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Once Upon a Time... When We Were Colored

  • 1995
  • PG
  • 1h 55m
IMDb RATING
7.4/10
587
YOUR RATING
Once Upon a Time... When We Were Colored (1995)
DramaRomance

A narrator tells the story of his childhood years in a tightly knit Afro-American community in the deep south under racial segregation.A narrator tells the story of his childhood years in a tightly knit Afro-American community in the deep south under racial segregation.A narrator tells the story of his childhood years in a tightly knit Afro-American community in the deep south under racial segregation.

  • Director
    • Tim Reid
  • Writers
    • Clifton L. Taulbert
    • Paul W. Cooper
  • Stars
    • Al Freeman Jr.
    • Phylicia Rashad
    • Leon
  • See production info at IMDbPro
  • IMDb RATING
    7.4/10
    587
    YOUR RATING
    • Director
      • Tim Reid
    • Writers
      • Clifton L. Taulbert
      • Paul W. Cooper
    • Stars
      • Al Freeman Jr.
      • Phylicia Rashad
      • Leon
    • 9User reviews
    • 8Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 3 wins & 2 nominations total

    Photos14

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    Top cast56

    Edit
    Al Freeman Jr.
    Al Freeman Jr.
    • Poppa
    Phylicia Rashad
    Phylicia Rashad
    • Ma Ponk
    Leon
    Leon
    • Uncle Melvin
    Paula Kelly
    Paula Kelly
    • Ma Pearl
    Salli Richardson-Whitfield
    Salli Richardson-Whitfield
    • Miss Alice
    • (as Salli Richardson)
    Anna Maria Horsford
    Anna Maria Horsford
    • Miss Annie
    Bernie Casey
    Bernie Casey
    • Mr. Walter
    Isaac Hayes
    Isaac Hayes
    • Preacher Hurn
    Ray J
    Ray J
    • Cliff (12 Yrs.)
    • (as Willis Norwood Jr.)
    Karen Malina White
    Karen Malina White
    • Mary
    Damon Hines
    • Cliff at 16
    Iona Morris
    Iona Morris
    • Nila Fontaine
    Phill Lewis
    Phill Lewis
    • Sammy (19 Yrs.)…
    Taj Mahal
    Taj Mahal
    • Mr. Will
    Polly Bergen
    Polly Bergen
    • Miss Maybry
    Richard Roundtree
    Richard Roundtree
    • Cleve
    Braxton Brown III
    • Sammy (7 Yrs.)
    Frank Hoyt Taylor
    • Straw Boss
    • (as Frank Taylor)
    • Director
      • Tim Reid
    • Writers
      • Clifton L. Taulbert
      • Paul W. Cooper
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews9

    7.4587
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    Featured reviews

    7wordsmith_57

    Upon a time

    I kept waiting for the bad moments to happen, as so often they do in these reminiscent movies of growing up in the south, yet no real drama occurred. These were moments pieced together, and if that was the intent--it worked. True, a child's reflection of childhood would be pieces of memory chained loosely together, impressions of events, people, and times. However, when the movie ended I thought, "That's it?" There were fine performances; however, the plot seemed to soft-step around the real issues, such as the Jim Crow laws, segregated schooling, subservient wages, and escaping to the north to avoid the subjugation. We got breadth, when depth might have made a much more interesting plot line.
    9graveleh

    The film is fine the way it is.

    The author's stated intention was to show the family that nourished him and protected him from the world of hatred and segregation. The film showed just enough of the segregated life to let the viewer know that Cliff needed to be protected from that world and nurtured to overcome the scars that outside world could inflict. I think Taulbert and the movie did a good job of showing how the love of his immediate and extended family could compensate in some way for the hatred and oppression of the outside world. I hate to see the movie berated for not being a documentary of all the hateful excesses of the segregated South when that was not the movie's intent. We have films that are considered classics that are about different parts of World War II, and they don't document all the atrocities of the Holocaust. Not focusing on parts of an era that are not the main point of the film is not "sugarcoating." It's an excellent film about growing up in a loving family and overcoming challenges through the love and support of others. It's fine the way it is.
    7calm

    Too Nice!

    This was a very nice, scaled down version of how it really was in the Deep South. The movie did not even begin to depict the real horror Blacks faced each day. There was just a hint of the KKK, Jim Crow and the plantation mentality Blacks had to endure. I kept waiting for those historical, explosive events, we all knew to be the law of the land, to explode onto the screen, but it never happened.

    Life was unbearable; Blacks were looked upon as animals and treated as such. I walked away from this movie feeling like life was almost a bowl of cherries.

    I find it so odd that people are tired of hearing about the Black experience but never get tired of all the holocaust movies. 6 million Jews were slaughtered over a 6 year period (approx) -- hundreds of thousand Blacks were hung, beaten, raped, shot, humiliated and abused to death over a period of 150+ years, not to mention the suicides that took place on the slave ships in route to America. Admittedly, the holocaust was an atrocity, hopefully never to be repeated, while discrimination of Blacks is still a reality. Too bad there are no great movies that tell the Black Plight the way it should be told.
    glaber

    The Value of Balance

    I am very fond of this film, and I have had the opportunity to hear Clifton Taulbert speak in person. I think the point of the film is that while black people who had to endure much during the 100 years that followed the civil war they still managed to create many supportive communities. In addition there were good role models for young people like Clifton Taulbert. As a response to the undeniable oppression, the black community of Glen Allen, Mississippi, bonded and supported one another. It did, in fact, mean that their lives were made less miserable. They experienced joy and fellowship as well as oppression. They refused to take on victim-hood as an identity. At the same time, there was a vigorous challenge to the status quo. I don't think the movie is too sentimental, or inaccurate.

    I have shown this movie to students many times and it has never failed to move them to a real concern for the condition of minorities. It reaches these students on an emotional level, and it gets them interested in learning more about the issue of human rights. That is no small feat.
    3cjjaytha

    This movie was pretty bad

    It just touchdown little things that happened in the era didn't really stick to any things. And when it came to the very ending they could have delved into that a little more but they didn't. One thing that irritates me the most is that the lead character has a pretty terrible mother and it wasn't acknowledged in any way if this is a true story I wonder how he feels about the end result which sadly he probably like because it was an All-Star cast

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    Related interests

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romance

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      When Melvin tells the group of elders all the benefits of living up North, he says that Colored men even drive buses. Preacher Hurn replies "Shut yo' mouth!" Isaac Hayes wrote the theme to Shaft (1971), and Richard Roundtree played the titular character.
    • Quotes

      narrator: Everyone clung to the idea that if you worked hard, you get a piece of the American dream.

    • Connections
      Featured in Siskel & Ebert: Screamers/Richard III/Bed of Roses/Once Upon a Time When We Were Colored/Angels and Insects (1996)
    • Soundtracks
      Maybe Tomorrow
      Written and Performed by Lionel Cole

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    FAQ18

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    Details

    Edit
    • Release date
      • January 26, 1996 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Filming locations
      • Wilmington, North Carolina, USA
    • Production companies
      • BET Pictures
      • United Image Entertainment
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $2,291,255
    • Opening weekend US & Canada
      • $75,675
      • Jan 28, 1996
    • Gross worldwide
      • $2,291,255
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 55m(115 min)
    • Color
      • Color
    • Sound mix
      • Stereo
    • Aspect ratio
      • 1.85 : 1

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