Beyond Hypothermia

"Beyond Hypothermia" is an excellent movie. The plot: An assassin (Wu Chen-Lien) just keeps on killing until she meets a lonely noodle shop owner, Long (Lau Ching Wan). She wants to change her ways, but her employer won't let her. On top of that, another hit-man is after her.

What's great about this movie is that the romance and action fit perfectly. All the gunfights are well-staged and bloody, but it also has a heart. Lien and Wan put in outstanding performances.

The climax is very powerful and the only problem I had with the movie is the dubbing, but who cares. You'll be pulled in instantly.

I highly recommend this action-packed gem.

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For a movie centered around some really well down action sequences, this movie has a good deal of emotional depth. It goes for that La Femme Nikita style of making an assassin both lethal and fascinating but trapped and vulnerable. It is fascinating to see this killer's growing attachment to a simple noodle shop owner, and the movie does a good job of balancing its blood with its heart, supplying both exciting and touching moments.

But the movie also feels like it cut corners and it relies to much on movie romance clichés. Noodle shop guy's actions towards the end make utterly no sense based on what has happened so far, making the final, fascinating scene feel contrived. Even the hypothermia concept feels like it is just sort of tossed in there because it's a cool idea but then never used for anything in particular. I would not be surprised if I learned the script had half an hour of plot and character development chopped for pacing, as that would explain a lot.

This is a very good movie, and I took a while to decide whether to give it a 7 or an 8, but it gets a 7 because it just feels like corners were cut and the movie was not what it might have been. But well worth seeing.

One can't be convinced that Wu Chien-lien, a woman with a body temperature of only 32 degrees Celsius, is actually a merciless assassin! How unfortunate that the filmmakers missed their chance of exploring the interesting implications of a person with a body temperature five degrees lower than everyone else and who only has a one-in-a-million chance of survival. Superficial as it is, the film is both alienating and romantic. Its most intriguing parts are the romance between Wu, the female assassin, and Lau, the noodle-seller, conducted in the tradition of a "midnight love affair with a beautiful ghost", and Wu's persistence in finding her roots.

Jacklyn Wu plays an assassin who has no memories of family, friends, or any sort of past to cling too. Her character is so detached, that killing causes no emotion or regret. The title of the movie "Beyond Hypothermia" refers to her body temperature which is 5 degrees lower then a normal human being. The only time this killing machine feels any warmth is when she is in the company of a noodle chef who makes her a gourmet bowl after each of her killings. He reminds me of the Chinese version of Benicio Del Torro. The two strike a friendship and eventual love for one another. But like most Chinese films, this love is doomed and tragedy ensues. I thought this was a better film then "Point of No Return" and "La Femme Nakita" However, there is one disturbing scene of violence which I truly detested and thought was uncalled for. On a personal note, Jacklyn Wu is undoubtedly one of the most beautiful actresses in the world. You can't take your eyes off her and her performance is mesmerizing!

Another in a recent trend of artsy girl-with-gun movies that tries to play to the male audience with hardcore girls 'n' guns action while attempting to attract the female audience with a love story framework and complex feminine psychology issues. As such, both genres are compromised, but the result is a fine looking and well crafted dramatic thriller.

A decidedly different role for the frail and tragically pretty Wu Chien Lien, as she plays a ruthless and dispassionate assassin desperately searching for her humanity. Surprisingly, she does a remarkable job with the material and presents herself as a complex combination of harsh conviction and fragile vulnerability. Unfortunately, her character is so cold and soulless that you never really connect with her or care what happens to her, which ultimately threatens the emotional impact of the film.