Albino Alligator

Joe Mantegna definitely has the best scene in "Albino Alligator". It is a humorous infusion into a movie that at times borders on being terminal. Starts out fast with three petty criminals, Dillon, Sinese, and Fichtner, fleeing a botched robbery. Unfortunately once they take refuge in a basement bar, their endless posturing and planning, grinds on the film. There is nothing wrong with the acting, including a great supporting effort from M. Emmet Walsh. Other than the above mentioned scene, Mantegna is somewhat wasted in a one dimensional role. Faye Dunaway is interesting, and William Fichtner is in menacing psycho mode. Marginally recommended. - MERK

Any hostage drama can't help but get compared to 'Dog Day Afternoon' and will therefore be found lacking, but 'Albino Alligator', while not without a few flaws, does a credible job. Kevin Spacey shows some promise as a director, but the script sometimes let's him down. Even so it's pretty entertaining, and the best thing about it is the outstanding cast. You might think Spacey would call upon his Usual Suspects buddies but instead we have Matt Dillon, Gary Sinise and William Fichtner as criminals on the run, Faye Dunaway, M. Emmett Walsh, Skeet Ulrich, John Spencer and Viggo Mortensen as the occupants of an after hours bar they hold hostage, and Joe Mantegna as the cop on the scene. All the actors performances are good, but I especially enjoyed Fichtner's redneck sociopath and Mortensen's mysterious French Canadian who may not be the average joe he appears to be. Both actors have been favourites of mine for some time. 'Albino Alligator' is no masterpiece, but if you want to see some good actors do their thing I suggest you check it out, you won't be disappointed.

Kevin Spacey's film debut impressed this viewer when this film debuted in 1996. On second viewing, recently, it still is an interesting film to watch, but it basically left a lot of questions unanswered because of the screen play Christian Forte wrote. One can see what attracted "Albino Alligator" to Mr. Spacey. It's a film where the situation that is created at the beginning of the film allows for intense performances by the first rate cast the director was able to put together. There are holes in the plot, like the enigmatic presence of Guy, the Canadian man one sees sitting at Dino's but whose role in the whole thing is not well explained by the screen play. Matt Dillon, as the man in charge of the bandits makes a good contribution. Faye Dunaway is excellent as Janet, the bar maid that must make tough decisions at the end of the film. William Fichtner is at his most intense playing Law, the loose cannon. Gary Sinise doesn't have much to do. The ensemble cast is good under Mr. Spacey's direction. John Spencer, Skeet Ulrich, M Emmet Walsh, Joe Mantegna, Melinda McGraw and Frankie Faison are effective in their roles. A film to be seen as a curiosity because it marks Kevin Spacey's film debut as a director.

With so much talent aboard this could have been great cinema. That it's not is due to an unsure screenplay, lacking in credibility, though not lacking in promise. The story in itself, if tightened up, could have been riveting. But despite the actor's efforts, "Albino Alligator" fails to deliver the goods. By the end (which in itself is powerful), one has become a bit tired of it all.

Spacey was obviously drawn to the clear theatricality of much of the action taking place on one set, in effect on one stage. It's hence very talky and stagy, though Spacey is careful to keep the camera moving in interesting ways. The few outdoors scenes too are shot with great visual style. Combining a keen eye, together with his understanding of actors and acting, Spacey will probably at some point bring his directorial talents to fruition. Hopefully he will be more fortunate as far as a suitable screenplay is concerned.

Matt Dillon in the lead does a fair job. As is often the case with him, he manages some moments of excellence, but on the whole is capable rather than brilliant. (He sustained an exceptional performance is the "Saint of Fort Washington" and surprised many with "Drugstore Cowboy".). It's as if there is a depth to him which he seems to have a lot of trouble reaching. There is a brief scene in "Albino Alligator" in which he talks to himself in a facing mirror. It's a moment which reveals those depths which so often seem to elude him.

The other players do as well as one would expect. Gary Sinise is superb as Dillon's elder brother, William Fichtner is truly edgy and sinister and Faye Dunaway's bartender has a ring of truth to it.

Despite all this talent and a story with possibilities, this is not one to seek out.

There are movies that are made because the studios know they'll make money. There are the movies that are made because someone believed they would and they held out long enough to get them made. Then there are the "actor's movies," the ones any actor worth his/her salt would love to make themselves. This is Kevin Spacey's "actor's movie." That's not a bad term in the least. The majority of the movie is set inside a New Orleans bar, but the scenery doesn't get tiresome. This is due to the fantastic performances of the cast. I love it when I can watch a movie and forget that the person I'm watching is otherwise known as Gary Sinise, Faye Dunaway, or Viggo Mortenson.

The film is also a classic tale of inhumanity, on how far people need to or will go to save their own skin, on choices. It sounds cliché, but the movie doesn't come across that way in the least. Overall, I recommend the film for a lazy Saturday afternoon, like it was for me.