Little Criminals

This movie came out a while ago, and I'm pretty sure it was made by the CBC. I only saw pieces of it then, but the images stuck in my memory for years until I saw it again on Showcase.

Really gritty movie that I'm glad has received an audience outside of just Canada. The kid's performance is mesmerizing and I enjoyed how a sympathetic angle was available, but not pushed. The ending to me was sad, despite how terrible the boy was, and is one of the images that sticks in my mind the most.

Anyone who feels that the younger generation is going to ruin the future, don't watch this film!! Like the "Thirteen," or "Kids," it's disturbing to watch people so young result to such drastic measures in life to feel accepted.

Rarely do I find a film so moving!

This film had me in tears towards the end and I have had a life that began a bit like Des's so social dramas' etc don't really affect me as though it might some people who have lived privileged or comfortable lives because i analyse but don't often become emotional through watching a film like i did with this excellent creation from Stephen Surjik and its' writer Dennis Foon and i will be trying to contact them to tell them myself (Never felt like doing that before!).

I live in the UK and so my childhood didn't involve firearms, well not until I was 17 because they are quite rightly a lot harder to come by than in Canada, even then I discarded the pistol I brought after threatening somebody for running over a dog and would never own one again, I am now 39.

This film had so many other parallels though that it was almost traumatic to watch and see how it mirrored myself, it was definitely painful at times as my stomach felt like somebody had just kicked me in it. Because of that I would have to say that it is one of the most powerful films I have ever seen, period.

The ending is tragic because of the way he isolated his self from the only person he felt he could trust will leave many who can identify with the film, numb. It did me.

The character as myself was talented and probably very intelligent, I myself have an I.Q. of 142 but for years as a kid officials thought I was a retard and a write off because of the suffering in the familial environ and the fact I had disengaged and this comes through in the film when all the Police want to do is lock the little guy up but like all young kids, really needed to be understood not treated as though a criminal, as does the lack of permanence when he began to trust somebody when taken into care and although the film doesn't get into his future (I don't want to give too much away.) I know that is what it is like when one is moved through the care system and forming a bond in an environ where nobody actually cares that much at all as they are philanthropist, yes, but only doing a job at the end of the day, that betrayal and lack of permanent bonding with adults stays with you as a deep footprint. It is something that affected this lad, Des, profoundly when he wanted to stay where he had bonded with an adult he felt he could trust.

I highly recommend this film to anybody interested in socio-dynamics, especially because although set in Canada I can say the dynamics are universal because of the way it mirrored my own.

The guys who made this film did a really good job in hitting home subtleties in a powerful way.

To answer the previous review. Remember it? I shall find it hard to forget because in a way I lived it, even looked a bit like Des when i was a kid!!!

Sincerely.

Paul. AKA DELTAPAN

This film considers people, most especially children, living at or beyond the margins of society. It is a worthy companion to Bunuel's "Los Olvidados". The central character, Des, is an 11 year old boy, the leader of a group of delinquents. From the outset, he is loathsome and (seemingly) without any redeeming value. The viewer's reaction to this character is disturbing; how can you hate an 11 year old. The story follows Des through one vicious episode after another. Slowly, ever so subtly, the little boy inside the monster is revealed, and circumstances which have created the monster examined.

The young man who plays Des is brilliant. It is impossible to look away from him, however horrific or painful his behavior. The supporting performances are also fine, especially the step father and social worker characters.

The screenplay is masterful; there is a rythm of explosive violence and anger mixed with small subtle hints of humanity that ultimately leaves the viewer moved in different, conflicting directions simultaneously. Ultimately, no pat answers are provided.

This is a disturbing movie. It should be seen.

One evening, late Autumn 96 I sat back and causally channel surfed, I ended up on channel 4 (UK) where I was about to witness one of the best films of all time.

From our first introduction to Des, perfectly framed through the windshield shadowed by the angry tones for Violet I knew that this film was going to be something different from the usual TV movies.

The concept of someone hitting the downward spiral is oft covered by small and big budget alike, but to convey it from the eyes of a child, however dangerous on the outside, a sensitive messed up inner beauty is portrayed, a victim of his surroundings without the adult understanding to make sense of it all. Suddenly you realise that this kid who seems to be popular, connected and tough is far from it and is merely fitting the mould society has carved for him and when the pillars of his self, the shreds of normality that his world clings to are torn away he realises that the voices were right, he is alone, he is not special, and his time has run out.

We have see a roller coaster of emotions, with him reverting from adult to child but in the final scene, as the flames lick around him, distorting his treasured drawings, burning his forgotten sanctuary: we realise that there could be no other ending for him, or for the film - the trip hop pining of Portishead Roads that has haunted us throughout the film, reaches crescendo to add the final brevity.

The raw quality of this film and the depth of message is usually out of reach in a TV movie, but not his gem.

Watch it, remember it.

This is a superbly directed and exceptionally well acted film. Though the subject matter is dark, it is tense, emotionally affecting and thought provoking. Child crime has never been dealt with in such a realistic manner outside of moralistic documentaries. This is an unblinking depiction of two boys denied what we might consider any vestige of childhood