Dark Planet

Where is the crew of the Satellite of Love when you need them!!! Only MST3K could help this out! The ship is dark, the costumes are dark, the lighting is dark, and some of the effects budget must have been used up before they started. Skip it.

The saddest part of this "movie" (if you can even call it that) is seeing the great talents of Michael York being completely wasted in this piece of trash. The special effects are mediocre dime-store at best, and the plot of 2 sides at war on earth teaming up for something never defined until the end is plodding and dull. The video shop should have paid ME to see this......

I'm a sucker for space movies, but even before this one started, I knew it would be a bomb because the "Coming Attractions" on this rented video were themselves so awful. I saw this film in a weekend-long adventure in masochism that included "Ghosts of Mars," "In the Dead of Space" and "Trancers."

"Dark Planet" is appropriately named: Everything in this film is dark, presumably to save money on sets. Or maybe in the 26th century, people have sharper vision. Or maybe they're trying to save power, like the Albertson's supermarket near my house that has a big sign on the door saying they have turned down the lights to save electricity. Any crew member of the starship Scylla better have night-vision goggles, otherwise they will be stubbing their toes in the subfusc gloom.

The special effects for this 1996 film were not just dumbfoundingly amateurish, they were so cartoonish they reminded me of Terry Gilliam's animation style. Alas, Gilliam was not around to give the effects sequences a Pythonesque breath of fresh air. It wouldn't have fit the film but anything would have been an improvement. Add to that the inexplicable plot and you have all the ingredients for a real stinker. Every once in a while the script almost but not quite rises to an engaging level, but then sinks into banal absurdity again.

The cast is a mix of well-knowns, lesser-knowns and unknowns. You wonder how the bigger names got suckered into this turkey: Were they hard up for dough? Did they have nothing else to do that weekend? Watch Oxford graduate and Shakespearean actor Michael York in this and one thinks, 'Oh, how the mighty have fallen!' Harley Jane Kozak radiates beauty and intelligence even in this dog of a movie; a look at her disappointing filmography suggests that she has not been well used in Hollywood. Maybe the nickname Harley (apparently from the motorcycle) fools some people into thinking she's a guy or maybe they think she's a Hell's Angel chick. Paul Mercurio seems to speak American most of the time---or else someone else is dubbing his lines---and then every now and then his native Australian slips through. I guess the filmmakers were too sloppy, too cheap or too lazy to re-loop those lines.

In conclusion: If you have a yen for a really bad movie some weekend, skip this one and rent something truly memorable, such as 'Santa Claus Conquers the Martians.'

This one felt like they tried to make a STAR WARS-style outer space adventure on the tiniest of budgets. Thus the entire running time is made up of actors' faces shot in close-up in a darkened room. Michael York and Ed O'Ross are the old-timers propping up the cast and York gets undue prominence here. The plot is negligable, the script awful, the FX and action non-existent, so you have to have a high tolerance to even sit through this one.

Okay, I've seen worse. Much worse. First of all, this movie is not full of bad CG. It's full of bad model special effects. Second, with the exception of Michael York the acting is meh (I've seen equivalent talent on Babylon 5 and that show is still amazing). Third, at its heart there is a good story, unfortunately clouded by cheezey lines and an even cheezier hero.

However...

With better dialogue, better actors, and better special effects this movie could be something special. All it needs is a remake by someone who understands how to make a suspense film.