The Almost Perfect Bank Robbery

While this clearly isn't the greatest movie ever made,it sure is a pleasant way to spend a couple of hours. Brooke Shields doesn't get the credit she deserves for her talent,and even Rip Torn does a good job here. One big reason for most people to rent or buy it in the blow-out bin (I paid $1.25) at a discount store is that there is no violence in the movie,no sex scenes,and no foul language. I don't have any kids,but I suspect the people who do and who want to pick a movie the whole family can watch and enjoy will appreciate the harmless fun in this movie. Their choices have to be pretty slim,so this one would be a good one to recommend to your friends who do have young children.

Having recently been given a big box of DVD's, I thought to myself, as with most things, that I would save the best until last and start off with the bad. This was the first out of the box and I have to admit to being very pleasantly surprised. Now, a mark of 5 out of 10 may not prove my point.....and here is why. As soon as I started watching I said to myself 'Channel 5 (UK) afternoon TV movie', without knowing at the time that was exactly what it was. Supposedly based on a true story, the plot is very thin and very much a no brainer. However, there are 4 very well know stars in the film which was very much a coup for a TV movie. And it's 3 of these 4 that pull this movie through. Alessandro Nivola has a minor 'stooge' role, but Brooke Shields' very purposefully overacted ditsy performance is pretty good........if just a bit annoying at times. In fact, it seems that all of the main 3 women's roles were overacted. I have no idea why. Dylan Walsh is good as Shields hapless boyfriend and Rip Torn was..........well, Rip Torn really. I don't have to 'plot spoil' here as the films title totally says it all.

All in all, an above average TV movie with a good cast and good performances.

Endearing, fast-paced offspring of Raising Arizona (1987) and "actual events", this jinxed comedy debuted on US tv during the dog days of summer when everyone I know was still on vacation. Please be home the next time it's aired.

Filmed several years earlier at a moment in history when it would've been hyped as a Brooke Shields/Rip Torn vehicle, "The Almost Perfect Bank Robbery" will one day be known as a wholly-owned subsidiary of Dylan Walsh's commanding performance.

A catchy score, richly-detailed comic touches in every scene, great attention to the peculiar supporting cast (at least five of whom were huge fun to watch in Radioland Murders), and the genial spoofing of our fondness for mall openings and "Wheel of Fortune"--none of the above would've kept me glued to the tube if it weren't for the adhesive that Dylan Walsh's performance applied to all that silliness.

He created a character SO earnest and SO focused (in perfect contrast to his scatterbrained sweetheart) that purely in sympathy I HAD to take the movie as seriously as he took his caper. While the rest of the cast diverts our attention with comic vignettes, all the suspense, all the credibility, and our only hold on this runaway train of a plot--it's all to be found on Walsh's face and in his body language. As the pressure builds, he lets us see his confidence begin to crumble, just a little at a time, while laboring to hide his feelings from everyone else.

Brooke Shields's lie-detector scene will make you laugh out loud (good acting, great writing), but Walsh's lie-detector scene will make you sweat. Does any actor since Peter Lorre do pure anxiety better than Dylan Walsh?

The director, who clearly enjoys drawing our attention to so many visual details, was right to comment that his movie was "almost" perfect; no movie is perfect if it can't manage a scene in a car without yanking the rear-view mirror. I HATE that! We've overcome the difficulties of ceilings and wall-to-wall carpeting, but in this age of Industrial Light & Magic, why oh why is it still so hard to show us the rear-view mirror?

This is one of the few films where the characters have accents that don't sound phony. And that is not all that is in good order with this charmer. A variety of portrayals characterizing southern personality types is funny in itself. The plot is very simple and places more responsibility on acting and integration of other film making elements to create a valid viewing experience. From the sound and music to clothing and sets, it all fits. While there is nothing unpredictable about the Almost Perfect Bank Robbery, nothing is offensive either. A good example of what can be done without a large cast and production crew to create a first class picture. I loved it and wish it was a little longer so I could enjoy it more.

Of all the Movies of the Week I've made in the past several years, this remains the one I had the best time making, and at the same time, achieves most of what I was trying to do as a filmmaker. But, alas, it remains on the shelf at CBS, caught in a tangle of 'internal politics', or so I'm told. If it ever sees the light of day, check it out.