The Newsroom

This show was excellent and had me until the completely unnecessary and bizarre 8 and a half homage (the three episodes called the meltdown). The entire purpose of which seemed to be to allow finkelman to pretend to be the main character from the movie. Which was hopelessly self-indulgent ("which was the point! get it?!") and devoid of anything interesting to say.

Before that though the show lays the blueprint for one camera office politics satire which both the British and American Office have utilized (if not totally ripped off). The show features some of the best writing I've ever seen on Television, incredibly sophisticated and never broad, it still manages to be hilarious.

8.5 out of 10 (get it?)

"The Newsroom" is honestly one of the best-made television shows I've ever seen. Brilliant writing; solid acting; dialogue that flowed more realistically than you'll ever see. And the stinging commentary on office politics and the cut-throat portrayal of the media was dead on. This wasn't a show about nothing. There was no audience. There was no laugh track. It didn't need any of these. It tackled real issues in the news, but gave you the insiders look. The show takes place in Toronto, Canada at a local news station. In one scene, the crew gets word of a train accident in the Congo river. Instead of going with the big local story, they go with the unrelatable, yet more interesting train wreck halfway across the world. In trying to somehow relate it to Canada, they check to see if any Canadians were on board.

Mark: We haven't even confirmed this Canadian. Jeremy: Well, we're hoping there's a Canadian dead. George: We're hoping he's dead.

Just an example of what goes on behind the scenes. Makes the network executives of Fox look like saints.

People have compared "The Newsroom" to Garry Shandling's "The Larry Sanders Show." Both similar; both excellent shows, "Sanders" coming before `the Newsroom.` But the Newsroom was done so much better in every way, that's there can be no comparison.

Like I said, one of my favorite shows of all time. Do yourself a favor and check your local PBS stations to see if they're playing "The Newsroom." Or, in Canada, beg the CBC to show some re-runs.

While Ken has made the show much more darker (I think there has been a death in every show), it still remains an incredibly funny show. George Findlay was always the most interesting character in the original series, thus I have no problems with there being a lack of returning cast members. Amongst the new actors, I especially enjoy Matt Watts, whose deapan delivery makes his character much funnier than he should be. Overall, a solid return for Finklemen after all those artier than thou pretentious pieces that he did after the original series (More Tears was still good though).

If you have any desire to see important TV, pun intended, take a gander at this 6 episode comedy series(available on VHS & PBS) produced by the Canadian Broadcasting Corporation. 'The Corp.' let writer/director Ken Finkleman(escaped from HOLLYWOOD hackdom) do whatever he wanted and it shows in a TV show that knows no bounds in its behind the scenes look at a Toronto TV Newsroom. Smashingly smart, searingly irreverant, better than Larry Sanders at giving you the inside scoop on the crap that makes (most) TV what it is. Lock up your sacred cows. Ken's knives are sharp and long. Also see 'More Tears'(1998) also by CBC and Finkleman.

The deadpan quasidocumentary feel of this series puts it solidly in an evolutionary chain from Canadian sketch comedy, perhaps most obvious among the SCTV and other Second City folk who've done so much that's been visible in the States, to such latter-day offerings as THE OFFICE, in its original UK form and US remake. The interplay of dialog is often as quick as anything I've seen in screwball or drawing room comedy in any medium, yet usually the build toward absurdity is held deftly in check till a rich payoff. The new season, offered to US television in 1995, may seem a bit familiar as a result of the first season's influence, and the first sequel project, MORE TEARS, was by intention somewhat more self-indulgent (parodically...and simultaneously not...Fellini-esquire), but all are well worth seeing, particularly this first season.