IMDb RATING
5.2/10
7.8K
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Sarah Taylor, a criminal psychologist, embarks on a torrid affair with a seductive stranger. However, she begins doubting whether she can trust him when a mysterious stalker begins harassing... Read allSarah Taylor, a criminal psychologist, embarks on a torrid affair with a seductive stranger. However, she begins doubting whether she can trust him when a mysterious stalker begins harassing her.Sarah Taylor, a criminal psychologist, embarks on a torrid affair with a seductive stranger. However, she begins doubting whether she can trust him when a mysterious stalker begins harassing her.
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Brian De Palma has often come in for some flak over the years, his penchant for sticking tight to Alfred Hitchcock thriller formula has been the source of much consternation in certain quarters. Yet when you view something like Peter Hall's Never Talk to Strangers it rams home just how welcome it is to have Hitch like thrillers at least done well!
Rebecca De Mornay is a troubled shrink who whilst dealing with the mind games of a serial killing loony (Harry Dean Stanton), meets sexually charged Latino guy (Antonio Banderas) and indulges in passions unbound. Then she starts to get very unwelcome presents in the post...
The erotic thriller has been well trodden, and will continue to be so for sure, so it feels a little churlish to decry Hall's movie for coming off as a weak willed imitator of previous purveyors of the sub-genre, but this blend of Silence of the Lambs meets Sea of Love - cum - Dressed to Kill - cum Fatal Attraction etc etc just comes across as a cheat. And that's because it is!
The makers know this and try to hide their ridiculous folly behind eroticism as the two lovely looking headlining stars get sweaty and wet, indulging in sexual play that's as powerful as the surroundings (Banderas lives in a loft apartment resplendent with metal cage and wrought iron doors). But, or should that be butt? The mystery element is weak, the suspense equally so, while the back story of De Mornay's father (a key character) is hopelessly under developed.
Then there is H.D. Stanton, stealing every scene is he is in, quid pro quo indeed, yet he's hardly in the film, which ultimately proves to be a tragedy as the plot hurtles towards its implausible and risible revelations. Red herrings come and go as quickly as Becca and Tony's underwear (the continuity editor should have been sacked along with the writers because of one scene BTW), and even though Pino Donaggio scores the music with customary swirling qualities, this just comes off as a piggyback tactic...
This is a poor thriller in spite of two very committed and visually attractive perfs from the leads - and of course Stanton's knowingly sleazy turn. Seek this out only if you think Body of Evidence is in the upper echelons of erotic thrillers. 5/10
Rebecca De Mornay is a troubled shrink who whilst dealing with the mind games of a serial killing loony (Harry Dean Stanton), meets sexually charged Latino guy (Antonio Banderas) and indulges in passions unbound. Then she starts to get very unwelcome presents in the post...
The erotic thriller has been well trodden, and will continue to be so for sure, so it feels a little churlish to decry Hall's movie for coming off as a weak willed imitator of previous purveyors of the sub-genre, but this blend of Silence of the Lambs meets Sea of Love - cum - Dressed to Kill - cum Fatal Attraction etc etc just comes across as a cheat. And that's because it is!
The makers know this and try to hide their ridiculous folly behind eroticism as the two lovely looking headlining stars get sweaty and wet, indulging in sexual play that's as powerful as the surroundings (Banderas lives in a loft apartment resplendent with metal cage and wrought iron doors). But, or should that be butt? The mystery element is weak, the suspense equally so, while the back story of De Mornay's father (a key character) is hopelessly under developed.
Then there is H.D. Stanton, stealing every scene is he is in, quid pro quo indeed, yet he's hardly in the film, which ultimately proves to be a tragedy as the plot hurtles towards its implausible and risible revelations. Red herrings come and go as quickly as Becca and Tony's underwear (the continuity editor should have been sacked along with the writers because of one scene BTW), and even though Pino Donaggio scores the music with customary swirling qualities, this just comes off as a piggyback tactic...
This is a poor thriller in spite of two very committed and visually attractive perfs from the leads - and of course Stanton's knowingly sleazy turn. Seek this out only if you think Body of Evidence is in the upper echelons of erotic thrillers. 5/10
I like mystery / crime movies where you try to figure out what is going on. In Never Talk To Strangers you have constant questions about who could be the stalker of Rebecca De Mornay. There is a constant tension between her and Antonio Banderas, sexual and mysterious, and it's a delight to watch. I thought both actors gave us a perfect performance in this movie. I read that some people thought the ending was so obvious. Well I can categorically tell you they are lying. Not in a million years you see the end coming. I would never have guessed and unless you saw the movie before or you read spoilers you will never guess either. And that's what makes Never Talk To Strangers special. If you like that kind of movies, with twists and turns, then this one is definitely worth a watch.
Duh, it's a thriller during the early nineties Tarnished Age of Thrillers. I'm sure glad we're past that stage. So yes, if you don't know already, as a thriller it stinks.
But as a sex movie, it's not bad. I mean, who else would you rather see getting it on than Banderas and De Mornay. There's one classically trashy scene when Antonio nails the naked and voluptuous Rebecca up against a very trendy chain-link fence inside her very trendy loft. Antonio looks more angry than turned on and Rebecca looks more ashamed and uncomfortable, but she's naked, sexy, and making some happy sounds, so who cares? And who cares whodunit either?
But as a sex movie, it's not bad. I mean, who else would you rather see getting it on than Banderas and De Mornay. There's one classically trashy scene when Antonio nails the naked and voluptuous Rebecca up against a very trendy chain-link fence inside her very trendy loft. Antonio looks more angry than turned on and Rebecca looks more ashamed and uncomfortable, but she's naked, sexy, and making some happy sounds, so who cares? And who cares whodunit either?
6dhlk
Yes, the plot devices were, at times, obvious. Yes, there were clear hints to the outcome in the early stages of the film. Yes, some of the acting wasn't great.
But, I didn't think it was that bad, and (forgive my ignorance in psychiatric matters if this is wrong) that implausible either.
I think, in acting terms, it was a general disappointment in the two main star actors who have done much better work than this. But don't be too harsh.
But, I didn't think it was that bad, and (forgive my ignorance in psychiatric matters if this is wrong) that implausible either.
I think, in acting terms, it was a general disappointment in the two main star actors who have done much better work than this. But don't be too harsh.
Hi there from 2021.
Boy, it's the first time I disagree with the IMDb rates so much! It actually pushed me to create a channel and comment.
I remember I put this movie on in the middle of my Banderas binge-watch, not expecting much, and - because of the rates - waiting for it to go bad any second. But to my delight, it didn't!
The plot got me involved. Sarah seemed to be surrounded with truly vicious men, so I started to suspect each one of being the bad guy. But I still didn't see the final twist coming.
While pondering on the suspects, I also enjoyed the way a sexual tension between Sarah and Tony was pictured. They click with each other! Especially it's seen while compared to "Original sin" (another erotic thriller with Antonio). Even though I find Angelina Jolie astonishingly beautiful, in that movie I didn't feel any chemistry between her and Antonio at all, but here I saw a genuine passion between him and Rebecca De Mornay.
I also really liked some power moves from Sarah - they were not that common for 90s, so they added spice to the picture.
To sum up - I recommend to watch this movie, if you are in the mood for light mysteries, blood-boiling sex scenes and esthetic of 90s. It's interesting, relaxing and pleasent for your eyes.
I don't recommend it, if you are into super-scary stuff or expect to tempt your intelligence with highly difficult riddles.
I remember I put this movie on in the middle of my Banderas binge-watch, not expecting much, and - because of the rates - waiting for it to go bad any second. But to my delight, it didn't!
The plot got me involved. Sarah seemed to be surrounded with truly vicious men, so I started to suspect each one of being the bad guy. But I still didn't see the final twist coming.
While pondering on the suspects, I also enjoyed the way a sexual tension between Sarah and Tony was pictured. They click with each other! Especially it's seen while compared to "Original sin" (another erotic thriller with Antonio). Even though I find Angelina Jolie astonishingly beautiful, in that movie I didn't feel any chemistry between her and Antonio at all, but here I saw a genuine passion between him and Rebecca De Mornay.
I also really liked some power moves from Sarah - they were not that common for 90s, so they added spice to the picture.
To sum up - I recommend to watch this movie, if you are in the mood for light mysteries, blood-boiling sex scenes and esthetic of 90s. It's interesting, relaxing and pleasent for your eyes.
I don't recommend it, if you are into super-scary stuff or expect to tempt your intelligence with highly difficult riddles.
Did you know
- GoofsAfter Sarah plants the gun in Tony's right hand she goes into the bathroom to clean up. When she comes out and kneels by Tony, the gun is no longer there.
- Quotes
Dr. Sarah Taylor: Mr. Ramirez, my mother taught me never to talk to strangers.
Tony Ramirez: If you never talk to strangers, you'll never meet anyone new.
- Alternate versionsAn unrated version is available on laserdisc.
- SoundtracksHer Body Makes Vows
Performed by Exchange featuring Marc Jordan
Written by Gerald O'Brien, Steve Sexton and Marc Jordan
By Arrangement with Warner Special Products
- How long is Never Talk to Strangers?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- Nunca hables con extraños
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $6,400,000 (estimated)
- Gross US & Canada
- $6,858,261
- Opening weekend US & Canada
- $2,903,457
- Oct 22, 1995
- Gross worldwide
- $6,858,261
- Runtime
- 1h 26m(86 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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