48 hours of intersecting lives and crimes in Los Angeles.48 hours of intersecting lives and crimes in Los Angeles.48 hours of intersecting lives and crimes in Los Angeles.
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Since this film came out only two years later, it is hard to imagine that the phrase "pulp fiction" did not come up at the pitch meeting. But I thought that this movie was pretty good and can stand on its own despite the similarities, mainly the weaving together of disparate characters by events. It does run chronologically, unlike PF. It has an amazing cast, with two Oscars, and another five nominations among them. (Although some of these did come afterwards) Kudos for great performances by Danny Aiello, Eric Stoltz, Glenne Headly, Marsha Mason, Terry Hatcher, Charlize Theron, and in a smaller role, Ada Maris. Nice unobtrusive direction by John Herzfeld, who also has a writing credit. Worth checking out.
"2 Days in the Valley" is a great movie for anyone. If you like interesting story lines accompanied by amazing performances by very talented actors/actresses then you should watch 2 Days in the Valley. This movie packs a lot of star power with names such as Charlize Theron, Teri Hatcher, Eric Stoltz, Danny Aiello, Jeff Bridges and James Spader. The story revolves around the events surrounding different characters, all unrelated. The movie has many sub-plots and develops them all independently until they all merge together and we get the big picture. Throughout the movie, we learn important details that are all leading up to a great finale. The director threw in a lot of little interesting quirks, such as the murderous assassin smirking as he watches a cop sight down the barrel of a watergun, or a spiteful old man who we came to hate earlier slinking out of a Japanese pleasure house in the dead of night. The movie is very well written and very interesting, and if there is any problem whatsoever, it would have to be that at times the dialogue becomes a bit laborous and unrealistic. (Sometimes, it appears that the characters are explaining what's going on to the audience, rather than conversing with the other characters.) Nevertheless, this is a trite point, and distracts none at all from the movie's enjoyment.
The cast, especially James Spader and Charlize Theron are top notch, but a crucial change made to "lighten" the movie tosses much of the plot out the window, robs one central character of his key motivation, and greatly hinders the film. Stoltz and Spader give the Best performances, both funny and real. Especially Spader, he virtually Carries the film. Charlize Theron, in one of her first films, is very, very attention-grabbing, through her looks and her abilities. Daniels and Hatcher appear too infrequently to be memorable. Aiello and Headly give equally likable performances that become the moral centre of the film. However, what makes this work is some clever dialogue and some satirical plot ideas, but mainly it is a tour de force of acting by a talented and highly professional cast. This is one of those movies in which every actor is a threat to steal the show at any time one way or the other. In a way it's a parade of cameos cleverly stitched together and then nicely edited.
Overall rating: 8 out of 10.
The cast, especially James Spader and Charlize Theron are top notch, but a crucial change made to "lighten" the movie tosses much of the plot out the window, robs one central character of his key motivation, and greatly hinders the film. Stoltz and Spader give the Best performances, both funny and real. Especially Spader, he virtually Carries the film. Charlize Theron, in one of her first films, is very, very attention-grabbing, through her looks and her abilities. Daniels and Hatcher appear too infrequently to be memorable. Aiello and Headly give equally likable performances that become the moral centre of the film. However, what makes this work is some clever dialogue and some satirical plot ideas, but mainly it is a tour de force of acting by a talented and highly professional cast. This is one of those movies in which every actor is a threat to steal the show at any time one way or the other. In a way it's a parade of cameos cleverly stitched together and then nicely edited.
Overall rating: 8 out of 10.
Writer-director John Herzfeld's mining of the multi-layered, heavily populated neo-crime genre sparked by the popularity of Pulp Fiction is an above average, if workmanlike, movie that should satisfy most aficionados of the style. Weaving together the stories of more than half a dozen interesting denizens of the San Fernando Valley, Herzfeld makes the most of his situations, allowing talented performers like Danny Aiello, Eric Stoltz and Jeff Daniels to show-off their chops. Additionally, Paul Mazursky shines as the depressed, suicidal director Teddy Peppers and Charlize Theron delivers an electrifying turn that should have made her a big star.
Trying to compare Two Days in the Valley with Tarantino's Pulp Fiction is pointless. There is very little originality in the vast majority of modern movies; by and large within their particular genre most movies are variations on a theme. I've watched Pulp Fiction several times and enjoyed it every time and I'll probably watch it many times more. I watched Two Days in the Valley and never once thought about PF, because I enjoyed it and accepted it as just another variation on a theme that was worth watching....and I'll more than likely watch it again....for its entertainment value. The characters were believable in a many-threaded plot that finally knitted together in a way that did not seem contrived.
Two Days In The valley really nailed me to my seat,at first I only rented it to see my favorite new actress Charlize Theron(Helga). Then as the movie started and I saw Danny Aiello(Desmo)and James Spader (Lee) staking out a house I thought it had to be cops checking out drug dealers or something along that line and I was wrong. Then as the other characters appeared in the movie and the story started going in a different direction then I figured it would I was shocked by the way things came out and knew this was one of the best Dramas I've seen in years. It's a must see kinda movie and must have do to all the great and weird acting in it. out of three stars I give it ****.
Did you know
- TriviaIn 1995, Charlize Theron was newly arrived in Hollywood after stints as a model and a dancer, living in a fleabag motel, and running out of money. Her mother had sent the twenty-year-old Theron a check from South Africa, but when she went to the bank to cash it, they refused her. Fed up, Theron threw what has been repeatedly called "a tantrum." That argument, coupled with her beauty, caught the eye of an agent, who promptly handed over his business card. Fast-forward a few months later, and Theron, in white lingerie, towered over Los Angeles in billboards for 2 Days in the Valley.
- GoofsDuring the pool scene the keys are visible in Dosmo's hand before they are thrown to him.
- Quotes
Allan Hopper: How can you take this loser's word? You can't believe him!
Teddy Peppers: I'll take his word over yours. It's been my experience, more often than not, that a loser has more honor than a winner.
- SoundtracksCat Fight
Written by Anthony Marinelli
Performed by Anthony Marinelli, Georgia Hubley and Lois Maffeo
Produced by Anthony Marinelli
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Dos días en el valle
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $11,132,210
- Opening weekend US & Canada
- $3,352,440
- Sep 29, 1996
- Gross worldwide
- $11,132,210
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