Detonator II: Night Watch

In this sequel to "Death Train" both "Michael Graham" (Pierce Brosnan) and "Sabrina Carver" (Alexandra Paul) return as two agents working for U.N.A.C.O (the United Nations Anti-Crime Organization) who are assigned to a case that involves the theft of the famous painting "The Night Watch" by Rembrandt. What they don't initially realize is that there is more to the story than this because the person behind these thefts, "Martin Schraeder" (Michael Shannon) has developed a computer chip which can eavesdrop on any phone conversation in the world. Not only that but this device can also kill any person who has their ear to a phone set as well. And since he is an avid art-collector "The Night Watch" was simply payment by a foreign government for the use of his device. Anyway, rather than detail any more of the movie and risk spoiling it for those who haven't seen it I will just say that this wasn't a bad sequel to the previous film "Death Train" (aka "Detonator"). Now, while I like both Pierce Brosnan and Alexandra Paul there didn't seem to be much chemistry between the two and it caused the film to seem a bit synthetic at times. No doubt the fact that this was a "made-for-television" movie had something to do with it. Still, I liked the different locations (Amsterdam and Hong Kong) and I have seen much worse in my time. That said I thought it was an okay sequel and I rate it as average.

Oh dear. Oh dear, oh dear, oh dear. I only actually caught the last 20 minutes of this film, at about quarter to one this morning. Apparently it was about a stolen painting, a long-haired GI (Brosnan), some woman, and Murdock from the A-Team.

One of the best scenes in the film was when Brosnan's character tried to throw a bomb through a window. However, the window didn't smash and it bounced right back at him. This could have been unintentional and they kept it in, or it was meant to happen. Either way, it just added to the overall low budget, tacky fee of the movie.

So if you fancy a B-movie warm up to Brosnan's first outing as James Bond, rent it. If you fancy a good movie then stay well clear.

This has to be the worst movie ever made, Ed Wood come back All is forgiven.

I thought by renting this movie it was going to be a good spy/action movie BUT alas what I got has to be on the list for the worst movies ever made. From what I can make out this movie is about a stolen painting. I really don't know what it was about as after 10 minutes of this movie I decided to go out into the back yard and watch the grass grow.

Mr. Brosnan you should be ashamed of yourself for making this DUD

I don't know much about Alistair McLean's series, "Detonator." I haven't seen the first film in this series but you don't need too. Pierce Brosnan played Michael Graham, an United Nations agent, who works with Alexandra Paul's Sabrina Carver to find the missing artistic masterpiece, "The Night Watch." They go around the world to Europe and Hong Kong to find it. Supporting cast actors, William Devane and Rolf Saxon do an admirable job in playing agents. The scenery in the film overshadows the plot. There is a budding chemistry and romance between Graham and Carver but predictable.

Stay clear of this if you value good adaptations of Alistair McLean novels (Where Eagles Dare, The Guns of Navarone, Fear is My Weapon, etc). This must be the worst film made ever. The opening scene is hilarious, even though it clearly isn't supposed to be, the shooting scenes throughout are horrible, the acting appallingly bad, and after an hour you really just want it to end. Pierce Brosnan runs around looking like some American Hillibilly with his British accent shining through every other scene. His smug acting style fits his character, but he just doesn't pull it off. The female lead, Alexandra Paul, makes a performance that surely qualifies for some award given to least impressive acting job ever. Warm presence? Moronic presence I'd say. It really is painful to watch. I had to fast forward the thing in the end in order to avoid hurting myself badly with a stapler. Writer-directer David Jackson probably does his best to make something out of this low-budget production, but in the end the film should be taken to a back alley and put out of its misery.