2 Days in the Valley

2 DAYS IN THE VALLEY (1996) *** James Spader, Danny Aiello, Eric Stoltz, Jeff Daniels, Paul Mazursky, Teri Hatcher, Charlize Theron, Marsha Mason, Glenne Headly, Greg Cruttwell, David Carradine, Peter Horton, Louise Fletcher, Austin Pendleton. "Pulp Fiction" meets "Short Cuts" best describes this fun, exciting and leisurely paced comedy/crime thriller with a dozen characters crossing over into each others' paths during 48 hours of murder, suicidal tendencies and the usual California angst of the San Fernado Valley. Great ensemble cast all obviously having fun and one helluva cat fight between Amazonian Theron and buxom Hatcher! Oh mama!

Trying to compare Two Days in the Valley with Tarantino's Pulp Fiction is pointless. There is very little originality in the vast majority of modern movies; by and large within their particular genre most movies are variations on a theme. I've watched Pulp Fiction several times and enjoyed it every time and I'll probably watch it many times more. I watched Two Days in the Valley and never once thought about PF, because I enjoyed it and accepted it as just another variation on a theme that was worth watching....and I'll more than likely watch it again....for its entertainment value. The characters were believable in a many-threaded plot that finally knitted together in a way that did not seem contrived.

"2 Days in the Valley" is a great movie for anyone. If you like interesting story lines accompanied by amazing performances by very talented actors/actresses then you should watch 2 Days in the Valley. This movie packs a lot of star power with names such as Charlize Theron, Teri Hatcher, Eric Stoltz, Danny Aiello, Jeff Bridges and James Spader. The story revolves around the events surrounding different characters, all unrelated. The movie has many sub-plots and develops them all independently until they all merge together and we get the big picture. Throughout the movie, we learn important details that are all leading up to a great finale. The director threw in a lot of little interesting quirks, such as the murderous assassin smirking as he watches a cop sight down the barrel of a watergun, or a spiteful old man who we came to hate earlier slinking out of a Japanese pleasure house in the dead of night. The movie is very well written and very interesting, and if there is any problem whatsoever, it would have to be that at times the dialogue becomes a bit laborous and unrealistic. (Sometimes, it appears that the characters are explaining what's going on to the audience, rather than conversing with the other characters.) Nevertheless, this is a trite point, and distracts none at all from the movie's enjoyment.

The cast, especially James Spader and Charlize Theron are top notch, but a crucial change made to "lighten" the movie tosses much of the plot out the window, robs one central character of his key motivation, and greatly hinders the film. Stoltz and Spader give the Best performances, both funny and real. Especially Spader, he virtually Carries the film. Charlize Theron, in one of her first films, is very, very attention-grabbing, through her looks and her abilities. Daniels and Hatcher appear too infrequently to be memorable. Aiello and Headly give equally likable performances that become the moral centre of the film. However, what makes this work is some clever dialogue and some satirical plot ideas, but mainly it is a tour de force of acting by a talented and highly professional cast. This is one of those movies in which every actor is a threat to steal the show at any time one way or the other. In a way it's a parade of cameos cleverly stitched together and then nicely edited.

Overall rating: 8 out of 10.

Since this film came out only two years later, it is hard to imagine that the phrase "pulp fiction" did not come up at the pitch meeting. But I thought that this movie was pretty good and can stand on its own despite the similarities, mainly the weaving together of disparate characters by events. It does run chronologically, unlike PF. It has an amazing cast, with two Oscars, and another five nominations among them. (Although some of these did come afterwards) Kudos for great performances by Danny Aiello, Eric Stoltz, Glenne Headly, Marsha Mason, Terry Hatcher, Charlize Theron, and in a smaller role, Ada Maris. Nice unobtrusive direction by John Herzfeld, who also has a writing credit. Worth checking out.

In addition to the clever plot and delicious acting you get to see very early work by Charlize Theron and James Spader, either of which is worth your time. All of the characters are full-fledged characters, with not a weak link in the chain; and those playing those characters all make the best of it. It's a true ensemble cast, with no one -- with the possible exception of Spader, having a lead role. The story is full of twists, surprises and turnabouts enough to flesh out two or three movies. You can tell that all of these fine actors are enjoying playing the quirky characters we are presented with to make this a true fun romp.