Detonator II: Night Watch

Stay clear of this if you value good adaptations of Alistair McLean novels (Where Eagles Dare, The Guns of Navarone, Fear is My Weapon, etc). This must be the worst film made ever. The opening scene is hilarious, even though it clearly isn't supposed to be, the shooting scenes throughout are horrible, the acting appallingly bad, and after an hour you really just want it to end. Pierce Brosnan runs around looking like some American Hillibilly with his British accent shining through every other scene. His smug acting style fits his character, but he just doesn't pull it off. The female lead, Alexandra Paul, makes a performance that surely qualifies for some award given to least impressive acting job ever. Warm presence? Moronic presence I'd say. It really is painful to watch. I had to fast forward the thing in the end in order to avoid hurting myself badly with a stapler. Writer-directer David Jackson probably does his best to make something out of this low-budget production, but in the end the film should be taken to a back alley and put out of its misery.

Oh dear. Oh dear, oh dear, oh dear. I only actually caught the last 20 minutes of this film, at about quarter to one this morning. Apparently it was about a stolen painting, a long-haired GI (Brosnan), some woman, and Murdock from the A-Team.

One of the best scenes in the film was when Brosnan's character tried to throw a bomb through a window. However, the window didn't smash and it bounced right back at him. This could have been unintentional and they kept it in, or it was meant to happen. Either way, it just added to the overall low budget, tacky fee of the movie.

So if you fancy a B-movie warm up to Brosnan's first outing as James Bond, rent it. If you fancy a good movie then stay well clear.

I don't know much about Alistair McLean's series, "Detonator." I haven't seen the first film in this series but you don't need too. Pierce Brosnan played Michael Graham, an United Nations agent, who works with Alexandra Paul's Sabrina Carver to find the missing artistic masterpiece, "The Night Watch." They go around the world to Europe and Hong Kong to find it. Supporting cast actors, William Devane and Rolf Saxon do an admirable job in playing agents. The scenery in the film overshadows the plot. There is a budding chemistry and romance between Graham and Carver but predictable.

"Night Watch" is the follow-up to "Death Train", made 2 years earlier, but while Pierce Brosnan and Alexandra Paul play the same characters, they act more like spies and less like commandos this time around. It's fun noting all the parallels this movie, and Brosnan's character in particular, has to the James Bond series: he is an experienced secret agent; he regularly travels worldwide; he assumes a fake identity as a cover; he is given a watch equipped with all sorts of gadgets ("it does more than tell the time, eh?"); he visits the casino and cleans up the joint; he even orders a vodka martini; and of course he gets involved in fights and chases. The main difference is that Brosnan doesn't have the perfectly polished appearance of Bond here; he has unkempt hair and a long mustache. Alexandra Paul is (of course) gorgeous and tough and knows how to defend herself in moments of danger. The two stars get an enjoyable chemistry going and if Brosnan hadn't been cast as Bond the very same year, I could see them doing more films together. Like its predecessor, "Night Watch" is a medium-scale action film that knows its limitations, has some exciting action sequences, and provides more than passable entertainment to fans of the genre. (***)

A mission to Amsterdam for UN agents Mike Graham and Sabrina Carver turns murderous when their art forgery investigation leads to Hong Kong and a confrontation with a master criminal.

A little of a comedown when compared to Death Train (Detonator), which was a cracking yarn, Night watch benefits from some good locations, some twist and turns in the plot, fair action scenes and Pierce Brosnan and Alexander Paul; unfortunately it can be a bit lazy in places, however it's entertaining enough.