IMDb RATING
5.8/10
5.9K
YOUR RATING
Teens entertain one another by telling an anthology of famous urban legends with a modern twist; including makeout-point, monsters, psychopaths, and ghosts.Teens entertain one another by telling an anthology of famous urban legends with a modern twist; including makeout-point, monsters, psychopaths, and ghosts.Teens entertain one another by telling an anthology of famous urban legends with a modern twist; including makeout-point, monsters, psychopaths, and ghosts.
Frederick Lawrence
- Rockin' Rob (segment "The Hook")
- (as Rick Lawrence)
Christopher Masterson
- Eric (segment "The Campfire")
- (as Christopher Kennedy Masterson)
Suzanne Goddard-Smythe
- Mom (segment "People Can Lick Too")
- (as Suzanne Goddard)
- …
Featured reviews
The horror anthology movie has been a popular source of enjoyment for horror fans for a number of decades. As is pretty much always the case, the quality of each segment of the films varies - and this always will be the case. Case in point Campfire Tales.
Something of a little treat for those inclined, this offers up four main stories and a wraparound device which involves four teenagers telling the tales around a campfire after their car has crashed. In my own anthology experiences, the main stories have tended to improve in quality as each story plays out, Campfire Tales is different, it opens weakly - has two great stories in the middle - and then closes on a damp boring squib. leading into the big - if unsurprising - reveal at films end.
The poster for the film puts Amy Smart and James Marsden up at the front, which is a bum steer given that their screen time is not massive. Their story, "The Hook", opens the film and it's poor, devoid of scares and tension, and it obviously gears itself up for a chilling reveal but it ends up more funny (even baffling) than creepy.
"The Honeymoon" is up next and things significantly improve. Based on one of the most famous of urban legends, this finds a young couple of honeymooners stranded out in the woods when their camper van runs out of petrol. Choices are made, menacing terror begins, which all leads to a genuinely shocking finale.
Next up is "People Can Lick Too", which finds a young girl home alone and stalked by a paedophile she met on line. The whole episode has a sinister eeriness to it, with some reveals sending chills down the spine. The ending is heart stopping and blood curdling.
The last segment is "The Locket", which is well acted but ultimately more wistful and ethereal than anything scary or unnerving. Though the denouement is sure to appeal to many. Nice musical score here as well. And on to the reveal, straight out of The Twilight Zone and from any number of films of the same ilk. Great fun even if not all the stories knock it out of the park. 7.5/10
Something of a little treat for those inclined, this offers up four main stories and a wraparound device which involves four teenagers telling the tales around a campfire after their car has crashed. In my own anthology experiences, the main stories have tended to improve in quality as each story plays out, Campfire Tales is different, it opens weakly - has two great stories in the middle - and then closes on a damp boring squib. leading into the big - if unsurprising - reveal at films end.
The poster for the film puts Amy Smart and James Marsden up at the front, which is a bum steer given that their screen time is not massive. Their story, "The Hook", opens the film and it's poor, devoid of scares and tension, and it obviously gears itself up for a chilling reveal but it ends up more funny (even baffling) than creepy.
"The Honeymoon" is up next and things significantly improve. Based on one of the most famous of urban legends, this finds a young couple of honeymooners stranded out in the woods when their camper van runs out of petrol. Choices are made, menacing terror begins, which all leads to a genuinely shocking finale.
Next up is "People Can Lick Too", which finds a young girl home alone and stalked by a paedophile she met on line. The whole episode has a sinister eeriness to it, with some reveals sending chills down the spine. The ending is heart stopping and blood curdling.
The last segment is "The Locket", which is well acted but ultimately more wistful and ethereal than anything scary or unnerving. Though the denouement is sure to appeal to many. Nice musical score here as well. And on to the reveal, straight out of The Twilight Zone and from any number of films of the same ilk. Great fun even if not all the stories knock it out of the park. 7.5/10
While driving in a dangerous zigzag manner on a lonely road in the night, the teenager Cliff (Jay R. Ferguson) has a car accident with his friends Lauren (Christine Taylor), Alex (Kim Murphy) and Eric (Christopher Masterson). While spending the cold night stranded in the woods around a campfire, they kill time telling ghost stories. In "The Honeymoon", the couple Rick (Ron Livingston) and Valerie (Jennifer MacDonald) travels in their RV to Las Vegas in their honeymoon. Rick takes a shortcut to visit the Clayton Caverns in the night, but the stranger Cole (Hawthorne James) advises them to leave the spot since dangerous creatures attack people in the full moon. In "People Can Lick Too", on the eve of her twelfth birthday, Amanda (Alex McKenna) tells her Internet friend Jessica that she is alone at home. However, Jessica is actually a psychopath. In "The Locket", the biker Scott (Glenn Quinn) is crossing the country on his motorcycle. When he has a problem with his bike, he finds an isolated house where the gorgeous dumb Heather Wallace (Jacinda Barrett) lives with her father. When the man returns from his herd, Scott finds the truth about Heather.
"Campfire Tales" presents three good horror tales, with monsters, psychopaths and ghosts and a surprising twist in the end. The weakest segment is "The Hook", with Eddie and Jenny, but the other stories a great. The plot point is totally unexpected and gives a great conclusion to this above average horror movie. My vote is seven.
Title (Brazul): "Contos da Meia-Noite" ("Midnight Tales")
"Campfire Tales" presents three good horror tales, with monsters, psychopaths and ghosts and a surprising twist in the end. The weakest segment is "The Hook", with Eddie and Jenny, but the other stories a great. The plot point is totally unexpected and gives a great conclusion to this above average horror movie. My vote is seven.
Title (Brazul): "Contos da Meia-Noite" ("Midnight Tales")
Sporting surprisingly high production values and a cast full of familiar faces, the horror anthology "Campfire Tales" will keep genre fans mildly amused.
Why only mildly amused? Well, the cast isn't the only familiar thing about this movie. Most eek freaks have already heard variations of the film's stories around campfires of their own. To wit, the opening segment (starring James Marsden and Amy Smart) is a quick retread of "The Hook" urban legend.
The three main tales, told by a group of teenagers (including Christine Taylor and Christopher Masterson) get progressively better. Ron Livingston turns up in an acceptable bit about terrorized honeymooners, followed by a rather creepy cautionary tale of an Internet predator. Finally, the always effectual Glenn Quinn plays a stranded biker who falls for a mute, mysterious girl (Jacinda Barrett) in the film's best segment.
Of course, it's those storytelling kids who suffer the nastiest twist of all.
The film's end title music, a slightly retooled version of "The Monster Mash" is weirdly fitting. Though entertaining, "Campfire Tales" is nothing new.
Why only mildly amused? Well, the cast isn't the only familiar thing about this movie. Most eek freaks have already heard variations of the film's stories around campfires of their own. To wit, the opening segment (starring James Marsden and Amy Smart) is a quick retread of "The Hook" urban legend.
The three main tales, told by a group of teenagers (including Christine Taylor and Christopher Masterson) get progressively better. Ron Livingston turns up in an acceptable bit about terrorized honeymooners, followed by a rather creepy cautionary tale of an Internet predator. Finally, the always effectual Glenn Quinn plays a stranded biker who falls for a mute, mysterious girl (Jacinda Barrett) in the film's best segment.
Of course, it's those storytelling kids who suffer the nastiest twist of all.
The film's end title music, a slightly retooled version of "The Monster Mash" is weirdly fitting. Though entertaining, "Campfire Tales" is nothing new.
I originally posted the first user comment on this movie,and claimed it was crap and it didn't make sense.I Didn't MAKE SENSE. Campfire tales is a thoroughly enjoying film (now that im 2 years older and watched it last night).The actors were famous but not TOO famous. The acting itself was more than acceptable,it was rather good.I will rate the movie per segment of films. 1)The black and white scene (A.K.A-"The Hook") This one was rather pointless,it looked good,but didn't hold much grip at all,the only disappointing one,i don't think it was even included as a segment.Here is the scare-o-meter. (Poor) 2)The R.V Story (honeymooners stuck in woods) Possibly the most entertaining of all tales,the acting was good in this one too,disappointing bout the typical caravan sex scenes.Yet it was intriguing,you think "WHo was knocking on that door".It had suspense,and not too gory.Liked this one (Very Good) 3)Internet Chat Tale (Little Girl Meets Psycho) This was a smart addition,gore left at a minimal,frights left at EXTREME.Although dull at times,the last few minutes were most entertaining,don't get me wrong it was still fun to watch.Real creepy,and could happen to anybody,so watch who you're talking to. (Very Good) 4)Ghost Tale (Man kisses ghost)?? Not the best,it wasn't too atmospheric for a ghost tale.This one was strange,the aspects were rather good,playing music and the screaming,but everything was too real to be ghastly,although it was good,it was quiet bloody,and could have been better with that idea. (Acceptable) 5)The Ending (the 4 lost teenagers) These are the 2 attractive gals and guys telling the tales through-out the film.The best thing about the film is definantley the ending,it set a great impression,the ending was totally un-expected.Watch it,it was so well done,the realism was spectacular. (TOP NOTCH) 6)THE FILM OVERALL Campfire tales was more than i used to take it for,i actually like it so much now im buying it on video,cause its a truly entertaining horror movie forget the trash you see these days,like many,im disappointed that this didn't really go nowhere,it was straight to video,to me it was better than all the hype "horror" you see these days. Overall for Campfire Tales (Very Good) 8 out of 10
Redeeming all at once,the adolescent film,the film made up with sketches and the B-movie horror genre,it was too good to be true.And however,"campfire tales " could have done all that.Preceding "the sixth sense",the film recalls,more than "Jacob's ladder" ,the obscure "carnival of souls " (1962)."Campfire tales",like the three movies mentioned has an ending with coup de théâtre,completely unusual.
So why is half of the movie routine and business as usual?OK,the honeymooners are useful for the plot,but their whole sketch has no real connection with the main story.The same goes for the little girl surfing online and her dog.On the other hand,the last sketch is at once scary and significant:its conclusion magnificently segues into that of the whole movie.
One marvelous scene:one of the boys is getting cold and he asks the girls to share their blanket:isn't it it an extraordinary clue?A lot of directors would dream of such a trick.Had the film had an internal cohesion,had he used all its sketches as it did for the last one,it would have solved the squaring of the circle and the three -despised- genres,which I mention above ,would have been enhanced.Yes,it was a heaven sent opportunity.Try to see it anyway ,it deserves better than its poor rating.
So why is half of the movie routine and business as usual?OK,the honeymooners are useful for the plot,but their whole sketch has no real connection with the main story.The same goes for the little girl surfing online and her dog.On the other hand,the last sketch is at once scary and significant:its conclusion magnificently segues into that of the whole movie.
One marvelous scene:one of the boys is getting cold and he asks the girls to share their blanket:isn't it it an extraordinary clue?A lot of directors would dream of such a trick.Had the film had an internal cohesion,had he used all its sketches as it did for the last one,it would have solved the squaring of the circle and the three -despised- genres,which I mention above ,would have been enhanced.Yes,it was a heaven sent opportunity.Try to see it anyway ,it deserves better than its poor rating.
Did you know
- TriviaThe end credits feature a cover of the 1962 song "Monster Mash" by the female-fronted punk rock band Bobsled. Their cover hasn't been released elsewhere, and by the time the film came out in 1997, the band had already split up.
- GoofsIn "the locket" segment as Scott walks around the foot of the bed to look out the window, he goes from wearing boxers, to jeans, then back to boxers again.
- Quotes
Alex (segment "The Campfire"): [reading old newspaper] Police speculate that the murder weapon was an ice-pick or possibly even a meat-hook. They say they have a suspect, but they haven't made an arrest yet.
Cliff (segment "The Campfire"): That's pretty freaky shit.
- Crazy creditsAbout 30 seconds into the credits, it briefly cuts to a scene which ties back to the opening segment, and which also features a cameo from one of the film's directors.
- Alternate versionsThere is a subtitled Swedish DVD release of the film that features a slightly different soundtrack compared to New Line's 2005 American DVD reissue. For example, the musical cue that plays when Eddie discovers the Hook attached to his car reappears in the post-credits scene, whereas in the New Line DVD it does not.
- ConnectionsFeatured in Ping! (2000)
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