A Summer's Tale

A beautiful setting, good acting (Amanda Langlet is brilliant and deserves more roles than just the two Rohmer-films she was in) and a teasing simple tale of a young man who should enjoy a calm summer holiday but instead makes things difficult by not making his mind up about which girl he will choose. Had he stuck to Langlet he would have made the right choice, but then the film would be of Tweety & Sylvester-length. When he realises the girls are in charge, he leaves the stage.Conte d'été is certainly one of the best Rohmer movies.

One of Rohmer's best. Gaspard (Melvil Poupaud) takes a month long vacation to a beach in Normandy, waiting for his more or less official girlfriend, the somewhat snotty Lena (Aurelia Nolin), to come. While waiting for her, he befriends the waitress and aspiring anthropologist Margot (Rohmer regular Amanda Langlet). Eventually, a relationship between the two develops, which seems to consists almost exclusively of long talks in the beach. But this is not all, since he soon also meets the somewhat promiscuous (but "principled") Solene (Gwaenelle Simon) in a disco. When Lena finally arrives to the resort, more than halfway into the movie, he finally finds himself in the position of having to choose one of the three. Rohmer would want us to think that Margot would be the best choice, and is difficult to disagree, since she's so charming and so willing to listen to him and even put up with him. It's amazing how Rohmer (who was in his late 70s when he directed this) is able to portray realistically how young people talk and interact. The final decision by Gaspard was a bit of a disappointment, but it was probably the more realistic possibility.

Rarely do we see such perfection in the direction of a film. Erich Rohmer gets all the details right - every movement, every gesture, all the uncertainties of growing up and falling in and out of love. I can see no flaws. I have to ask myself: Am I watching a group of actors? I seem to be watching a slice of real life with real people trying to cope with life's romantic problems. There's very little to the story. Gaspard, a young mathematics graduate comes to a beautiful island beach resort in Brittany, there to meet up with his girl friend Leon. When she doesn't turn up at the appointed time, he spends his days with two girls he meets on the island. The format of the film is much like a personal diary with the day to day events moving the story to its inevitable conclusion. Each of the three girls interrogate Gaspard about his attitudes to love, friendship and women in general. One feels that the indecisive Gaspard is more at home with his maths. and his guitar than with women. The strength of the film lies in the natural dialogue. It seems so familiar to us as we have all encountered similar experiences and thoughts in our youth. Eric Rohmer has a keen eye as he reveals all the hopes and disappointments of people searching for love. The photographer captures the idyllic beauty of this lovely resort, so bright and sunny. You can almost smell the sea air! It's a very gentle film and handled with a delicate touch, but one wonders in the end whether it may have been a little more enjoyable if a little more excitement could have been injected into the story.

It often goes unstressed how difficult it is to craft a simple, crisp and minimal output as opposed to something complicated. Rhomer deceives you with the simplicity of the visual framework he uses and lets you into this intricate world of human relationships. I wouldn't go into the characters and story (Already in the description). The story is set in Brittany region and specifically the town of Dinard. Like in any Rohmer film, you see abundance of natural ambience and lack of any music. The central character is a musician and a confused lover, who goes through a series of situations that would help him in a way rediscover himself. The most interesting character is Margot (Amanda Langlet) but I also found the presence of Solène( Gwenaëlle Simon) mesmerizing. These two characters somewhat set the two extremes where Gaspard (Melvil Poupaud) travels to and fro, throughout the film while being anchored to a third woman, Lèna. Each scene dwells deep into these three women characters and their relationships with Gaspard with their subtle gestures and deeply felt emotions. If you look closely at these characters you can see a lot more going on than the words they exchange. In many ways, Rohmer is a lot like Yasujiro Ozu, who also tells complex human stories with his trademark minimalism. I would highly recommend this to anyone who appreciates poetic, visually stunning films on human relationships. You needn't be a romantic for it. A definite 8/10 from me.

First of all, let's say that Eric Rohmer deserves a 7 foot, solid gold Oscar, because he is one of the very last directors NOT to use Hollywood music. Or better: elevator muzak. He does not use music at all, unless someone within the story is singing or playing or listening.

No need here for external cues to explain to the viewer what's happening on screen. What a terrible shame Rohmer is the last to do so !!!

The cinematography of this SUMMER TALE flows magnificently, playing with the backdrop of beautiful Brittany. There are no hard or harsh cuts; no need for welding goggles to sit through this movie !

This is a small yet honest tale: the protagonists talk, rather than babble or throw comic book lines at each other.

A SUMMER'S TALE is not an epic, nor depicting a world changing event or some bigger than life humdrum. In all its subtlety and sincerity it is something that could happen to all of us.

Thank you Monsieur Eric Rohmer for yet another wonderful film.