A group of idealistic but frustrated liberals succumb to the temptation of murdering right-wing pundits for their political beliefs.A group of idealistic but frustrated liberals succumb to the temptation of murdering right-wing pundits for their political beliefs.A group of idealistic but frustrated liberals succumb to the temptation of murdering right-wing pundits for their political beliefs.
- Awards
- 1 win & 1 nomination total
Nicholas Sadler
- Homeless Basher
- (as Nick Sadler)
Stephen Welch
- Tow Truck Guy
- (as Steve Welch)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Well worth a gander
This is a film that can be viewed on two levels.
The first level is that of a straightforward black comedy. Five liberal students, who think they have the answers to all the world's ills, have their comfortable world invaded by a redneck racist who is invited in for supper after coming to the aid of one of the students when he has car trouble. Naturally there is a clash of politics and, after a violent argument, the racist is accidentally killed. They decide to bury him in their garden instead of reporting the killing. What follows is a continuation of an earlier debate they had been having; would people be justified in murdering someone if they knew he was evil? Their answer is yes, and soon they are inviting other rightwingers for an evening of dinner, debate and death. On the first level the film is okay.
It is on the second, more cerebral level, that the film really succeeds. The great irony is that the liberals become intolerant, revealing the dangers of political correctness and the very real possibility of a left-wing police state in which alternative views are crushed in the name liberal values.
A good soundtrack, some sparkling cameos by the dinner guests, and a knockout performance by Ron Perlman as the conservative commentator make this largely overlooked comedy well worth a gander.
The first level is that of a straightforward black comedy. Five liberal students, who think they have the answers to all the world's ills, have their comfortable world invaded by a redneck racist who is invited in for supper after coming to the aid of one of the students when he has car trouble. Naturally there is a clash of politics and, after a violent argument, the racist is accidentally killed. They decide to bury him in their garden instead of reporting the killing. What follows is a continuation of an earlier debate they had been having; would people be justified in murdering someone if they knew he was evil? Their answer is yes, and soon they are inviting other rightwingers for an evening of dinner, debate and death. On the first level the film is okay.
It is on the second, more cerebral level, that the film really succeeds. The great irony is that the liberals become intolerant, revealing the dangers of political correctness and the very real possibility of a left-wing police state in which alternative views are crushed in the name liberal values.
A good soundtrack, some sparkling cameos by the dinner guests, and a knockout performance by Ron Perlman as the conservative commentator make this largely overlooked comedy well worth a gander.
I love the ending!
I must say, I'm not what you would call a liberal. I'm a Democrat, but I don't consider myself one of those "limousine liberal" -- re: rich, white middle-class people who have never endured poverty in their live, and yet somehow can "feel" for those currentlys uffering. Yeah, right!
All that side, this is a wickedly funny movie and completely unpredictable. I love the intense scenes with the cop and when the liberals start to contemplate rather they should kill or not kill their dinner "guests." it's just great stuff!
Imagine, all these "tolerant" liberals sitting around judging people on what they say and starting to actually LIKE killing. Pretty soon they're killing because of the power of killing, not because they want to "rid the world of evil" -- which, ironically, they've become, since they're knocking off everyone and their mom, including the cop, who is just doing her job.
As the saying goes, "I can't tolerate intolerable people!"
And stay for the ending. It's a KILLER! Ron Perlman is GREAT.
All that side, this is a wickedly funny movie and completely unpredictable. I love the intense scenes with the cop and when the liberals start to contemplate rather they should kill or not kill their dinner "guests." it's just great stuff!
Imagine, all these "tolerant" liberals sitting around judging people on what they say and starting to actually LIKE killing. Pretty soon they're killing because of the power of killing, not because they want to "rid the world of evil" -- which, ironically, they've become, since they're knocking off everyone and their mom, including the cop, who is just doing her job.
As the saying goes, "I can't tolerate intolerable people!"
And stay for the ending. It's a KILLER! Ron Perlman is GREAT.
Surprisingly Relevant in 2025 (7*)
The Last Supper is a unique story centered around moral conflicts and political ideology - with the key questions and these's hung on a story of Murder / deceipt. The key concept of Liberal / Demcrat friend group pursuing and murdering dinner guests with immoral or right-leaning principles is not only interesting - but as current today as it appeared to be in 1995. As the story unfolds the comedy gives way to a darkness and the moral ambiguity of the murderers descends on the audience. The movie presents some large questions to the viewer around good vs evil and largely leaves the concepts and questions open for the viewer to consider and conclude. A surprisingly good movie with decent performances from Ron Perlemen and Courtney B Vance. Would highly recommend this movie to anyone interested in a movie which not only entertains but challenges the audience to think about their own moral principles and ideological views.
VERY dark satire but well-done
A bunch of liberal grad students (played by then unknown Cameron Diaz, Ron Eldard, Annabeth Gish, Jonathan Penner and Coutney B. Vance) accidentally kill, at dinner in their house, a seriously deranged conservative (Bill Paxton) and bury the body. They figure they did the world a favor and invite ultra conservatives to their house, poison them and bury the bodies in the back yard. Among the victims (in cameos) are Charles Durning, Mark Harmon and Jason Alexander. Nora Dunn plays a policewoman investigating all the disappearances.
DARK dark black comedy but it's well-done. The script is sharp and witty and insults BOTH conservatives and liberals. With the sole exception of Vance (who's horrible) the acting is good and we see hunky Penner with his shirt off and walking around in his underwear. Well-directed too with a good eye to compositions and color. Great music score too. If you examine the plot closely there are loopholes and lapses in logic (like they bury about 10 people in their backyard and the neighbors never notice?) but still this is funny and makes you think. Ignored at the time of its release this made a little splash on VHS and deserves to be rediscovered.
DARK dark black comedy but it's well-done. The script is sharp and witty and insults BOTH conservatives and liberals. With the sole exception of Vance (who's horrible) the acting is good and we see hunky Penner with his shirt off and walking around in his underwear. Well-directed too with a good eye to compositions and color. Great music score too. If you examine the plot closely there are loopholes and lapses in logic (like they bury about 10 people in their backyard and the neighbors never notice?) but still this is funny and makes you think. Ignored at the time of its release this made a little splash on VHS and deserves to be rediscovered.
Wicked black political satire
This is a wicked black political satire of some left-wing intellectuals who decide to strike against right-wing "extremists". It has an excellent cast, especially with Courtney B Vance, Ron Perlman, and Cameron Diaz (who is a real surprise).
It also has a brilliantly witty script, like a 90s Oscar Wilde or George B Shaw with more sharper bite. I thought the setup and the climax were particularly effective, especially at handling complex political questions with an easy-to watch and a very engaging approach(which I have to say IMHO is rare for American movies). A totally professional production all round. This is the way smart independent films should be, and it's a shame not all of them are this clever or perceptive.
Obviously not meant for all tastes, but if you're fairly open-minded and like intelligent dark satire, this is a real treat.
It also has a brilliantly witty script, like a 90s Oscar Wilde or George B Shaw with more sharper bite. I thought the setup and the climax were particularly effective, especially at handling complex political questions with an easy-to watch and a very engaging approach(which I have to say IMHO is rare for American movies). A totally professional production all round. This is the way smart independent films should be, and it's a shame not all of them are this clever or perceptive.
Obviously not meant for all tastes, but if you're fairly open-minded and like intelligent dark satire, this is a real treat.
Did you know
- TriviaImmediately after shooting was completed, the house that was used in the movie burned to the ground.
- GoofsPete and the sheriff refer to Pete's shotgun as a "rifle". A rifle would not be used for skeet shooting, nor would a skeet shooter or the sheriff confuse the two firearms.
- Quotes
Norman Arbuthnot: I'm the first to admit we took this country from the indians but what were they doing with it anyway; shooting off bows and arrows and using seashells for money.
- SoundtracksI'm Your Boogie Man
Written by Harry Wayne Casey (as Harry W. Casey) & Richard Finch
Performed by KC & The Sunshine Band
Courtesy of Rhino Records
By Arrangement with Warner Special Products
Details
Box office
- Gross US & Canada
- $459,749
- Opening weekend US & Canada
- $33,824
- Apr 7, 1996
- Gross worldwide
- $459,749
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