August

Casting! Acting! Timing! Perfection in concert in every aspect of every detail. Masterful Direction. Bravo!

Gracious! What a depressing film this was. I love Hopkins. I always have, but why this dark, depressing film that was ridiculously over-acted? I have loved every film Anthony has ever made, but this one, even though I understand a person's struggle with life, friendship, love, and the disappointments of not having true love or a fulfilling life, why should we be subjected to such absurd screaming and desperate actions? The musical score was the only thing I value about this film other than when Anthony's character is CALM. Anthony and I have the same birthday, and so I've always identified with him. He is an accomplished actor and now, as I've learned, a wonderful composer as well, but I just would rather die than to watch this movie again. Sorry, Anthony, I will still love you the rest of my life, but why...oh why did you agree to do this horrible film? Have a great birthday when I do...December 31!!!

Must say I really enjoyed this Wish they'd make more original remakes and bringing older scripts back to life Wales always makes a fascinating back drop and with Hopkins involved his sheer quality brings every above the ordinary in beautiful settings such as this in wales or train spotting in Scotland or Commitments in Ireland or Amelie or Ronin in France and the Holiday in the peak districts. Check out other British and welsh classics like; Twin Town, last Days of Dolwyn, Zulu, Saturday Night Sunday Morning, Sporting Life, Run for Your money. Sadly it's all middle class rubbish since then like Love ACtually and posh controlled grim up north dramas. Why do the elite try and write working class plays? Get the working class to write about it. Because they know the truth is the poor have way more laughs and less obsession with power and greed.

It just adds so much and shows the world is far far richer than just shiny old Hollwood, London and the big apple (much as I love New York mind) Great stuff keep making them tony

An accomplished major film directorial debut for Anthony Hopkins, a beautiful piece of work, accompanied by a wonderful score, also composed by Hopkins. But one must wonder, as with the adaptation of any great work of art, why it was necessary. "Uncle Vanya" has been masterfully translated, it seems superfluous at best to rewrite it. As with Shakespeare, the transposition into a new landscape need not be accomplished through a completely new script. This being said, however, it is always pleasing to see a project so close to a person's heart as this obviously was to Hopkins' come to such beautiful fruition.

This is a lovely, well considered and well paced version of Chekhov's famous play. It is both amusing and sad, really a perfect balance. The title is a little misleading because this is actually UNCLE VANYA, not an adaptation. The characters' names have been altered and a brief mining accident has been added, but it is otherwise nearly a word-for-word translation, well worth watching. Hopkins is a wonderful Vanya (Ieuan), shifting moods rapidly from farce to frenzy. Kate Burton is a fine Yelena (Helen), not surprising because she worked for many years at the Williamstown Festival under Nikos Psacharopoulos, a director renowned for his Chekhov productions.