Captain Conan

This movie left me severely impressed. Most war films, particularly those intended to be viewed as a deep form of art tend to be much more shallow (Perhaps it has something to do with a lack of first hand military experience among film makers in the US.) Often the writers and directors are simply trying to support an anti war thesis by illustrating suffering, injustice and cruelty. But anyone can illustrate suffering, injustice and cruelty in a generic way and then squeeze it into an ill fitting war context. What impressed me about Bertrand's work is that he didn't do this. There were no shallow caricatures and he did not spoon feed the audience with anti war propaganda. Bertrand instead, tried to paint an accurate picture of some very complicated events and circumstances, and the equally complicated people who are trying to deal with them. The suffering, injustice and cruelty are there, but the audience must find these elements for themselves.

Conan and his men call their own shots on the battlefield and create fear within the enemy with their surprise attacks. By 1918, the mother of all wars comes to an end on the Bulgarian border. By this stage the men have had the taste of blood and cannot seem to settle down. When they are transferred to Romania for a bit of rest and recreation, a new battle commences with each other. The rules of combat have altered for the sake of peace and hypocrisy runs rampart to the disgust of Conan. At times, the style falls into dark humour territory, producing bizarre moments on the battlefield and words of wisdom on the human condition at war.

Capitaine Conan by B.Tavernier:

Captaine Conan by B.Tavernier is certainly a great moie. The story takes place during the WW1 in the French's army. French's army go into European West and notably Romania, the Balkans, up to Russia. One of the officer , Captan Conan led a special force composed of murderes,criminals. This special force group commites sneak attacks and kills the foes by hand. In Budapest they are bored and commite criminal action.. When I saw this movie, I was fascineted by the way war scenes are filmed. Tavernier films "craggy" landscape in the Balkans to give the impression of a busy war. The special's effect as canon shoot, bombs add to this fabulous spectacle. On top of that, the director dwells on this dark period with dim scene. It participates in the tragic atmosphere and certainly in the total realism of this movie. It obviously an emergency in the French army and its hypocrisies. Its silly organisation critisized throught commandant Bouvier, a stupid man. Actors are exellent for instance P.Torreton as Captain Conan with his witty eloquence. This is a magnificient movie in spite of the lack of communication about the context which losts spectactors.

Briefly by this movie Tavernier fullfills a successful career. This movie as La princesse de Montpensier occurs in the margins of history. It is why he declared " I want to film histor at man size"

This film is about how the military experience can transform a person, and no, it's not about the army making men out of boys.

Conan leads a group of trench cleaners, who, in reality, were thugs and pathological killers who enjoyed butchering their enemies after infiltrating their lines at night.

Problems emerge when the war is over, but some of these men cannot deal with their wartime homicidal pathologies and keep doing what they were trained for and mount a heist which results in killings.

Conan then has to choose between his camaraderie for his men and his responsibilities as an army officer.

This film has many originalities, especially in its war scenes and, I must admit, the whole thing is entertaining.

It's lengthy at times, but Torreton gives a great performance and really deserved the Cesar for best leading role that he got that year.

It is, in my knowledge, the only film which treats of that very particular post-World War I episode, when the "Reds" tried to invade Bulgaria and the French came to stop the expansion of what was not yet know as the Soviet block.

This is in many ways a very good war film but not in the typical way. The film opens in the closing days of WW1 on the Eastern Front where Capitaine Conan (Philippe Torreton in a Cesar winning performance) leads a band of ruthless hand to hand fighters, equivalent to a modern special forces unit. They prove themselves far more effective than the regular army in the final defeat and are envied by many including a friend of Conan, Lt Norbet (Samuel Le Bihan, IIRC was nominated for a Cesar in this). But when the armistice is signed Conan and his men find themselves in limbo while Norbert, working for the Court Martials finds himself accusing the very men he admired for robbery and murder. This film does take a while to get going but it is worth it, giving time for the characters to develop and also establishing the monotony the soldiers find, going from combat to walking the streets of Bucharest. The film also deals with the beginnings of the Russian Civil War and the problem of soldiers fighting with no motivation. Tavernier's direction is superb and visually the film equals a number of classic war films while the performances help to give it an edge as it goes into territory that Hollywood war film's in particular have tended not to go into.