Blood and Wine

BLOOD & WINE (1996) *** Jack Nicholson, Michael Caine, Stephen Dorff, Jennifer Lopez, Judy Davis, Harold Perrineau. Fine devious neo noir and serpentine twists along the way with slick wine salesman Nicholson partnering with chronic, oily Caine (gleefully enjoying his scumbag role) for a get rich quick diamond necklace heist that only gets botched (natch) when his stepson Dorff starts to add up the heinous acts they've committed. Nicholson's attack on Caine is scarily funny. Directed by long-time Jack Packer, Bob Rafelson.

"Five Easy Pieces" is closed to one of the best movies ever made. I never finished watching "The King of Marvin Gardens" (It got too ponderous and uninteresting)and "Blood and Wine" is no improvement. Rafelson was much better off when he didn't get influenced from other directors and just stuck to what he did best like in F.E.P., which was about genuine characters facing genuine problems.

The characters in Blood and Wine are not realistic. They're a cliche. They weren't interesting enough to be sympathied with, even Stephen Dorff, who is supposed to be portrayed as the film's hero. Charmless, humorless, and overall bleak movie lacking any style or substance.

The team of Bob Rafelson and Jack Nicholson made two of the strongest movies of the 1970s, 'Five Easy Pieces' and 'The King Of Marvin Gardens'. It would be unrealistic to hope that 'Blood And Wine' would be as memorable as those two, and of course it isn't. But it is an excellent piece of modern film noir, one of the most underrated Hollywood movies of recent years, and the best thing Rafelson has made since the early 1980s. Nicholson is perfectly cast as a dissatisfied and greedy wine merchant who hatches a plot to steal a client's valuable necklace. He is assisted by a slimy British crook (a superb turn from Michael Caine in his best acting role in years) and his sexy young girlfriend (Jennifer Lopez, who is surprisingly good). Things get very complicated very quickly when their plan goes belly up, and Nicholson's estranged wife (Judy Davis) and his stepson (Steven Dorff) get into the picture. This is a well acted, interesting and unpredictable thriller with some real depth among the plot twists. I thoroughly enjoyed it.

Michael Caine gives one of his greatest performances, and that really is saying something. How many times have you seen someone overshadow CJck Nicholson? Well it happens here. Caine's character is at times pathetic, at others funny, and at others deeply nasty, and always believable.

Jennifer Lopez looks astonishing in this but her character is a cypher. The script is so-so, as is the direction, but it is worth watching once for the Caine masterclass.

In Blood and Wine, Jack Nicholson plays the likable antihero he plays so well. He's married to Judy Davis, but is having an affair with Jennifer Lopez, and although he seems like a respectable wine merchant on the surface, he's actually planning to steal a diamond necklace from one of his clients, with the help of his partner Michael Caine. But, since it's Jack Nicholson, we forgive him.

Blood and Wine isn't your typical heist movie, because there are more elements to the plot than just the robbery. There are family tensions, a love triangle, and character development, which helps make this a highly enjoyable movie to watch. When you care about the characters, you care about the movie. The performances are very good, and Alison Cross's and Nick Villiers's script is pretty riveting.

So often in films, the actors who play children don't even think to adopt the mannerisms and inflections of the actors who are playing their parents. In real life, you can see an enormous amount of similarities through the generations, from gait to speech pattern to the frequency and timing of brow raises, to the tiniest of facial expressions. Stephen Dorff, while playing Jack Nicholson's stepson, took the time to do his homework. When he speaks, it's clear he grew up in an environment where Jack's mannerisms were influential. He's not giving a Jack Nicholson impression, though, and that subtle distinction makes all the difference in the world.