Tank Girl

One of the best films ever based on a comic, Tank Girl should not be taken seriously, but it's enormous fun, and a badly needed send-up of all those testosterone-pumped action movies. Instead of the usual male buddies, you have two sassy young woman, while a genetically modified and not very bright kangaroo plays the part of the Bond girl. All the leads perform well, particularly McDowell as the villain, and the script has some great one-liners, even if the plot is pretty dumb (it's a comic, ok? Get over it.)

This movie may not be a masterpiece, but it is a testament to an era of movie making in which people still made movies for fun. Not all movies have to be high budget Hollywood movies trying to sell to China. Not all movies have to have serious plots, serious characters, and expensive action scenes. People's hatred of anything different is the reason why so many movies today are so unoriginal and dull. Anytime anyone tries anything outside of the standard formula, people rate it lowly and say it was the worst movie ever.

The main problem I had with this otherwise appealing movie is that Lori Petty's Tank Girl has exactly the same attitude toward virtually every incident in the movie... good, bad, otherwise. And while it's a really sharp and cool attitude, the movie might have soared if instead of merely being an attitude it had been a personality. Then, arising from this Tank Girl personality, a whole range of interesting emotions could have been emerged, adding variety and a chance for excitement to build instead of plateauing in the first few minutes. Because even in a romp of a pic, you still need to care about the characters. And it's a whole bunch easier to care about a person than it is to care about an attitude.

Still, I had good fun watching this movie. The "Feeling a little inadequate?" scene is a minor classic. And by chance I happened to watch this movie the same day I saw "Mulholland Dr." and I still have a very difficult time recognizing that Naomi Watts is the same person in both films. She's excellent in both, but so very different. Ice-T, Jeff Kober, and Reg E. Cathey do a surprisingly effective job of creating characters from underneath their Ripper make-up... they're so good that one of the best parts of Tank Girl is just watching and listening to them.

This isn't a movie to go into with high expectations. Read all the negative comments, take them to heart, and then watch the movie anyway. It will make Tank Girl a pleasant surprise.

A comic book with a female hero in a post-apocalyptic world with mutant kangaroos. I can see why this didn't go over big in 1995. But these days, with comic books being regularly made into films, it's worth taking another look at this little gem.

I can remember enjoying this film back then, but having viewed it fresh, there's a lot to admire: It's got energy. It's got a killer soundtrack. It's chock full of feminist grrrl power. The casting is interesting, from Malcolm McDowell and Naomi Watts to Ice-T and Iggy Pop. There's a seamless flow between the comic book and the live-action. The old-school, in-camera effects are pretty flawless—they dropped some serious coin. And Lori Petty really nails it, bringing a comic book character to life.

Look, there's no deep moral message or "hero's journey" here—it's based on a comic book, after all. It's just fun, escapist entertainment. I'm generally a fan of world cinema, and "Tank Girl" is by no means a classic. But if you appreciate films that take chances, break the mould and don't take themselves too seriously, it's worth a watch.

Interesting concept, creative art style, cute characters and a goofy tone throughout but that's about it. It's like the generic romantic comedy of light cyberpunk(ish?) movies, lacks real depth, has one gear and sticks to it and last but not least can't build on the universe. This is unforgivable in any movie which asks that little bit more from the audience to suspend disbelief, like one set in a post apocalyptic Australia ruled by the iron fist of a mega corporation in a fascistic regime. The creators probably thought the silly tone would make the audience overlook this lack of story building but as a result the movie ultimately falls short of the premise and fails to capitalize on the aforementioned positive aspects.

As a final note, this movie is not cyberpunk. It has some influences (just like the comic series) of cyberpunk but that is as far as it goes.