Memories

"Memories" (1995) is a pretty good movie, and if you want to get as much out of it as possible, there are a few things you need to keep in mind before watching:

Memories is a three-episode anime including three separate stories: "Magnetic Rose", "Stink Bomb" and "Cannon Fodder". There is no cohesion between the stories, so don't spend time looking for similar plot elements. There are none.

The first episode, Magnetic Rose, is a sci-fi anime that occasionally borderlines horror, similar to "Alien" but in a more psychological way. This part is rich with great visuals and superb sound, so get close to the screen and turn all the lights out. If possible, use a pair of headphones to get really submersed.

Stink Bomb is a light, bioterrorism comedy. It provides a few shocking frames in the first third of the movie which can be a bit intense, but it lightens up afterwards and provides a hilarious ride which shouldn't be taken too seriously.

Cannon Fodder is the more artistic and rawer episode out of the three. Pay attention to the smooth flows between the sceneries and get ready for some 1984-like vistas and philosophies.

My personal grade: a solid 7/10. If you found this helpful, check my profile for more reviews.

Memories (1995) is a movie I recently watched on Tubi and is made up of three short films combined into one. The first one involves a space crew that believes they've landed on a planet that can save them but everything isn't as it appears. The second storyline follows a scientist that becomes infected by his own experiment and becomes a walking chemical weapon. The final storyline is about a city that appears to be preparing for war but against what?

This movie is directed by Kôji Morimoto (The Animatrix), Tensai Okamura (Cowboy Bebop: The Movie) and Katsuhiro Ôtomo (Steamboy) and contains the voices of Robbie Daymond (Tiger & Bunny), Frank Todaro (Dolittle), Laura Post (Batman: The Enemy Within) and Ellen-Ray Hennessy (It Takes Two).

The animation in this is fun and does a great job of depicting the universe, characters and circumstances. I really wish I could see this in 3D. The space suits and ghost elements in the first film were awesome. There is a level of mystery throughout the plots unfolding on what could possibly happen next. The one complaint may be character buy-in but that's always tough in short stories.

Overall this is an excellent addition to the anime genre that I would strongly recommend. I would score this a 8/10.

Katsuhiro Otomo's "Memories" combines the vision of Otomo's usual "God's revenge for the human race believing too much in science" with two first-time, although far from inexperienced directors. The first of the three films, "Magnetic Rose" is by far the least Otomo-esquire of the three pieces, although based on one of his short mangas. The film centering mainly on the sci-fi side of anime. Space freighters respond to a distress call in a bad sector of space, and become lost in the haunting memories of an intergalactic opera singer. The second piece, "Stink Bomb" shows, if possible, a humorous side to biological warfare, as an unsuspecting pharmaceutical tech accidentally ingests a biological weapon and becomes a walking disaster. The final film, actually directed by Otomo, called "Cannon Fodder" was by far my favorite, and the most disturbing of the three films. The basic story centers around a family living in a town whose citizens devote their entire lives to bombing an unseen enemy in the sky. This story is very politically motivated, very dark, and not at all a "happy little story". The animation is unlike anything I've ever seen from Otomo, and full of sweeping single-cut shots that give you chills. Overall, I highly recommend this movie collection for any anime fan. It most definitely incorporates the vision of three brilliant directors.

After seeing Akira it's natural to be curious of what Otomo's produced. This collection of short movies(all more than 20 minutes though) is a fun, action-packed and imaginative reminder why anime is among the best genres, and NOT restricted to kids(or in the case of these shorts, not really for kids at all).

The last short of the three is called Cannon Fodder. It features a very cool style unlike normal anime, some neat "camera" tricks and illusions of 3D, and a heavy but playful mood. It's quirky and good but not great.

The second short is called Stink Bomb, which is a crazy, fast-paced disaster/action story with a healthy dose of black humour. It's very well made, with insanely detailed tanks, helis, airplanes etc, and lots of explosions. The whole thing is funny and bizarre, and easily a classic.

The first of the three shorts, which in my opinion should have been saved to last, is Magnetic Rose. Here the humour of the two others is gone, and we have a very gripping and serious story set in a sci-fi environment. This is more like Otomo's Akira stuff; epic but with great characters. Some scenes are gut-wrenchingly emotional and disturbing. All set to a classic opera score, it is chilling and eerie and grand-scale in a way Hollywood never seems to get right.

If you like to watch the occasional anime, this is a very good choice. Don't know how easy it is to get a hold of, but it seems to be very popular at least in Japan.

Amazing anime trilogy from AKIRA's Katsuhiro Otomo, who presents three unrelated sci fi stories directed by different directors (he did the last one, writers/first-time directors Tensai Okamura and Koji Morimoto did the other two). They are amazing vignettes with some stupendous animation in three different styles. Otomo's is especially unique in that there are no cuts – the "camera" moves fluidly through every scene without a jump or a stop. Morimoto's 40-min "Magnetic Rose" is stunningly animated, the most amazing of the two, telling of a space ship's investigation of a distress signal discovering a magnificent world created by a woman's memories – the music takes advantage of the operatic aria, Madame Butterfly, arranged by Yoko Kanno, who also supplies an excellent original score. "Stink Bomb," the middle segment, is clever and funny and fast-paced; Otomo's anti-war statement in "Cannon Fodder" closes out the film with a subtle bit of thought-provocation about a city whose entire purpose is the firing of cannons at an unknown enemy.