, it's just bad casting: he plays an academic consulting lawyer (a la Dershowitz {sp?}) who combats Fishburne's menacing but canny Southern cop. Connery's other roles and the notion of him they have created in us make it impossible for him to play the effete lawyer that the script seems to call for.
Although it borrows heavily from better and better-known films, Just Cause is quite entertaining. Several turns are predictable or hard to believe, but this film also shows some interesting character development with Sean Connery, who seems to be a little too old for this role, but was quite believable as the law teacher, who had to learn some lessons about reality and law as it is practised in reality. Laurence Fishburne and Ed Harris seem to enjoy their performances, which they deliver with much relish, and the atmosphere of the town and the Everglades are also captured nicely. But since the plot, especially the last third or so, is really contrived, and Kate Capshaw is so annoyingly bad and shallow in a key part that usually calls for a more sensitive performance, I can not really recommend this film wholeheartedly without having a guilty conscience. See it only if you have nothing else to watch.
Just Cause takes some of the best parts of three films, Cape Fear, A Touch of Evil and Silence of the Lambs and mixes it together to come up with a good thriller of a film.
Sean Connery is a liberal law professor, married to a former Assistant District Attorney, Kate Capshaw and he's a crusader against capital punishment. Blair Underwood's grandmother Ruby Dee buttonholes Connery at a conference and persuades him to handle her grandson's appeal. He's sitting on death row for the murder of a young girl.
When Connery arrives in this rural Florida county he's up against a tough sheriff played by Laurence Fishburne who's about as ruthless in his crime solving as Orson Welles was in Touch of Evil.
Later on after Connery gets the verdict set aside with evidence he's uncovered, he's feeling pretty good about himself. At that point the film takes a decided turn from Touch of Evil to Cape Fear.
To say that all is not what it seems is to put it mildly. The cast uniformly turns in some good performances. Special mention must be made of Ed Harris who plays a Hannibal Lecter like serial killer on death row with Underwood. He will make your skin crawl and he starts making Connery rethink some of those comfortable liberal premises he's been basing his convictions on. Many a confirmed liberal I've known has come out thinking quite differently once they've become a crime victim.
Of course the reverse is equally true. Many a law and order conservative if they ever get involved on the wrong end of the criminal justice system wants to make real sure all his rights are indeed guaranteed.
Criminal justice is not an end, but a process and a never ending one at that for all society. I guess if Just Cause has a moral that would probably be it.
Sean Connery is a liberal law professor, married to a former Assistant District Attorney, Kate Capshaw and he's a crusader against capital punishment. Blair Underwood's grandmother Ruby Dee buttonholes Connery at a conference and persuades him to handle her grandson's appeal. He's sitting on death row for the murder of a young girl.
When Connery arrives in this rural Florida county he's up against a tough sheriff played by Laurence Fishburne who's about as ruthless in his crime solving as Orson Welles was in Touch of Evil.
Later on after Connery gets the verdict set aside with evidence he's uncovered, he's feeling pretty good about himself. At that point the film takes a decided turn from Touch of Evil to Cape Fear.
To say that all is not what it seems is to put it mildly. The cast uniformly turns in some good performances. Special mention must be made of Ed Harris who plays a Hannibal Lecter like serial killer on death row with Underwood. He will make your skin crawl and he starts making Connery rethink some of those comfortable liberal premises he's been basing his convictions on. Many a confirmed liberal I've known has come out thinking quite differently once they've become a crime victim.
Of course the reverse is equally true. Many a law and order conservative if they ever get involved on the wrong end of the criminal justice system wants to make real sure all his rights are indeed guaranteed.
Criminal justice is not an end, but a process and a never ending one at that for all society. I guess if Just Cause has a moral that would probably be it.
Did you know
- TriviaThe theatrical trailer of the movie contained a shot of a group of Boy Scouts discovering the severely decayed remains of a human body (presumably Joanie Shriver's) in the Everglades. This scene was omitted from the final cut.
- GoofsDuring the chase scene as they approach the draw-bridge, both sides of the bridge are raised to 45 degrees. Seconds later, when the car jumps the bridge, the far side is down again.
- Quotes
Paul Armstrong: If that's a confession then my ass is a banjo!
- Alternate versionsThe Blu-ray version has the opening 2003 Warner Bros. Pictures logo in place of the 1992 logo.
- SoundtracksNo solo a ti
Written by Robert Skiles
Performed by Beto and the Fairlanes
Courtesy of dos Records
Details
Box office
- Gross US & Canada
- $36,853,222
- Opening weekend US & Canada
- $10,607,932
- Feb 20, 1995
- Gross worldwide
- $36,853,222
- Runtime
- 1h 42m(102 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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