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6.1/10
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Fleeing robbers stumble into a staked-out bar in New Orleans.Fleeing robbers stumble into a staked-out bar in New Orleans.Fleeing robbers stumble into a staked-out bar in New Orleans.
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With so much talent aboard this could have been great cinema. That it's not is due to an unsure screenplay, lacking in credibility, though not lacking in promise. The story in itself, if tightened up, could have been riveting. But despite the actor's efforts, "Albino Alligator" fails to deliver the goods. By the end (which in itself is powerful), one has become a bit tired of it all.
Spacey was obviously drawn to the clear theatricality of much of the action taking place on one set, in effect on one stage. It's hence very talky and stagy, though Spacey is careful to keep the camera moving in interesting ways. The few outdoors scenes too are shot with great visual style. Combining a keen eye, together with his understanding of actors and acting, Spacey will probably at some point bring his directorial talents to fruition. Hopefully he will be more fortunate as far as a suitable screenplay is concerned.
Matt Dillon in the lead does a fair job. As is often the case with him, he manages some moments of excellence, but on the whole is capable rather than brilliant. (He sustained an exceptional performance is the "Saint of Fort Washington" and surprised many with "Drugstore Cowboy".). It's as if there is a depth to him which he seems to have a lot of trouble reaching. There is a brief scene in "Albino Alligator" in which he talks to himself in a facing mirror. It's a moment which reveals those depths which so often seem to elude him.
The other players do as well as one would expect. Gary Sinise is superb as Dillon's elder brother, William Fichtner is truly edgy and sinister and Faye Dunaway's bartender has a ring of truth to it.
Despite all this talent and a story with possibilities, this is not one to seek out.
Spacey was obviously drawn to the clear theatricality of much of the action taking place on one set, in effect on one stage. It's hence very talky and stagy, though Spacey is careful to keep the camera moving in interesting ways. The few outdoors scenes too are shot with great visual style. Combining a keen eye, together with his understanding of actors and acting, Spacey will probably at some point bring his directorial talents to fruition. Hopefully he will be more fortunate as far as a suitable screenplay is concerned.
Matt Dillon in the lead does a fair job. As is often the case with him, he manages some moments of excellence, but on the whole is capable rather than brilliant. (He sustained an exceptional performance is the "Saint of Fort Washington" and surprised many with "Drugstore Cowboy".). It's as if there is a depth to him which he seems to have a lot of trouble reaching. There is a brief scene in "Albino Alligator" in which he talks to himself in a facing mirror. It's a moment which reveals those depths which so often seem to elude him.
The other players do as well as one would expect. Gary Sinise is superb as Dillon's elder brother, William Fichtner is truly edgy and sinister and Faye Dunaway's bartender has a ring of truth to it.
Despite all this talent and a story with possibilities, this is not one to seek out.
Kevin Spacey is, of course, one of the best actors we have, and he shows talent in his first time out as director in this crime story. Specifically, he does a good job creating a tense atmosphere in such a claustrophobic environment as a bar. And although there's a lot of camera movement, it's not overdone. Also, he's good with his actors, especially Dillon, Dunaway, and Sinise.
But the movie suggests Spacey should learn about reading scripts next time. The movie harks back to films like PETRIFIED FOREST, but is little more than a clone of them, and writer Christian Forte often falls back on obscenities to substitute for character development and plot. And some of the scenes strain credulity, like the ending.
But the movie suggests Spacey should learn about reading scripts next time. The movie harks back to films like PETRIFIED FOREST, but is little more than a clone of them, and writer Christian Forte often falls back on obscenities to substitute for character development and plot. And some of the scenes strain credulity, like the ending.
Kevin Spacey's film debut impressed this viewer when this film debuted in 1996. On second viewing, recently, it still is an interesting film to watch, but it basically left a lot of questions unanswered because of the screen play Christian Forte wrote. One can see what attracted "Albino Alligator" to Mr. Spacey. It's a film where the situation that is created at the beginning of the film allows for intense performances by the first rate cast the director was able to put together. There are holes in the plot, like the enigmatic presence of Guy, the Canadian man one sees sitting at Dino's but whose role in the whole thing is not well explained by the screen play. Matt Dillon, as the man in charge of the bandits makes a good contribution. Faye Dunaway is excellent as Janet, the bar maid that must make tough decisions at the end of the film. William Fichtner is at his most intense playing Law, the loose cannon. Gary Sinise doesn't have much to do. The ensemble cast is good under Mr. Spacey's direction. John Spencer, Skeet Ulrich, M Emmet Walsh, Joe Mantegna, Melinda McGraw and Frankie Faison are effective in their roles. A film to be seen as a curiosity because it marks Kevin Spacey's film debut as a director.
Any hostage drama can't help but get compared to 'Dog Day Afternoon' and will therefore be found lacking, but 'Albino Alligator', while not without a few flaws, does a credible job. Kevin Spacey shows some promise as a director, but the script sometimes let's him down. Even so it's pretty entertaining, and the best thing about it is the outstanding cast. You might think Spacey would call upon his Usual Suspects buddies but instead we have Matt Dillon, Gary Sinise and William Fichtner as criminals on the run, Faye Dunaway, M. Emmett Walsh, Skeet Ulrich, John Spencer and Viggo Mortensen as the occupants of an after hours bar they hold hostage, and Joe Mantegna as the cop on the scene. All the actors performances are good, but I especially enjoyed Fichtner's redneck sociopath and Mortensen's mysterious French Canadian who may not be the average joe he appears to be. Both actors have been favourites of mine for some time. 'Albino Alligator' is no masterpiece, but if you want to see some good actors do their thing I suggest you check it out, you won't be disappointed.
As everyone already knows, Kevin Spacey is an extremely good actor who never does a bad job acting. The man is also a great singer (check out the soundtrack to "Midnight in the Garden of Good and Evil"), so it's not a surprise that he turns out to be multitalented; he's obviously a great director as well. This is the first movie he has ever made and it is such an engrossing and interesting movie. The acting is also superb, Matt Dillon doing such a great job was a surprise to me. The story itself is also interesting, and I liked the fact that this movie was in many ways theatrical. It doesn't work in every movie, but with this premise it worked out fine. Let's hope Spacey directs many more movies!
Did you know
- TriviaKevin Spacey consulted with legendary director Sidney Lumet on how best to make the film.
- GoofsBecause of the city's proximity to sea level, it is difficult, if not impossible to have underground (basement) dwellings in New Orleans.
- Quotes
Dova: Okay, plan. I'm listening...
Guy Foucard: Tell them you will let go of the hostages one-by-one. Then, instead of releasing us, release yourself.
Milo: [slow realization] Yeah. We, uh, pretend *we're* the hostages.
Guy Foucard: And then... tie us up. And, uh... be gone before they come in.
Dova: What do you think?
Law: Hey, I'm a sociopath, you know what I think.
[props up his rifle]
- ConnectionsFeatured in The Movie Show: Episode dated 31 August 1997 (1997)
- SoundtracksIll Wind (You're Blowin' Me No Good)
Written by Harold Arlen and Ted Koehler
Performed by Jimmy Scott, Michael Stipe, Michael Brook & Flea
Used by permission of EMI Mills Music Inc.,
SA Music Co., Fred Ahlert Music Corp. (ASCAP)
Jimmy Scott, Michael Stipe & Flea appear courtesy of Warner Bros. Records
Michael Brook appears courtesy of 4AD
- How long is Albino Alligator?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- Альбіно Алігатор
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $339,379
- Opening weekend US & Canada
- $101,176
- Jan 20, 1997
- Gross worldwide
- $339,379
- Runtime
- 1h 34m(94 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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