Search and Destroy

This movie is in the realm of genius. Turturro's performance is outstandingly quirky; Walken is frighteningly strange and unhinged. A classic if you would like to see something a bit different.

This movie seemed to be a snowballing sequence of mishaps - similar to what happens in "After Hours" from 1985. Things keep getting worse for the main character, but it kept me intrigued. Dennis Hopper is an interesting character in this one. As usual, Chris Walken steals the show as a business man and somewhat "off-kilter" character who enjoys an evening of Karaoke. I would recommend it to people who enjoy strange movies. Personally, I enjoyed it.

Search And Destroy is an exceptionally weird, nearly impenetrable satire of Hollywood, produced by Martin Scorsese (he also cameos). It's essentially just a series of odd, puzzling vignettes vaguely based on business and movie archetypes we've all come to know, and love to make fun of. As far as coherent story or heartbeat, look elsewhere. You may however enjoy it's oddball characters, and you've got to do a double take when you see how many awesome actors are in the cast, in a film you've probably never heard of. Griffin Dunne, who started in Scorsese's excellent After Hours, plays Martin Mirkheim, a shameless moronic suck up desperately trying to get his awful script sold to some show business bigwigs. Along the way he meets a host of hives inducing freaks that one might expect to find in early 1990's film scene. Dennis Hopper lurks into the frame as Dr. Luther Waxling, a batty self help guru and author of a pretentious psychobabble book starring an allegorical man (Robert Knepper). John Turturro ramps up the mania past his Big Lebowski role (yes, it's possible) as a demented agent, Ethan Hawke plays adislikable assistant to Hooper. Roseanne Arquette is Dunne's hampered wife, Illeana Douglas is great as Hopper's oddball girlfriend who takes up with Mirkheim. Her schlocky horror movie pitch monologue up is a highlight. Stealing the show, however, and can we expect anything less from him, is Christopher Walken. He plays Kim Ulander, a wondrous Walken creation, a shady, pleasant mannered ad exec who goes absolutely postal at the drop of a hat, the funniest sociopath you could ever hope to meet. This film doesn't mean much. It's more of a subtle, deliberate perversion of the industry that forms it, biting the hand that feeds it while it's tongue is right in its cheek. Enjoy it for its abstract, absurd dialogue, weirdo fucknut characters, and darkly silly, nonsensical, self destructive aura. Those are probably the key reasons that this wasn't well received. They're all the reasons I got a nasty kick out of it.

Great story, great cast. I think this is a very underrated movie, unfortunately i've noticed so few people seem to have really enjoyed it. It's a typical 90's indie movie, with odd characters and something to say, not the usual blockbuster automatic pilot. For me, it mainly shows the contrast of our childhood and teenage beliefs from the adultwood letdowns, when we have to deal with petty stuff like money and how to make a living. Our 60's rock stars, for instance, could be represented by the Dennis Hopper character, only interested nowadays with the movie producer's wallet and the money he can offer for his book's rights. And the bored grown up kid, leading a tedious life as an executive, trying to get rid of his yuppie routine by following the book's rules by every word, even if it means killing someone. For him, that's a breakthrough of some sort. Christopher Walken in one of his best maniac performances. I'd love to see another David Salle's incursion into moviemaking.

Great movie, probably one my favorites, although I'm not sure why. Technically, it's pretty sloppy but I just love the cast, the crazy rapid-fire delivery of Turturo, the eerie deadpan Walken, the manic Dunne. Griffin Dunne performs a souped reprise of his role in "After Hours", although he overacts at times, he has the desperate loser role down pat. The movie title, to me, is about searching for what you love and then destroying it, something most of us seem to do over and over again. I like this movie more and more each time I see it, although the sloppiness bugs me increasingly as well. There is a message here about the dangers of pop psychology and new age mantras, but muddled among the nonsense sayings there are some meaningful comments. My favorite is the observation that "We are afraid of change, we are lazy and we are addicted to our pain". How true....